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We were very tired, we were very merry—
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable—
But we looked into a fire, we leaned across a table,
We lay on a hill-top underneath the moon;
And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry—
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, “Good morrow, mother!” to a shawl-covered head,

And bought a morning paper, which neither of us read;
And she wept, “God bless you!” for the apples and pears,
And we gave her all our money but our subway fares.
And if I loved you Wednesday,
  Well, what is that to you?
I do not love you Thursday—
  So much is true.

And why you come complaining
  Is more than I can see.
I loved you Wednesday,—yes—but what
  Is that to me?
She is neither pink nor pale,
  And she never will be all mine;
She learned her hands in a fairy-tale,
  And her mouth on a valentine.

She has more hair than she needs;
  In the sun ’tis a woe to me!
And her voice is a string of colored beads,
Or steps leading into the sea.

She loves me all that she can,
  And her ways to my ways resign;
But she was not made for any man,
  And she never will be all mine.
Only until this cigarette is ended,
A little moment at the end of all,
While on the floor the quiet ashes fall,
And in the firelight to a lance extended,
Bizarrely with the jazzing music blended,
The broken shadow dances on the wall,
I will permit my memory to recall
The vision of you, by all my dreams attended.
And then adieu,—farewell!—the dream is done.
Yours is a face of which I can forget
The color and the features, every one,
The words not ever, and the smiles not yet;
But in your day this moment is the sun
Upon a hill, after the sun has set.
i find that i write the best
just after a fight
just after i've cried
just after the tears have fallen

doesn't matter what story it is
happy, sad, mysterious
funny, tragic, ridiculous
i will always write it well

because any story i write
after a fight, after i've cried
is a story that gives me the most comfort
because any fiction

is better than this.
Does
forever
sound
like us?
Rainbow smiles
Do not match her lifeless eyes
You do to me what winter does to garden geraniums.
Frost does not exist on purpose.
It does not intend to puncture cell walls.
It just is. As do I. As do you.

You do to me what oxycontin does to the heart.
Oh, my zenith of euphoria, the unbearable absence of your pleasure
haunts me until nothing remains to be haunted.
You caress me raw with your fingertips.
Your warmth burns hot as ice on my soul.

You do to me what chefs do to onions.
What farmland does to streams.
What sunshine does to skin.
What wealth does to man.
What maggots do to rotting wounds.

You do to me what pictures do to moments.
You do to me what rats in glue traps do to themselves.
Everyone's afraid of growing up.
Losing that unique edge.
becoming
One of those adults spouting off the platitudes they used to so self-assuredly mock.
Those healthy boring folk with their
sleep schedules and
multiple bank accounts with
commas and
**** like that.

But as I sit here on the couch that my roommate
brought home
after his parents bought a new one
reflecting on who I should be; who I want to be
and who I really am ;
an adult, apparently....
I'm right at the cusp of thirty, after all.
Yet
my biggest disappointment
is the simple realization that I still have far too much in common
With my eighteen year old self and his
panic attacks and
substance abuse issues and
Three month heartbreak affairs and
Chronic feelings of being misunderstood and
the ****** poems he writes to try and
come to terms with
all of that.
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