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 Nov 2017 Jonathan Witte
CK Baker
mirrored fly-glass
and polished chrome
are tinted
in the blood orange dawn
running dogs of lummi
hush quiet
on this celestial
summer morn

clubman bars
and tan saddles
strapped to
the lowered hind
skull caps
and fitted chaps
for the open flow
and rich peripheral scene

concessions at the peace arch
(from the blue-coat fuzz)
black *****
and maples
cake the bow hill
and chuckanut

choppers launch
at edison
(with their metal fleck
and tuft)
a half moon rises
on the concho
and interstellar cross

cinnamon gulls
and ravens
scour the netted docks
warlock driftwood
and row homes
spot the winding
coastal roads

rumbling sounds
at the packer slew ~
with the redolence
of briny bay
alive
on the overlook
at fairhaven
Spent a couple days in late September on a motorcycle trip with my brother...weaving through the small towns and villages of the Pacific Northwest.  Magnificent!
I

She exits herself on the
Sofa. Blanket, dog, and bits
Of a poem on a pad of paper

On the table, like a half-eaten
Piece of homework.
Shades of wine on her sleeping

Lips. Exits herself; space-walks
Outside that frame of mind she's
Been expected to hang herself

On the wall within; she knows
There is more.
There has to be more.

II

She has to be more.
Like so many writers, she falls
Asleep working. Sometimes

Works to fall asleep.
Digging her way through
Herself, mining for words,

Hacking away at painful pasts,
Gathering emerald experiences.  
Diamond doubts and ruby

Regrets all fuel her poetry.
And she reads, spotlight kissed;  
Audience adored,

Goosebump summoning; hairs
On arms and necks stand up as
She whispers directly to me.

About me. Because of me.
In front of everybody.
To music, and I've brought a box

Of pins, and between each of her
Every word, I drop one. And I
Swear to the gods, you can hear

Them all. Like the unsteady
Ticking of a clock too cool to
Care.

III

Poetry jewelry; set with stones
From her innermost. Chips of
Gold from her heart melted

Down to a key pendant she
Holds in her hand; chain dangling,
Eyes closed, forehead resting

Against a door she knows it is
Time to open. Key in one hand,
Pen in the other,

She
Enters
Herself.
“If you grow old, it is your own fault,”
I say to Terry as we climb
the mountain behind his cabin.
Terry is wearing a device that transmits his heartbeat
by cell phone to doctors at Stanford.
Terry has a flutter, nothing serious, probably.
Terry has a great heart, actually,
something serious, warm and wise.

We ascend this hill on Tuesdays every week
discussing poetry and plumbing, our twin passions:
the gathering of mountain water funneled into pipes,
delivered to homes,
the ordering of words funneled into pages
delivered nowhere, sadly.

We discuss friends fallen or falling,
the arc of marriages, parenthood, oddball relationships,
each a story and a puzzlement,
webs woven of love and rage.
That, and motorcycles, we talk,
pacifist veterans who walk still seeking sense
of an incomprehensible war that shaped our lives.
Objectors, conscientious, we realized too late,
not an easy path but better than following orders.
We walked away from war.
He, the Air Force; I, the draft.
Branded dishonorable.
So we hike, hearts pounding,
the simple friendship of two old men
seeking the hilltop
again and again.
First published in MOON Magazine June 2017
the back of a mirror,
leaves turn into flames
and after the walking

you shake your coat like a wet dog;

the rain waters your smile,
you trail autumn into the hall
 Nov 2017 Jonathan Witte
S Olson
We are elaborate animals made of wood
earth, flowing like water into the veins
of the sky.

The sun being a fist of lava, and the night
being an enticing molar—we are
a succession of tides, being swallowed
by successions of day; and how beautifully
we wilt in the presence of joy.

The moon may be nothing
but a luminous
stone

and to eat the poetry of it
is how one chokes
on love

but the romance of morning
is that if by midnight
you are alive, that is joy.
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