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The streetlight on the corner of
8th and Harriet talks in Morse code
every Sunday night at half past eight.

Maybe it’s asking to be saved
from the blistering cold. Maybe
it has feelings for the moon

and is only trying to be noticed.
It must get lonely working
the same corner for years

and nobody bothers to return thanks.
My guess is it’s trying to communicate
with fellow streetlights

and plan an attack like the Ents
did before they went to
war on Isengard.

But then again, only in my mind
I make perfect sense. After all,
it is just a malfunctioning street light.
 Feb 2017 Jor For
David Noonan
They all gather to the deadhouse
Like actors taking to a well trodden stage
Whether from London's' Kings Cross
Or the finery of NYC's Queens borough
Back to the fold all prodigal sons must return
To join with those that could never find a way
From this barren cold land and its insular bitter lies
All united now in a grief of one that has been lost  
All divided by a rivalry, a rumor, some generational feud
The priest commences his weary and over versed tone
As he summons his God, his Jesus and his Litany of Saints
Incense burns as a symbol of the prayer of the faithful rising
Yet rising no further than their hypocrisy descends

And where do you look when even Jesus lets you down
As you turn to wipe that burning tear from your face
One not born from holy water nor from their devils grace

Doors are opened and a captive audience awaits
A procession of mourners to take their turn to the stage
Heads bowed all and one, as hands are extended
In weak and feeble grips amid their mumbled exchanges
"Sorry for your loss" and "taken too soon"
None hesitate too long as they navigate this fallowed room
An occasional recognised face among a community of strangers
A moment of warmth emanating from this ritualistic parade
All gone too soon unlike those memories of years past
Of wanting to get out and get free, promising never to go back
Yet to the last of this line they swear that they remember you well
Whilst retiring to The Old Stand with promise of more stories to tell

Where the whiskey chasers flow like the Guinness on draught
Helping to swallow the lies on how good it is to be back
Rehashing of old platitudes but nothing really said

For no one shall ever speak ill of the dead
 Feb 2017 Jor For
Genevieve
He was more frail than even I,
Thought I might break him
If I held him too tightly
And there was a gentleness to his touch,
Not marking my skin like newfound territory
Only invisible ink of sweat and saliva
To mark the path we chose
Tucked away now like a treasure map

He is the swatch of new paint on the wall
If I look at it hard enough,
The old color falls to give way
And my imagination can rest here
A reprieve from grief
A newly claimed corner of my mind
Safe from memories of love and pain

It doesn't fix anything
But it makes this easier
And that
Is enough for me
 Feb 2017 Jor For
skaldspiller
Last night I told you I loved you
because the feelings built too high
And I
had been trying to let you say it first
So it wouldn't hurt if you didn't reply
But as I was laying in my bed
my heart was beating fast in my chest
And i could no longer swallow
my esophagus was full up
to the brink
and you were already asleep so
I wrote
All the reasons why
and that i didn't expect you to reply in kind
and i pressed send
i cant remember exactly when
you became the keeper of my heart beat
but i felt you should know
it rest in your hands
Update: you replied in kind
 Feb 2017 Jor For
Genevieve
I keep tripping on brambles
Scratching my exposed shins,
Ripping at my shoelaces,
Yet somehow I keep upright.
Leaving my well-beaten path behind,
I had forgotten how difficult
Striking out anew always is.

I know I cannot return to the
Comfortable, clear, circular, cyclical path
I'd been wearing down for years.
Looking behind me,
I'm not sure I could even find the way back.
A path that lead only to itself,
But ****, how I miss those views.

My ribs clench at the memories
The smells, the warmth, the ease
But it grew crowded,
No longer a private reverie
No.
I mourn the loss of sacred space.

I keep stumbling, tripping, fumbling forward
Brought back again to this moment.
It's time to cover new ground,
Whether I want to or not.
 Feb 2017 Jor For
Mona
While the sun melts in daughter shades of marble,
My feet daring to touch the very bottom of this enveloping blue,
And the day howls alive with its elements clean,
Curtains of sand are spilling their secrets anew.

Skipping stones, what remained were the same hands,
The same lifelines illuminated in rivers of green,
A memory carried under the weight of two eyelids,
An unkempt heart stealing a breath of where it's been.

So when the brilliance of emerald fades in flakes of brutal gray,
An untouched moment of serenity will somehow stay.*

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