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 Feb 2016 Ayana Harscoet
tbcc
Sometimes the world forgets to
Appreciate who we are
Doesn't matter what we do
Lies, assumptions, and prejudice
Yawn at our points of view
 Feb 2016 Ayana Harscoet
ruhi
this bruised ballerina forgot how to dance.
            her lithe body a marionette
artfully conducted by threads in her back
   at the nimble fingertips of some perverse desolation
       she moves mechanically
   to its twisted touch.

she is told to somehow turn scars to flight --
    mend wounded wings
             and glide, carelessly soar
      through painted skies and fairy clouds
sweet as a songbird's melody
    reborn, a fresh starling

(listen: she weakly sings)
your eyes meet mine in a collision of universes,
our lines of sight intersecting in a cross space
of foggy despairs and moon-watching    from well-bottoms
your hand   is     hesitant       on my face.

in the eclipse of your searching eyes i can see reflected
endless galaxies and the lunar phases,
and in mine you looked, only to find black holes
emptier than our words and as warm as our embraces.

i put all i had into you but you were still empty;
your eyes were enraptured by an unmapped space to explore,
while mine were fixed, grounded to you:

this is      a truth so loud we can't ignore.
sum rhymes
I breathe in all shades of purple
and exhale in all shades of blue;
faded plums to cornflower petals—
a bruised kind of exchange
that makes you look up to the sky
and feel something for no reason.
A contusion I keep fresh for
whenever I let someone
close enough to press it.
And if the pain makes my skin
sing notes only my conscience can hear,
then I’ll write lyrics to match;
they'll say
*I’m alive.
I’m alive.
I’m alive.
© Bitsy Sanders, February 2016
The western wind is blowing fair
Across the dark AEgean sea,
And at the secret marble stair
My Tyrian galley waits for thee.
Come down! the purple sail is spread,
The watchman sleeps within the town,
O leave thy lily-flowered bed,
O Lady mine come down, come down!

She will not come, I know her well,
Of lover’s vows she hath no care,
And little good a man can tell
Of one so cruel and so fair.
True love is but a woman’s toy,
They never know the lover’s pain,
And I who loved as loves a boy
Must love in vain, must love in vain.

O noble pilot, tell me true,
Is that the sheen of golden hair?
Or is it but the tangled dew
That binds the passion-flowers there?
Good sailor come and tell me now
Is that my Lady’s lily hand?
Or is it but the gleaming prow,
Or is it but the silver sand?

No! no! ’tis not the tangled dew,
’Tis not the silver-fretted sand,
It is my own dear Lady true
With golden hair and lily hand!
O noble pilot, steer for Troy,
Good sailor, ply the labouring oar,
This is the Queen of life and joy
Whom we must bear from Grecian shore!

The waning sky grows faint and blue,
It wants an hour still of day,
Aboard! aboard! my gallant crew,
O Lady mine, away! away!
O noble pilot, steer for Troy,
Good sailor, ply the labouring oar,
O loved as only loves a boy!
O loved for ever evermore!
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