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 Nov 2012 Eliot York
Alan McClure
Look,
you can surely tell
that I feel the indignity of the situation
by the way I cannot meet your eye.
Yes, I look ridiculous,
but nature has called
and I must answer.
**** to a tree,
heels on the ground,
vulnerable -
it's not the image
my wolfen ancestors
would wish you to observe.

No, I'm no great fan
of the substance I produce,
but you needn't wrinkle your nose -
it was you who led me here, after all,
and I'm sure yours is no sweeter.

I'll make you a deal:
you avert your eyes
while I take care of this
and I'll avert mine
and pretend not to notice
when you pick it up carefully in a bag
and carry it around.
 Nov 2012 Eliot York
D OKane
My cat
whines and pines
and pins me down
with needle paws
my ball of fur
noses my chin
and licks
once fed
she's fine and
fast asleep.
it's a fair deal
we both think
 Oct 2012 Eliot York
SWB
Hammering-out stammerings
while the morning's grown colder.
Burning through revisions
of the lines I should have told her.
 Oct 2012 Eliot York
W. H. Auden
I

He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
The snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.

Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.

But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.

Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.

But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.

II

You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.

III

Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;

Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice.

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress.

In the deserts of the heart
Let the healing fountains start,
In the prison of his days
Teach the free man how to praise.
When the Himalayan peasant meets the he-bear in his pride,
He shouts to scare the monster, who will often turn aside.
But the she-bear thus accosted rends the peasant tooth and nail.
For the female of the species is more deadly than the male.

When Nag the basking cobra hears the careless foot of man,
He will sometimes wriggle sideways and avoid it if he can.
But his mate makes no such motion where she camps beside the trail.
For the female of the species is more deadly than the male.

When the early Jesuit fathers preached to Hurons and Choctaws,
They prayed to be delivered from the vengeance of the squaws.
’Twas the women, not the warriors, turned those stark enthusiasts pale.
For the female of the species is more deadly than the male.

Man’s timid heart is bursting with the things he must not say,
For the Woman that God gave him isn’t his to give away;
But when hunter meets with husband, each confirms the other’s tale—
The female of the species is more deadly than the male.

Man, a bear in most relations-worm and savage otherwise,—
Man propounds negotiations, Man accepts the compromise.
Very rarely will he squarely push the logic of a fact
To its ultimate conclusion in unmitigated act.

Fear, or foolishness, impels him, ere he lay the wicked low,
To concede some form of trial even to his fiercest foe.
Mirth obscene diverts his anger—Doubt and Pity oft perplex
Him in dealing with an issue— to the scandal of The ***!

But the Woman that God gave him, every fibre of her frame
Proves her launched for one sole issue, armed and engined for the same;
And to serve that single issue, lest the generations fail,
The female of the species must be deadlier than the male.

She who faces Death by torture for each life beneath her breast
May not deal in doubt or pity—must not swerve for fact or jest.
These be purely male diversions—not in these her honour dwells.
She the Other Law we live by, is that Law and nothing else.

She can bring no more to living than the powers that make her great
As the Mother of the Infant and the Mistress of the Mate.
And when Babe and Man are lacking and she strides unclaimed to claim
Her right as femme (and baron), her equipment is the same.

She is wedded to convictions—in default of grosser ties;
Her contentions are her children, Heaven help him who denies!—
He will meet no suave discussion, but the instant, white-hot, wild,
Wakened female of the species warring as for spouse and child.

Unprovoked and awful charges— even so the she-bear fights,
Speech that drips, corrodes, and poisons—even so the cobra bites,
Scientific vivisection of one nerve till it is raw
And the victim writhes in anguish—like the Jesuit with the squaw!

So it cames that Man, the coward, when he gathers to confer
With his fellow-braves in council, dare not leave a place for her
Where, at war with Life and Conscience, he uplifts his erring hands
To some God of Abstract Justice—which no woman understands.

And Man knows it! Knows, moreover, that the Woman that God gave him
Must command but may not govern—shall enthral but not enslave him.
And She knows, because She warns him, and Her instincts never fail,
That the Female of Her Species is more deadly than the Male.
 Oct 2012 Eliot York
Kara Troglin
Twenty-three years now and the same sun rises
along the rim of a big blue sky with layered clouds.
A myriad of kaleidoscopic colors leaks through
surrounding me with nostalgic warmth.
Remembering everything that brought me here.

That sticky, unbearable Texas heat
whirling in the wind of a summer afternoon.
Sleeveless dress, sunburnt skin, watermelon smile.
Five years of beauty growing into a thin young girl
who wanted to learn about everything,
Shifting into the youth of an actress in an over-the-top
melodramatic performance at a local theatre.
Selling art and collecting coins to travel
across our globe, and then,
my first plane ticket to Vietnam.

Nineteen came dressed in bittersweet wanderlust.
Packed my bags and drove my car to Portland, Oregon.
Four cameras, disheveled notebooks, ink-stained hands.
Those tall forest trees of enchantment,
a photographer's dream.
Traveling down the west coast to desert lands:
Seattle, San Francisco, Santa Fe.

Somewhere in there I ended up sleeping beneath the stars
with a belly full of wine in Alaska.
The summer solstice singing me a song while tears brim up my eyes
because the world has never looked more lovely.
Aurora borealis shimmering her lights above
a reflecting ocean of pastel
Reds and golds, blues and pinks.

A lucky lady who has touched corners
of love and sadness and wonder.
Burned imprints of goodbyes
in the crevices of my mind, but this is who I am.
Living and breathing in this extravagance.
The door that someone opened
The door that someone closed
The chair on which someone sat down
The cat that someone petted
The fruit that someone bit into
The letter that someone read
The chair that someone tipped over
The door that someone opened
The road where someone is still running
The woods that someone crossed running
The river in which someone jumped
The hospital where someone died.
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