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 Oct 2014 Em Draper
Terry Collett
I sat next to Anne
on the lawn
by the round white table
after breakfast

she was rubbing
the stump of her leg

I ate my toast

Sister Bridget
came over to us

what was all the fuss
last night?
she asked Anne
staring at her
with stern eyes

my leg hurt

your leg has been amputated
there is no leg
the nun said

it still hurts
even if it isn't
****** there
Anne said

language
I will not have
bad language
the nun said

I said ******
that's not a swear word
I should know
I’m an expert
in foul language
Anne said

you did not
have to make such a fuss
you woke up
the other children
in the dormitory
and Sister Elizabeth said
you used
foul language then

Anne shifted in the chair
rubbed her stump

I finished my toast
gazed at them both

it hurts here too
Anne said
raising her skirt
to reveal the stump

put your skirt down
the nun said firmly
Benedict doesn't want
to see your stump

I looked away
carrying the sight
of her stump with me

he doesn't mind
he's always gawking
at my leg
Anne said

enough of that
the nun said

that's what I tell him
but he doesn't listen
Anne said
poking me
in the ribs smiling

I don't
I said
looking at the nun
with my Mr Innocent features

I suggest young lady
you go to see Sister Agnes
about some painkillers
for the pain
the nun said
avoiding looking at me

I will
Anne said

and better manners my girl
the nun said
and walked off
across the lawn

silly old crab
Anne said
here give me your hand
and she shoved my hand
on her stump
and rubbed it
back and forth

I tried to pull
my hand away
but she held it there

don't fuss so Kid
take it as
the pleasure it is

I watched the nun stop
over by the slide
and talk to two other kids
sensing my hand moving
over warm skin

if the old bat saw this
Anne said
she'd call it
a ****** sin.
A BOY AND GIRL IN A NURSING HOME IN A SEASIDE TOWN IN 1950S.
She clutches a toothless baby,
posing stiffly before a tacky blue backdrop,
standing faithfully
beside my indifferent father—
a dormant madness
written subtly into
the lines of his face,
smothered
by suburban stoicism.

But her impeccably tailored grin,
which beams predictably
from the outstretched lips
of every frustrated housewife,
screams the words
forever condemned to silence:
“******* it, Andy,
for the good of our family,
couldn’t you at least pretend
to be happy about something?”

But what she didn’t realize
is that for far too long,
he did.
You’re just the kind of person
some lost adolescent would go home
and write a ****** poem about
at 2am in hasty cursive
scribbled on stained notebook paper
wrinkled from careless handling, using your being
to bring some riddle of the subconscious
into an acknowledged existence— and then
destroy the evidence, rendering it
undiscoverable to humanity—like everything else
she ever kept
too embarrassingly close to her heart, because
when she was a little girl the adults in her life
told her that there certain parts of yourself
you always kept private
that are a no-no
to show to anyone, and those
perpetually invisible parts
are covered by your swimsuit and your stoic reserve,
the eggshell guarding your psyche—that if anyone
forces themselves in with enough effort, you’ll break
all over them
and stain their sacred feet
with your messy insides that never
seem to go back in
once you’ve released them,  which will
leave you eternally wishing
to retreat into that perfect little immaculate white shell,
undisturbed by your own humanity.

I deprive myself of glances
I would love to take of you, but that would mean
that at some point you would
grow suspicious and
perhaps conjure the ESP
I seem to think everyone has
whenever I have a secret about them I’d rather
they never figure out—but I have to admit,
you’re beautiful.
I wish there were words
precise enough to explain exactly how
I just ******* love
how you stare at the world
with a poet’s wistful empathy, peeking
discreetly through the one-way mirror
of well-guarded sensitivity,
eternally wearing a gaze reluctantly masked
with an adaptive weariness just
transparent enough to expose
brief silhouetted glances
of vulnerability.

You’re just the kind of person
I wish I had the courage
to let into
my psychological fortress
constructed with every accumulated brick
of accumulated cynicism
that materializes
from living in a world that
muffles every voice
it makes want to scream, even if
no matter how old I become I’ll
always be some lonely kid standing
outside of my own person, eternally yearning
for somewhere safe enough
to have a broken shell.
The benefit
of challenging anything
too comfortably established
isn’t so much
some clichéd grand expansion
of one’s worldview, but rather
a well-warranted reminder
that anyone claiming to have found
any conclusions is very likely
full of ****.

I love you dearly, humanity, but
you discover the world
like a toddler discovers his own foot,
and cling
to obsolete sensibilities
like trying to justify your belief in Santa Claus.

And you hate what you find
when you look too long,
because
you say that you discover the world
but what you so stupidly, so humanly
overlook is that the world bears herself
with no inhibitions, and even though
you can’t see everything immediately,
it’s all there; she has
nothing to prove to you. Yet the mystery
you so excruciatingly choose to maintain
is that even though the earth bares her skin
unashamed, you find her ****** absurd and
clothe her blatant body
in preconception, tragically dedicating
the decoding of your existence
to finding out
what truly lies beneath.

So perhaps, humanity, you should
embrace those who **** you off,
because you cushion your soul
with every reason to distance yourself
from any realization
that there is no inherent parallel
between every finite question
and the eternal answer,
unsatisfied with
the tantalizing ellipsis
the universe leaves you, and that the very fact
I even formed a sentence
is punctuated
by my mortality.
Dear Mom,
I know I shouldn’t have been
snooping, but when looking
for some socks on a day when I was
still living with you and had neglected
to do my laundry, meticulously paper clipped
in your drawer, I found a 26-page document
that made my insides curl
when I saw the name of Dad’s mistress
printed blatantly on the front cover.
Yes, I looked through it
(and I know I shouldn’t have) and I don’t know
what made me more disturbed—the fact
that you took the time, ink and paper
to look up the woman who
destroyed your marriage
on public records,
and neatly annotated the highlights
of her messy divorce
prior to meeting Dad—or that this
26-page monstrosity sat innocently beside
his old Valentine’s Day cards,
still painstakingly arranged by year, mixed in
with your daughters’ decade-old crayon drawings
captioned by the loopy letters of a child’s handwriting
next to little plastic baggies with worn edges
containing baby teeth,
the roots yellowed by age and decay.

You never let anything go, do you?
You hold time captive by the wrists
until the soft skin bruises, and even when
it finally jerks itself away, you still manage
to sweep up every speck of dust
its presence
left behind, and store it
perfectly labeled in your archives
like some neurotic historian,
where you think your daughter, who was
only looking for a pair of socks,
would never just happen to stumble upon
this hoarded material record
of every ******* thing
that torments you.
 Oct 2014 Em Draper
Jon Shierling
I sit here, night after night, pouring myself into the cracks of history, bathing in obscure knowledge for the sake of trying to aquire some sort of superiority. Pointless. I've been burying myself in dusty scraps of information since I was a boy, and none of it has prepared me for you. You throw the beauty of an experience across my shoulders like a blanket and I shrug it off with mere facts and annotations, as if I'm afraid of what it would mean to accept the simplicity of you reaching out to me, not to explain but to share. The simple fact is that I withdrew from things a very long time ago and now I don't know how to come back. Always I must explain and analyze, pry up old tombstones thinking that if I can only find some kind of secret that I'd be able to step back into life. You told me that I hold too much back. You're right. I hold most everything back, bury it in the mass grave where I dumped the corpses of many selves. I don't know how to participate in life anymore, only to observe and calculate. And I'm afraid that if I can't figure out how to change that, it will strangle us.
 Oct 2014 Em Draper
Terry Collett
Ingrid stares
at the sea
the wild waves
the seagulls

we've come down
on the coach
from London
organised
by the church
of gospel
worshippers

what are those?
she asks me

they're seagulls

do they bite?

I don't know
want ice cream?

her brown eyes
gaze at me

no money
she tells me

I’ve got some
I tell her

is there lunch?
she asks me

I think so
there's money
from the church
for us kids
from poor homes
I tell her

her brown hair
is pinned back
by steel grips

she smiles wide
her rather
mild buckteeth
beam at me

fish and chips?
she asks me

I guess so

can I be
your girl friend
for the day?

want ice cream?

O yes please
she utters

I go get
2 ice creams
from a van
parked near by

what you want?
the guy asks

2 ice creams
with choc flakes

I watch him
fill 2 cones
with ice cream
then plonk in
2 choc flakes

I walk back
to Ingrid
here you are
I tell her

she takes one
and we walk
on the beach
in the sand
8 year olds
hand in hand.
A BOY AND GIRL AT THE SEASIDE 1955.
 Oct 2014 Em Draper
Jon Shierling
Wakes up
texts good morning
eats last nights tempura
drinks coffee
and is empty

Tries to read
tries to think of other things
and can't quite find
comfort in old things that used
to bring some slight relief

Makes a passing remark
and is told that if one won't forgive
one will be nothing but bitter
and alone
forever

Doesn't try to explain
that one can forgive
and possibly even forget
but that doesn't mean the same
as setting oneself up
for another betrayal

Misses dad
reminisces about some good times
long past and best left alone
and is irritated for that
***** in crumbling armour

Is a bystander
in a one sided tongue lashing
over pointless frustrations
chemically based
and promptly exits the scene

Is at work
burying half formed anxieties
underneath never ending problem solving
solving all problems encountered
except for one's own

At the grocery store
staring catatonic
through rows of frozen meals
uninterested in actually eating
merely performing a chore

Back at work
typing out nonsense and noise
not really caring for response
simply needing to affirm something
anything

And then I got to talk to you
 Oct 2014 Em Draper
Jack
~

Silence, on waves of our tide motioned heartbeats,
cascading rhythms, a smooth metronome
Keeping this time inside blue water passions,
beneath the surface, the feelings we’ve grown

Hidden so deep in the swells of affection,
swimming the shores of a long summer’s night
Building a fortress of seashell laced castles,
sand dollar curtains to fend off the light

Running for cover as sunrise now beckons,
placing our smiles where the seas can not gaze
Whispering secrets of coast line devotion,
harboring dreams till the end of our days

Lighthouse lit beacons now search as a witness,
beaches a’ shimmer of moon glow above
Hoisting our anchor, we share the horizons,
*sailing these oceans, professing our love
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