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 Jan 2023 Christine Ueri
Crow
all heart and soul and love I gave
my life was yours a willing slave
eternal bond past death I crave
now call me forth from lonely grave

reunion lies in shrouded mist
memory held when last we kissed
for only thoughts of you persist
and pull me on to fearful tryst

I seek your hand in darkened hall
the walls twixt life and death now fall
your ballroom gown stitched from my pall
let music of beyond enthrall

dance with me when the moon is full
in dark of night dance with my soul
with shadow’s deep embrace console
stitch me closed and make me whole
Something for Halloween
 May 2022 Christine Ueri
Crow
arise vehement sea
and hammer
with your suffering fists
all the crags
and lonely stones
upon the shores of
the naked coast

where crouches
at edge of bluff
the foundations raw
cantilevered walls
and the arcing buttresses
that shelter dreams
held secret

hurl your agonized and
eager waters
at stone and mortar
shake the bedrock
on which rest
the touchstones
in the deepest cellars

let your echoing tremors
buffet and rebound
within the resonant chambers
hidden below

your ululating winds
calling to memories
in their veiled towers
peering from windows
narrow and high

their fluttering lamps
clinging to the light

they search the tumult
with eyes fearful and uncertain
cloaking forsaken desires
that thirst without end
(snottah poem)

In full disclosure that the following expressions are based on conjecture, I want to add my own COVID-19 mythology into the mix.

I will use method acting to become immersed in a mythological character who has the desire to thwart the Moderna & Pfizer COVID-19 mRNA SGT intramuscular injections with a multi-drug-resistant & COVID-19 mRNA genetic therapeutic-resistant SCoV2 variation that people label erroneously, as: Omicron.

Not only do I—the mythological character—desire to thwart the Moderna & Pfizer COVID-19 mRNA SGT intramuscular injections, I want to protect the "unvaccinated".
Within that hypothetical, mythological scenario, I know that the COVID-19 mRNA SGT intramuscular injections can cause specific types of immune white blood cells to become transfected & die, & that COVID-19 mRNA injected hosts shed extremely harmful, artificially-elicited SCoV2 Alpha B.1.1.7 variation S glycoproteins that can harm the "unvaccinated". The "unvaccinated" already have enough to deal with, as is, especially as many of the "vaccinated" seem to become more socially tyrannical towards the "unvaccinated"—& in general—with each new "booster" received.

Aside from causing "Omicron" to become multi-drug-resistant, & COVID-19 mRNA genetic therapeutic-resistant, in my interest to protect the "unvaccinated" from the more potentially dire effects of "Omicron" infection, one of my main points of interest with "Omicron" is to edit a non-linear sublineage "Omicron" variation progenitor in a way that disables its ability to infect immune white blood cells via their LFA-1 receptors in order that "Omicron" infection doesn't cause a form of AIDS in the "unvaccinated". The mythological character, that is I, desires for some **** sapiens to survive the Transhumanist COVID-19 Great Reset agenda with as much of their original DNA intact as possible.
Another main point of interest of mine is to design "Omicron" to be extremely transmissable.

After having successfully designed my Mary Wollstonecraft Shelley-inspired Frankenstein's Chimera, "Omicron" doesn't leak from my laboratory settings. No! I spread the sizzling-hot, gorgeous Promethean Flame. Lab leaks are for the reckless without a good cause.

Upon hearing that my arch nemesis, Herr Doktor Fauci, whom I've loathed since 1994, will be participating in a fake-science awards ceremony in South Africa in the near future, I get an accomplice to fly me to South Africa in his private jet.
During the flight, I lovingly caress the portable cooling box situated beside me, in which is stored my greatest design—the checkmate that will help topple the abomination: The One-Eyed Technocratic Tower of Moderna & Pfizer COVID-19 Synthetic mRNA Genetic Therapeutic.

After landing in South Africa, I arrive at the outdoor fake-science awards ceremony with 1 minute to spare before it commences. I stand at the back of the crowd that surrounds the open-air dias upon which stands my arch nemesis with a gloating, malignant smile on his face.
While focused on Herr Doktor Fauci's rat-like face, I release my beloved creation, with a blown kiss, onto the swirling warm air of South Africa.

The atmosphere works divinely for the release of "Omicron" in South Africa. When news of my creation's arrival breaks, a main group of the world's population leans towards theories, hypotheses, & narratives of "host variant spin-off", & another main group leans towards theories, hypotheses, & narratives of lab leak, as the particular area of South Africa in question is sprinkled with biolabs that are involved in coronavirus research. Perfect.

Another variable leads many people away from the Least Trodden Path that meanders between the extremes of science & religion:
There are known "Omicron" variations in North America that pre-date my greatest design.

Via the use of my accomplice's private jet, I spread "Omicron BA.1" (that I dubbed, as: Omegatron 7.2) throughout the continents. I begin to spread some misinformation & disinformation on social media, such as,
"The Omicron variant is a hoax, a mythological cover (which it often is) for the adverse effects & events that are caused from the COVID-19 mRNA SGT intramuscular injections."

I don't own a white hat. I'm a red magician.
March 29, 2022
 Dec 2021 Christine Ueri
S R Mats
That scent which rises up into my nostrils  
From the soil:

Iron, sand, leaf litter, first memories;
Black gumbo soil rich with organic decay

The scent that invades my nostrils
From the heavy rains:

Pine, pecan orchards, river, lake, fishy-ocean salt;
Awash in the field of drying grasses

It is an unwanted scent entering my nostrils
From the lack of a dusting cloth:

Aged, layered, rancid, oily, brittle pages, decay;
Things coming to their end.
 Nov 2021 Christine Ueri
Yasin
Sometimes
poems
make
me
want
to
write
in
a
crowd
of
only
one
person.
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