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 Feb 2011 Alexa Sz
Nina McNally
No where to go. Lost in this
Open field, of life, and it's just me.    Here.                    Alone.
Been searching for that place to call home.
Only, what is  home?
Don't give up!
You can do it. Just believe in yourself! You got the
Strength to go on.

Home is where the heart is--that's home.
Open and free, loving and caring. No
Matter where the road takes you; Remember
E**veryone will struggle in life and we will all get through it.
copyright; 2011 McNally, Inc.
written for anyone out there who is struggling just like me and my family. it's a tough world, but just know you're not alone.
Don't Stop Believing! "And the hard times will come and we will keep moving on..." -Good Charlotte's Moving On.
-title from an Avril Lavigne song
 Jan 2011 Alexa Sz
Nina McNally
The words just come to me flying high
And lay on this page by,
This red ink of my favorite weapon
It is my most prize possession.

I mostly write in acrostics,
About most, are poems of what makes me ticked.
But from time to time you can hear me rhyme,
It just won't be all the tyme.

So hear me out, listen clearly now for time has come,
The days have grown shorter and it seems like everyone has a gun.
But I'll stay here with my most lethal weapon,
No, I won't do you any harm, just get your hands off my favorite possession.
copyright; 2011 McNally, Inc.
One of my rhyming poetry. I don't do it often, but the word just seem to fall on the page.
Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,—
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm.”

Then he said “Good-night!” and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
   A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend through alley and street
Wanders and watches, with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the ***** of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black that bends and floats
On the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now he gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle girth;
But mostly he watched with eager search
The belfry tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns.

A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the ***** of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the ****,
And the barking of the farmer’s dog,
And felt the damp of the river fog,
That rises after the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, black and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the ****** work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadow brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket ball.

You know the rest. In the books you have read
How the British Regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
 Jan 2011 Alexa Sz
Sara Teasdale
Unless I learn to ask no help
From any other soul but mine,
To seek no strength in waving reeds
Nor shade beneath a straggling pine;
Unless I learn to look at Grief
Unshrinking from her tear-blind eyes,
And take from Pleasure fearlessly
Whatever gifts will make me wise—
Unless I learn these things on earth,
Why was I ever given birth?
 Jan 2011 Alexa Sz
Li Ching Chao
To the melody of "Ru Meng Lin"

Last night in the light rain as rough winds blew,
My drunken sleep left me no merrier.
I question one that raised the curtain, who
Replies: "The wild quince trees -- are as they were."
But no, but no!
Their rose is waning, and their green leaves grow.
 Jan 2011 Alexa Sz
David Watt
Longing again for the turn of spring,
to take me from this world of sin.
No longer will men speak my name,
for before me death will show my fame.

Now they cry for an innocent maiden,
who never returned from the first time she was taken.
The man who kills at touch,
keeps me tightley within his evil clutch.

Cry not for me people above,
just keep me alive with the pouring of blood.
For with his love he kills springs rebirth,
salting the now dead and barren earth.

imprisoned with his revolting seed,
i wish that in his presence my eyes could bleed.
for tears do not turn him from his desire,
to love me deeper in hells fire.
 Jan 2011 Alexa Sz
David Watt
I'm filling with toxic this despair,
That raps ands clings and pulls my hair.
Silent, severe, screaming,
Kills everything that i have been dreaming.

Your face it hovers just in reach,
The skin the flesh the sumptious speech.
Loving longing listlessly,
Crying out in pain so helplessly.

The fictional cluster, of  memories muster.
The lips caress, as slowly we undress.
Underlying sleeps distress, that bursts out from every tress.
Bleeding down the falling walls, claiming the lover that slips and falls.
To drown in red, in my lonely bed.
Untouched by this evasive love,
No warmth shines down from up above.
 Jan 2011 Alexa Sz
Claude McKay
Too green the springing April grass,
Too blue the silver-speckled sky,
For me to linger here, alas,
While happy winds go laughing by,
Wasting the golden hours indoors,
Washing windows and scrubbing floors.

Too wonderful the April night,
Too faintly sweet the first May flowers,
The stars too gloriously bright,
For me to spend the evening hours,
When fields are fresh and streams are leaping,
Wearied, exhausted, dully sleeping.
 Jan 2011 Alexa Sz
Perig3e
I heard you were serving cookies.
We both know i'm a ginger snap.
Know you have a thing for coconut,
but by no means are you a ****.
I was thinking Dutch Bokkenpootjes,
but when transcribed to Goat Feet - just won't due.
Ice cookie would bring ill fame,
Meringue too light,
Lemon curd too sour,
Oat meal too hardy,
I'm thinking chocolate reflecting your darker moods.
I think I have it!
Mint liqueur double chocolate.
Now, do I have your permission to eat you up?
All rights reserved by the author
 Jan 2011 Alexa Sz
Reza Mahani
In the depth of your eyes
I see the brown of an exhausted river
that once proudly filled its banks
I hear fishermen songs
as they sail contently
and I ask their ghosts
How do you sail back to your lovers
on the shores of a dried river?

A tear blossoms ...
Wednesday, December 29, 2010
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