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Derek Yohn Sep 2013
What has become of my lost brothers?

Trimmareus, the insane voice of the sensual pig,
     who fled from his blue mural
     to the land of jazz and muffaletas
     only to discover the senselessness of clothes...

Peter, the pine tree apostle,
     who paved the way to indifference
     on a needle point, silently
     prophesying the burning of Atlanta (in Atlanta)...

Time Crisis, the first disciple of
     the salt or pepper Antichrist,
     who physically assaulted his mind
     in an attempt to defy gravity,
     finally settling for three
     squares and a cot...

Amante, the disturbed and uprooted lover,
     who, by some accounts, fancied
     urinating in the face of his
     keepers.

All of these brothers have fallen,
cherub wings or no, and the
meek are left behind in
quiet speculation of our vain attempts
to ***** out these small campfires
of insurrection.

We have taken the low road,
carrying our hearts in wicker baskets
and our monkeys on our backs,
spitting and cursing about
time love money *** school work
life the safety bar money ***
violence apathy love and time
when we discover we do not have
the ones we feel we need.

          (do you want peace?)

We cried over the death of the apostle
knowing he had martyred himself
for no particular reason, and
after vilifying his role and path,
attempted to follow his lead
into the night regardless

          (I make peace.)

We vomited on the lover's dossier
in response to repeated professions
of innocence and conspiracy
at the hands of the merciless
system (created by sensuous hands).

The outsiders can see the dragon,
rising out of the depths
and whispering our demise like
sweet nothings in the ears of the
desperate hopeful;

          (Come and be free in my sunshine.)

the beckoning of the crashing surf
and the beauty of the half sun
radiating and filtering our
reservations into happiness at the
acts we commit in its name

          (Sacrifice to me your children's tongues and hearts,
               send them away bleeding and crying.)

We are the pure of heart in
this sick land of Golgotha,
where the rain is only the urination
of our higher powers, the
soap we cleanse our souls with
and witness to others so
that they too can enjoy
this ancient bliss.

          (Visit my website and see...)
Derek Yohn Sep 2013
In summers past, hot and hazy,
we wandered northern shorelines,
sand whipping salt brine and
vinegar enveloped, marveling that
even the Amish possess swimwear.

I lingered at the taffy shop,
toe-raised peering through smudged
glass and candy bins, spying
both worker and robo-worker
pulling long tough ropes of
salty confection and memory.

Our time on the path is pulled taffy,
event-pummeled, tugged asunder,
reunited bittersweet.

baked boardwalk beneath feet,
cobbled personality planks
stretching taffy of time

In summers past I was there.
In summers present i am there.
In summers beyond we are back
there once again
folded and kneaded
smiling, reunited.

This is the back-end of forever,
yet do not fear;
the dying of the light
is the dawning of the dusk:
a wheel that we spin,
a point that we traverse,
a keeping of a promise,
a memory of a scent,
a vision of disorder,
and the chaos in the calm.
Cower.
Rejoice.
Repeat.
Amen.
an old one, but seemed to fit the general motif for this collection
Derek Yohn Sep 2013
there is a terrible oneness of self,
a totality of single-serving lives
all sip it from teacups sometimes...
some drown in a flood of its
mountain-cold rapids

to be resolute, to face the
falling of the light wearing
the face of Red-coat bravery,
a garment forgotten in the New World,
to carry on without comment
is an unspoken bargain, an
acceptance of defeat with dignity.

Our triumphs are of little notice
to those we struggle for.
Derek Yohn Sep 2013
the night of the fake dead has become eternal
(i will wear Susan Lucci's face for it)

staggering through excesses unknown
and the uncertainty of this ranking system,
you tried to eat my earlobe
but lost interest in it quickly.
your scent safe in this butterfly net,
i am surrounded by the
murderous howls of your perennial
buttercups, determined to tempt
my animal ******* instincts.

     (enuma elish la nabu shamamu)
     (shapiltu ammatum shuma la zakrat)

i have tripped in the garden of Eve's desire
and felt torrents across my cheeks
of alternating salt and sugar-sweet nectar.
i have held the red locks of wort
and danced on the blossom-littered ground
in remembrance of wandered attention.

     (When in the heights heaven had not been named)
     (and below, firm ground had not been called...)

i have wept in the shadow of Adam's twin towers
and seen the rift between the continents
ebb and fall under silence's blanket.
i have leathered my skin under this star
to defend my eyes and tongue from
the bite of the turtle goddess.

i have seen the feast of the water,
devouring the naked soil of Pangea,
and tasted its salt with my eyes.
i have undertaken the toil of the shaduf,
churning mud and planting seeds for
the return of the floral messiah.

     (Amaru baur rata)
     (Shagane Ir Imshi)

i have borne the yoke of the oxen
and reaped stalks of wheat
in the summer's first harvest
i have broken bread with companions
under starlight mixed embers
glowing log light orange dynamo

     (The Flood swept thereover)
     (His heart was filled with tears)

Will you scream for me?
Can you profess the holiness
of my mission?
My name, my motif, echoes
across the ages...

Siaynoq!
Siaynoq!
Siaynoq!

In the end we are called upon by
stronger forces, blank expressions, glassy eyes

Siaynoq!
Siaynoq!
Siaynoq!

the cold of the world's knife,
pressed against the flesh of our selves,
unconscious rhythm heartbeat pounding
twisted sense rhumba of a thousand tiny shards

Siaynoq!
Call me to a greater purpose
Siaynoq!
Spill my blood across the sand
the language is Sumerian, from the Epic of Gilgamesh.  The first known and recorded creation myth of man.  I give the translation in the body of the poem.

Toil of the shaduf is an Arabic concept.  Think farmer, prepping the land.

Siaynoq...read God Emperor of Dune by Frank Herbert.  Religious connotation (worship) / mantra of the fervent believer...

The general ****** here is a parallel creation epic.

— The End —