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You might not remember my goodbye, but there were white walls. Around 9pm, a handful of other people, and the beating of a silent angel’s wing.

You might not know this, but that wasn’t a goodbye. It was too rushed, too ******, not enough space for letters to form, full of run-ons, no commas, no semi-colons, very messy, no— that was the goodbye in my head, but what I actually managed to whisper was full of commas, full of semi-colons, had too much pauses. But no stops. No periods. My goodbye was unfinished.

It went something like,

“I love you… I won’t let anything happen to the place you love most…. I will write about you, about your family; I won’t let them forget about—”

See? My goodbye was an outline. With Roman numeral number one being "I love you..." so,


I. I love you

   A. I love you; what more is there to say?
   B. Here it is: I love you
   C. And I will continue to love you

       1. long after my tongue forgets how to say your name because I know I won’t be saying it out loud anymore

      2. long after your bed exhales the engraving of your body on its sheets and I forget what sleeping beside you feels like

      3. long after the sound of sirens and wars and famines and earthquakes try to push the sound of your radio out of my mind (I will miss that radio)


II. I won’t let anything happen to the place you love most

   A. where is the place you love most?

      1. I hope the place you love most is within reach and not somewhere I can't go to

      2. or maybe it’s the place you call home, or maybe it’s who you call home

      3. I hope the place you love most is somewhere where I’m next to you

   B. I hope I can keep this promise


III. I will write about you

   A. how you
      1. once ate tortang talong everyday for two years — simply because you loved it

      2. keep everything — that eleven year old bar of Safeguard you once showed me, the children’s picture book Bible you’ve had since you were nine, and my letters you never replied to… I remember always writing apologies for snapping at you, now I’m writing eulogies and I don’t know how to stop

   B. how you love

      1. not with your words —  maybe words tired you because people don’t always remember words exactly as they were, but they do remember the way they were looked at, and when you’d look at me like that, I was suddenly fine with the way you kept your I love yous to yourself; they spill from your eyes anyway

      2. with your hands — you liked to fix my messes: from algebra equations to broken picture frames; you liked to answer my questions: where is north? who were the other men on the moon? what did you say when you had to say goodbye? I never asked you that last question, but maybe I should have so that I would have been more prepared for this moment and not would not have to have said goodbye to you in the form of an outline

   C. about your family

      1. I will start writing about them once I’ve figured out how to stop writing about you

      2. so I guess I might never be able to write about them

IV. I won’t let them forget about



And here ends my goodbye because I decided that I would be undecided about what I won’t let people forget. Let me remind them freely, without a guide to follow, just things about you I only realize later on actually meant something. And now I realize that that goodbye holds a lot of promises, and I need to tell you honestly… these days… I don’t write about you and I don’t think about you and I don’t see you everywhere anymore. And sometimes I don’t miss you. And I don’t know if that is a sign that I have healed, or if I’ve just simply chosen to ignore the symptoms of something much worse. But these days I swear I’ve been trying. Trying to let you in my dreams again. Trying to write more fragments and phrases and outlines and fulfilled promises. Trying to let you make your way into my words again, until my goodbye becomes a see you later. Until I someday write you back.
I've always regretted not writing about my grandmother more. So here's me trying to write about her again.
There is something about knowing that your heart
has finally found its place, that the peace you have been searching for
now knocks at your door.

That the storm that has left you in pieces,
that has you so used to the darkness you had
forgotten you once walked on sunlit paths
is finally over, and you remember that the moon and the stars still exist
that hurricanes, no matter how huge, lose their speed
and there is still such a thing as clouds
that don’t bring death with each fall of rain.

I know that there is something about knowing that
there is hope, and not just any kind of hope,
but the hope that is alive,
and knowing this… you know what it does?

It makes me feel like spring,
every fiber in my being so alive and kicking
and suddenly every part of me knows
how to dance, I lose control of my body
and even I don’t know how to stop me,
my mouth seems too small to contain the smile
that is breaking across my
face is flushed pink
like I’m in love, I am in love, how can you not be in love
when you know that a hope like this is living and it
overtakes you and kind of breaks you and
makes you feel like this, makes you
forget how to form words on your tongue,
even the simplest things are now indescribable
brings you to your knees, waterfalls of tears on your cheeks
and you’re not sure if they’re from laughter or amazement
but then it hits you, the word to describe it is
joy.

An inexpressible, glorious joy.

And this joy does not fade.
Even in my hardest nights, in the corners of my heart
there it resides.

How can this joy go away, when I know
that every ugly part of me
every mistake
every failure and every fall
has been taken and exchanged?
Darkness for light
death for life
sin for righteousness
mourning for gladness.

How can this joy be silenced,
when God Himself shamelessly proclaimed
His love for me, an unworthy being,
announcing to the world
that I am now His through the nailing of His body to a tree?

How can this joy be destroyed,
when even after accepting His love into my life
there are times my heart still strays far
but then, again and again and again, His love goes further?

It cannot.
And it is with this joy that my heart has been filled,
more than when all the blessings are flowing
and I am not lacking, this joy
goes beyond this world in which we are living,
pointing us to the only possible source for a
joy like this.

There is something about knowing where the source
of such a joy comes from,
and knowing that your heart has finally opened its doors
and finally found its place there.

And that source is Jesus.
And my heart has opened its doors to Him and
found its place in Him, and I am filled with joy.

An inexpressible, glorious joy.
Written for the invocation of UP Street Dance Club's Street Fusion 16: Doors.
We’ve been walking on this journey for years now, and I’ve held your hand long enough to know that when I slip into quicksand or miss a step, it is not you who lets go. Your fingers aren’t the ones coated in doubt or in selfishness, gripping firmly only when it feels right, when it feels necessary. Your hands are not made of brittle bone, shivering and breaking when the cold starts to show. Teach me to never let go.

We’ve known plenty of good weather. Safe landings. Skies full of stars and days of endless wind. Scraped knees were never a problem, we always seemed to be in fields of yellow and green, surrounded by miles and miles of running streams. There were times when I would purposefully stumble, thinking that it would be okay, I’d land elbows first in the faces of dandelions anyway. Other times I’d stray, not because of greener grass, but because I was too caught up smelling that single flower to see that you were calling me to the next meadow, where petals of a sweeter smell and prettier colors stretch out like a seascape. Teach me to give up my little treasures and desires, for yours are far better.

Sometimes I get a little adventurous. I tell you I want mountains. I tell you I want to climb, that I want the strain and the adrenaline rush, the thrill of letting pieces of hardened sand and pebble carry my whole weight, the challenge, the sweat, the blood. I tell you I want to see things from the eyes of God. I tell you I want to struggle and overcome. I tell you I want the soul of a deer, to plant my feet firmly on the narrow heights, I tell you I’m alright but when I’m actually in the process of the climb, in the process of the waiting, wondering which rock do I grasp next, which path do I trust with my steps, I tell you I’m not ready for mountains after all. But you did not bring me here to watch me fall, so teach me. Teach me to keep my ankles strong, and my hold on you stronger.

And when we tire of mountains, you take me to oceans. You know how much I love the saltwater mysteries, how my heart sings when I get to feel clumps of wet sand beneath the soles of my feet. And you know how much I don’t know about the waters, you know that it’s hard for me to tell when an undercurrent comes sweeping like thousands of tiny *****, that I can’t spot the difference between high tide and low tide until the waves are lapping at my door, that I still swim after jellyfish no matter how many times I’ve been stung, and how I forget that not every beautiful thing has beautiful intentions, and especially how oceans also terrify the breath out of me. One of my deepest fears is to die drowning, but still you row us out in a weathered boat into the middle of the sea, no life vests or whistles, nothing. We’ve had calm waters and dolphin mornings, we’ve had rough rowing and storms brewing, and each time you managed to put the thundering and rumbling in my chest to rest, and each and every time you’ve gotten us back to shore. But honestly, there are days I want to jump ship, sail my own boat, find my own sea, and some days I do. Those days I lose my way, those days I’m half drowned, but I turn around and find you there. Teach me to trust the one whose voice the waves and wind know.

Now here we are in a different kind of sea, the kind without water. This pit is abundant in ***** yellow devils, illusions and false promises, but all I have are questions and weary feet. Why are we here? Where are we going? Why did we leave? How am I going to shake off this mirage? When is it going to rain? After all we've been through, this is where you're taking me?

My path is an endless circle, a cycle using my sight, my heart, my feelings, my stocked up wisdom to judge my situation and I come to the conclusion that you have deserted me. But you haven't. And I don't understand how you stuck with me through hills and valleys, and never once thought of leaving, but you haven't. Your shadow is cast on me and peace overflows. Maybe I've been asking the wrong questions. Maybe instead of asking you where the stretch of sand ends, I should be asking you to teach me.

Teach me to love you in every season, whether it be the harshest of winters or the wildest of heats. Teach me to understand that deserts make me thirst for water, that I need to be lost so that I may be found, that without a battle there is no victory, that seeds die before they grow into trees. But before anything else, teach me to let the sound of your voice to be what guides me through winding paths and roaring winds, not which road looks smooth or which sky looks dim.

We've been walking on this journey for years now, and I've held your hand long enough to know that all this time you have been teaching me to fall in love with my eyes closed.
A spoken word poem written for Sali Production's benefit concert for Resources for the Blind, Mata, last month in Ortigas Park.

Also, I can't think of a title. Help.
Summer, Day 1.
Do you know how much I love you?
One day you will.
One day you will.
I haven't even seen you yet,
but I am so in love with you.

When the time comes for us to finally be together, I will drive us somewhere outside this concrete jungle to ask you that. Then I will tell you to look at the stars, and you will try to count them, even if you already know that not enough stars were created to compare it to.

Darling, I dance and I sing and I shake in delight at the thought of being with you. I'm a morning person now, because I know that every waking moment is one day closer to forever.

Summer, Day 2.
I have sworn to save every part of this heart for you. I've loved before, but not like this. Not like this. My stone-heart now made flesh beats as if I'd just been born, as if I'd been made to love and to be loved by you.

Summer, Day 3.
I can't believe you chose me. I can't believe I'm going to get to marry you. We've got quite a long way to go, but I'm already preparing, making sure my dress will be as white as snow, every hair in place, this heart pure and this body untouched until the day I put my hand in yours. I can't wait to see your face when I walk down the aisle. I promise to be the perfect bride, your perfect bride.

Fall, Day 1.
I might not write as much as I did during the summer. Life has been getting busier and busier, but I want you to know that I still love you as much as I did from the first day.

Fall, Day 46.
I've been spending quite a bit of time with someone. He's clever and says the most interesting things. I feel like we will never run out of words to say to one another. We talk everyday, and the funny thing is sometimes I feel my day isn't complete yet if we haven't spoken. Don't worry, my heart is still yours. Just thought I'd let you know.

Fall, Day 52.
I think I love him, but just a little bit. I'm sorry, but I'm going to have to cut an inch off of my heart to give to him. It's just an inch less. Surely you won't mind.

Fall, Day 80.
He's been with someone else this entire time. It's a good thing I gave him only an inch of my heart, but the rest is bruised. Don't worry, darling, I'll have it fixed in time.

Fall, Day 100.
It's still beating, but barely. Maybe I should love a little again. Maybe some warmth will do this heart good.

Winter, Day 15.
I think... I gave a little too much.

Winter, Day 50.
My latest disaster said my heart was something worth waiting for. Apparently his second hands tick faster than the usual. He left, taking more than I expected he would.

Winter, Day 65.
Is a heart supposed to look like this?

Winter, Day 90.
I can no longer hear it beating steadily. Some parts have frozen. I have tried to stitch pieces back together and they hold... if you would call it that. There are scars and cuts that haven't healed, swollen bits from the wounds that were infected because I tried to save the poison only to have it lash out and bite me in the back.

Winter, Day 104.
What have I done?

Winter, Day 135.
Look at it. No wait, don't. There isn't anything left to give you, anything worthy enough to even stand in your shadow. I promised you everything now I give you nothing. You waited for me yet I pursued others, consumed by my lust and my pride, where can I hide that I myself will not see this mess of a heart I've created? Where can I run to that I will not have to see the look on your face when you see what I have left to give you? Do you still want this, this broken vessel, this torn up heart, all the pieces that don't fit, all the stitched up parts? Do you still want me?

Spring, Day 1.
You do.

Spring, Day 3.
You do because you knew what you were getting yourself into long before you met me, you knew I would break your heart yet you still asked for mine, you do because you are love itself. A death defeating, grave shaking, forgiving, full of grace and mercy, life and righteousness kind of love. This is the love that chose me. Now I choose you.

Spring, Day 5.
What have I done to deserve this? As far as the east is from the west, so you have cleared my offense. When others asked for me, they knelt on one knee but you asked nailed to a tree. Now here you are. Despite what I've done you want me to return to you, want me to still have you. And you know what?

Spring, Day 7.
I do. And I give my heart to you in absolute surrender and total abandon. Here, though broken and torn, take it and make it new.
It was yours all along. I was yours all along.
A piece written for Logos' Vessel under Fringe Manila.
Onward, soldier.
Onward.

That’s what they all
tell me, but
let me
slow down for a moment.
There’s a little something I gotta
say,

Thank you.

To that swing set in Greenhills Music Studio
San Juan City,
without you,
I’d never have learned that sometimes
it’s the other way around—
feet in the sky and head on the ground.

Mrs. Arambulo, the swing set’s owner,
who made sure I was well versed in
sonatinas and arpeggio scales
before I found out they’d already made
a piano that didn’t need tuning, and

Ma, who’d test my memory by
asking me if I
could recite
whole paragraphs at age four,
she’s why I remember things like
the smell of pilmeni,
the color of our first house’s carpet,
and nine page spoken word poetry,

to everyone behind that old kids’ show, Bayani,
watching it in my
second grade HEKASI class
would bring me to tears each time — no kidding,
you all paved the way for my homeland’s history
to make its home in my heart,

my English teachers from
sixth all the way to eleventh grade,
who all believed and still believe in the words I put down on paper
and spew out on dark stages armed with imagery and the Spirit,
you made me fall deeper in love with the way words can be waves
or flames,

Dad, who taught me
to climb mountains, to read books,
to let myself run free among the nations
but to always remember to leave a part of my heart at home,

to the four little boys I met in Hong Kong,
if we meet again, I owe you a better explanation to your question,
“Why do you dance?”
thank you for asking me that, and I’m sorry for my cowardly answer back then
but I’m braver now, and
I promise it’s for more than just fun or exercise,
it’s for this God I hope you get to know,

and to every Philippine history teacher I’ve ever had,
keep teaching like that,
we need more young ones who’d be willing
to die for their homeland,
you taught me that there is so much more to this country
than its own people tell me, so
burn on.
and make sure they catch fire.

Onward, soldier.
Onward.*

I’m not sure where I’m headed,
but I’d rather be uncertain of the road ahead
than forget
where
I started.
I’ve told you mine, now

tell them yours.
A poem I wrote for the #TellMeYours challenge. Video here! https://www.youtube.com/watch?v=IT8mUL8MZCw&feature;=youtu.be
Sumisigaw at
Sumisipa ang mga
Awit at tulang
Nilalabas ng iyong
Daliring nanginginig.

Ganito ang pag-
Ikot ng mundong ito:
Tuloy-tuloy lang.
Jedd challenged me to write two haikus--- one with the 5-7-5 form and the other 5-7-5-7-7.
 Oct 2014 Joshua Pavo
Mark Ball
Fiddly bits and
Mismatched shapes;
Come into my house,
Shut off the drapes.

I'll piece them together
This one and that.
But you don't believe in board games
So it's bound to fall flat.

So let us start from the beginning,
The corners and the bottoms;
Work inwards.
But do not be surprised
If you are not that missing piece,
But just a part of another's
Puzzle.
They ****** us in;
King and country,
Christ Almighty
And the rest.
Patriotism,
Democracy,
Honor—
Words and phrases,
They either ******* or killed us.
Pen
Please, I've forgotten
how to hold a pen, she said.
Those were the words that
convinced me to write a letter
from a stranger to a stranger.
So this is a message to you
from her.

She's asking how you're doing.
She wonders if the stars are brighter where you are.
You know,
there's a meteor shower coming
in a few weeks' time, she's
she's asking if you knew, and if
you'd watch it with her at eleven in the evening the Saturday after the next
so she'd feel like you were right there beside her
pointing out which streak held the most brilliant color
and if you're asking,
she's doing fine.

She's wondering if you know
how silkworms spin silk,
because a friend asked her the other day
she didn't know how to reply except by telling herself
that you would've known, so
how do they spin silk?
Let me know as soon as possible, she says
my friend wants to know.
But I think she's asking that as an excuse to hear your voice
but also because she really wants to know
how silkworms spin silk
and if you think jade is the nicest kind of green
or if you prefer hiking or swimming
if you agree that innocence is just untested character
and if you're asking,
she's longing for answers.

She's hoping you don't think of her,
and she's hoping you do.
She wants me to tell you that
she wants you to remember
but she wants you to forget the pain,
so might as well forget everything
because hurt is the price of loving someone.
She confesses that she's tried to stop
writing about you
but every time she sits down to
write her soul into words
your memory slips in and dances off her pages
and she tries to stop it
and if you're asking,
she's trying to find ways to make thinking about you easier.

According to her,
she's quieter now
not just her mouth but her feet,
her hair
her eyes
her spirit
Look at what you've done, she says.
I

I've always been a terrible liar.
Please, I've forgotten
how to hold a pen.
as you lay in the mountain pass
breaths in heavy, choking gasps
trees bleeding
restless, reckless head throbbing
tell me


who did you see?
Dedicated to Gregorio del Pilar. Idea/challenge from this guy http://hellopoetry.com/jedd-ong/.
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