Moist and monochrome, clouds are gathering
On a Sunday afternoon.
Look up idly from my browsing, at the building 'cross the pool
Winds picks up, the monsoon breezes
Lick at the curtains twelve floors up
On the terrace, woman standing
Arms outstretched, grasp the rail

Legs stressed back, footloose in sandal
Lightly muscled, slightly formed
Kimono slips from lighted shoulder, designer ****** strawberry brown
Fabric glides across the hip-line
Revealing all to me below
Wearing nothing on the landing
Hint of shadow, ***** mound.

From the sliding doors behind her
Steps a man not quite unseen
Waist encircled in one movement, undergarment stripped away
Rigid stillness then the thrusting
Tension mounting at the breath
Woman gasps the O shape forming
Through her silent, varnished lips

Mahler moaning on the ITunes
Waves are forming, silent sound
Thrusting, busting, flexing, *******, arching back crescendo reached
Sun comes out, just at that moment
Roads diverging in the wood
Disconnecting, and uncoupling
Might and maybe, aught and should

Trembling  fingers, taught in temper
Blink the eye and pop the top
Shaking hands that hold the taper, to the unformed smoking spliff
**** the wreaths in, breathe the thought out
Bottle clinks across the teeth
Unbelieving, unconcealing
Unrelieving, unreleased

Regrets, they come in waves and break around his feet
And he begins to wonder who he might have been
Had roads diverged in different woods and fields
Not yellow or yet any colour still unseen
But clearer now by day than windless nights
Still nearer than the objects of his dreams

It'd rained late into the evening, and when the lights were shaded
Around the pool outside and with the windows shuttered
He'd thrown on loose clothes, flicked open an umbrella
While high outside the stars the lightning flashes muttered
Pulled open doors that led to the veranda
And moved outside once more with all his thoughts unuttered

The smoke, from fires on Java lies heavy on his senses
An omen of the time of year and of the past condition
He shrugs, ***** in the acidic nighttime odors
Reviving lives not lived but revealing his admission
That time beyond the present that mirrors every movement
Within, without, and yet again, the flicker of suspicion.

The pistol in his pocket, illegal not unloaded
A symbol of his state of mind and by  his sole discretion
He kneels beside the water, deep-set and in the shadows
Lips forming wordlessly around the last confession
Images of where and what and who and why and whether
A portent of that final action, sensing and impression

The smoke from fires on Java lies heavy on the water
The reek of cordite mixing with the smell of burning grasses
Indignant birds protest the crack of one small set expulsion
The echo round the swimming pool reverberates and passes
Nothing more and nothing less and time and space and matter
Slick red upon the treacherous tiles, the shattered bloodied glasses.

Cool moss of spring so live in verdant green,
with cherry flowers - petals falling
our footsteps pressing in
dissolve the snowy lands
in the heart of sun
love, born of fire
unfolding

By scratch and scrim and keys, a poets write,
Parsing the eyes drop, lancing the buried ear,
Under the hewning gaze of hazel trees night,
Streams forded, moon and yew stepping, stare.

I came to a courtyard of my own making,
To a cottage by the sea at the worlds edge.
I furnished it with my left over life, complete,
Barren and colorless and I wrote the newest
Book of psalms out of tinder and flame, a tome
Of grey and useless poems, unheard of songs
And reams of flesh.  There in the lightest dark,
By the Druid stone that was placed just for me,
I planted a creeping yew tree.  And the moon
Sang in celebration and silence like a fallen
Priest.  
                    Under the covering hazel trees,
That sprung to life after the longest winter,
Which taught me to forget my name, I now
Struggle with light and my body, warring, torn
Is fading slow, like the always arriving, down
Turning solstice, the climates of the mind,
Where it is digging the never ending shallow
Hole only the spreading eternal yew, that I
Planted, will ever know and only the Lazarus
Moon shall ever rise above.

I came to a courtyard of my own making,
Was it dream that led me there or my eyes?

The sea gave off a cry tonight,
It plays home to a child,
Her father threw her out of sight,
The sea swallowed her, so wild.

Her mother pushed and screamed all day,
Until the sun shone twice,
The blood would flow without delay,
Her grip was like a vice.

While pain would ebb and flow for her,
She knew her life was slipping,
But he refused to let her go,
The fear was ever gripping.

When finally the child was born,
And mother gave a sigh,
The father cleaned as best he could,
The mother closed her eyes.

A wail crawled from the fathers throat,
A pain beyond compare,
He'd lost his only love that night,
To love this child, he could not bare.

He struggled down the beach, that night,
With baby wrapped in cloth,
He swore up to the lord with spite,
And stepped in to the sea- like froth.

The sea crys out in pain tonight,
It's tears make waves, so wild,
A life, just barely started off,
She plays home to a child.

I wanted to call you--
in the wee hour, when only
      the roach stirs, or
      the cat light-stepping
across
some unseen shadow--
my soft quick patter
      there was no choice, what's
      one rushed goodbye
there would have been a fight
let's be mature
      about this--

            I want to say this
pragmatism is humiliating
it hurts the heart
      a little
a man would hang
on the last word
from such lips--
      but I didn't
call, you might be sleeping
      it's hard for you
      to sleep on
warm nights like this.

Instead
I sit alone quietly
watching my own shadow
      indistinct, that
dark second guess of me
thoughts of care and cowardice--
a fine bright line
      of morning
            falls
there on the floor, from which
each moment clearer and more fierce
the insects flee.