I know about the necklace.
How you re-gifted a leftover reject present
from a buddy who mentioned it the day before,
and I know about Lyndsey and the book of YOUR
favorite poems you bought for ME. I know you call me baby,
but I also know that I’m not the only one.
You demanded a certain elegance
that I always thought I carried, but really
I was just a bag of apologies
for simply existing in the same space that you were.
You know the night that I got drunk on cranberry and *****,
called you twice, and cried into a box of homemade
chocolate chip cookies? That wasn't the first time
I sat at your chair in your sweatpants
waiting for you to return from wherever
you said you weren't. I know about what you've done.
But, of course, as you so eagerly expected,
you’ll come in with a sigh and sleek smile,
and I’ll unclothe myself as I talk about
every detail of my day even though I know
you never bother to listen. I’ll lay naked
in your bed as you cradle what you believe
is your biggest mistake, while I silently hope
that faked ignorance can mask the reality
of how beautiful I should be and how ugly
I never wanted to admit you were.

There are many different masks that adorn my wall
Always at the ready for such time they would be needed
Each one of them summoned to answer a specific call
Each one of them used so that the truth can't be uncovered

With time and wear these masks grow all the more necessary
They protect me from situations that render me vulnerable
Kept contained all the emotions that I wish to bury
Kept in check all of my thoughts so I stay capable

I've had these masks for as long as I can remember
Afraid if they have begun to redefine the true me
They assume their roles seamlessly as if it's second nature
Their roles they would assume without fail, ever so diligently

But as much as they would protect from my own naivety
They also would protect others from the words that I wield
These poison-laden words fueled by my poor misguided sanity
Could easily stab and wound if not for the masks that shield

Often wondered these masks if I've ever taken them off
And function as is without hiding behind bolted doors
Would I be able to walk the line without temptation to scoff
Will I be compassionate yet honest; without causing new-found sores

Such a tough questions to which the answers I know not
Despite having pondered till my head grew sore and weary
Something I should have done before delving in deep thought
Is to now remove the mask that my face does carry

I am homesick
For a place
I have not yet found.

Dear Talia,

I don't want to be a tortured artist.
I don't want to be depressed and I don't want to be anxious.
Competitive sadness and disorders treated like accessories disgust me.

The world glamorizes mental illness, and I don't understand why. There is nothing romantic about being mentally ill just like how there's nothing glamorous about a broken wrist or a torn medial collateral ligament. There's nothing romantic about constantly being afraid that the world will fold in itself and **** you with it. There's nothing romantic about feeling like you could break down and cry at any moment.

This is the first piece I've written while being medicated.

I want it to be Christmas already.

The world dreams itself a halo, but can only attain horns. The halo is an illusion and the horns are an idea.

I'm due to take another Lorazepam. Would I look cool to the kids who idolize dysfunction and misinterpret pain as style, if I were to take one of these, with water and a distant glance, in front of them? Geez, to have their approval would to have everything and nothing at all.

I'm not sure why I've written as much about this as I have.

You.

It is 2:48 am and all I can think about, in this moment, is you.

I can't wait to spend Christmas with you. I can't wait to wear bad Christmas sweaters, and be the couple everyone hates, as we sing Christmas carols and spread holiday cheer.

I wrote this poem a few minutes ago. Sometime around 2:30 am. I'm not sure. I'm exhausted:

I sat on the edge of my bed, and on the edge of my life,
medicated to the point of pointlessness. Soft.
It was the nineteenth, not the twentieth,
and I wished I saw the fireworks with her fifteen days earlier.

My gasps tore the shingles off of the house.
And they hung suspended above the hole in the roof.
And God stared down into my room, as the shingles swirled skyward.
"I see you," I said, "but I don't believe in you."

I left home and ran until I was a dream that had passed itself.


I hope that was okay.

I love you.


Yours,

Joshua Haines

Dearest Reader,


My name is Margot Dylan, and I'm a pariah.

On the 16th of April, I told my mother that I was gay. She threw the clay mug that I made for her before she found out I was gay, against the floral, peeling wallpaper mess of a wall, in our kitchen. The decaffeinated peppermint green tea left a wonderful aroma that almost cleansed the room of the stench of 'lesbian'.

I met Dylan Dunham a few days after that, and, a few days later, she was the first girl that I ever loved.

Dylan wore a red flannel jacket, and was a butch and sometimes a *****-but I loved her even at her tomboy cruelest.

Dylan smoked a cigarette that smelled like lonerism, and she looked at me like she didn't care. My heart skipped a beat, as cliche as it sounds, whenever she would remove the cigarette from her mouth, exhale, and look at me as smoke traveled up her face. I looked at her and knew that she was everything that I wasn't, and everything that I wanted.

Dylan was Dianne, before and after school. Dylan was Dianne, who wore floral dresses and lipstick and who ditched her butch clothing in her locker before leaving. Dylan was Dianne, who was straight and who thought Tyler Wesson, from church, was cute. Dylan was Dianne, who had a short hair cut because of track and field, because she explained that she ran a faster time with less hair. Dylan was Dianne, who didn't associate with me before or after school because her parents knew that I was gay.

During school hours, the only thing Dylan did keep from Dianne was the lipstick. I was envious of the cigarette because of it's burgundy stains. We would stand in a stall, as she looked across from me, after each drag. She frequently offered her cigarettes, but I refused because I only let love **** me. If she ever brought alcohol, sometimes she'd kiss me. I told her that I loved her and she said, "I know."

The only thing that Dylan kept from me was my heart, before she started to smoke cigarettes in the bathroom with Annie Way.


I wish you the best moments so they can overcome the worst,

Margot Dylan

Out of body, out of touch
If I feel at all, then I feel too much
This poem is as shallow as my grave

But I'm still digging

If I want a God then I'll misbehave
If I want to be sad then I'll entertain
Just because I'm found
doesn't mean I'm around
Just because I'm growing up
Doesn't mean I can't be down

I'm sorry, mom and dad,
but if I want to be happy then I'll have to be sad
I'll write until my fingers bleed
Until my words are the blood that the readers need

There was an army of ants in the plastic plants
So I poured light through a magnifying glass
And I created a fire on the artificial grass

They scurried and hurried
with flames on their backs
Like soldiers on a hopeless plain,
searching for invisible barracks

And I sighed as they died,
because we are all the same:
Scurrying and hurrying from invisible pain