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I'm an idiot, idi-fool,
Idiot, idiot, idi-tool,
  Idiot, idi-lump,
  Idiot, idi-chump,
Idiot, idiot, most uncool.

I'm an idiot, idi-goon,
Idiot, idiot, idi-loon,
  Idiot, idi-berk,
  Idiot, idi-****,
Idiot, idiot; a buffoon.

I'm an idiot, idi-plum,
Idiot, idiot, and so dumb,
  Idiot, idi-pratt,
  Idiot, getting fat,
Idiot, idiot, feeling glum.
I was cross and I was ill, and it was half-five in the morning.

**Minor change: "I am an" to "I'm an" recommended by my esteemed twitter friend http://twitter.com/bettiwettiwoo
Dear love, for nothing less than thee
Would I have broke this happy dream;
It was a theme
For reason, much too strong for fantasy,
Therefore thou wak'd'st me wisely; yet
My dream thou brok'st not, but continued'st it.
Thou art so true that thoughts of thee suffice
To make dreams truths, and fables histories;
Enter these arms, for since thou thought'st it best,
Not to dream all my dream, let's act the rest.

As lightning, or a taper's light,
Thine eyes, and not thy noise wak'd me;
Yet I thought thee
(For thou lovest truth) an angel, at first sight;
But when I saw thou sawest my heart,
And knew'st my thoughts, beyond an angel's art,
When thou knew'st what I dreamt, when thou knew'st when
Excess of joy would wake me, and cam'st then,
I must confess, it could not choose but be
Profane, to think thee any thing but thee.

Coming and staying show'd thee, thee,
But rising makes me doubt, that now
Thou art not thou.
That love is weak where fear's as strong as he;
'Tis not all spirit, pure and brave,
If mixture it of fear, shame, honour have;
Perchance as torches, which must ready be,
Men light and put out, so thou deal'st with me;
Thou cam'st to kindle, goest to come; then I
Will dream that hope again, but else would die.
You had enough of me? I often seem to wonder
Sometimes I cry, my face turned to the wall
I know, it’s silly yet I can’t stop but ponder
The little things like: Does he care at all?

I then run to the mirror and turn my lips blood red
I take out the mascara, the blushers and instead
Of trying to forget you...Oh, I am such a fool
I’m rushing to your door-step, breaking another rule.

I count to three, a thousand and sometimes I loose count
I lean, peek through your key hole without making a sound
All I can see is darkness and dust: an empty place
For you must always have been my favourite waste of space
minutes, hours, seconds even

Painfully dance by mocking me
Tick… Tock… Tick… Tock…
Teasing me with hopes of the future
Tick Tick… Tock… Tick Tick… Tock
Leaving me with heartache of the past
Tock…Tock……Tock……… Tick

Deep breaths and Heavy Sighs
They leave my downturned mouth.
Years of youth kept my heart full of hope
But now all that’s left is this lump of regret
Stuck in my throat
Drink it down with the sadness

Time, you’re such a cruel keeper of dreams.
a connotation of infinity
sharpens the temporal splendor of this night

when souls which have forgot frivolity
in lowliness,noting the fatal flight
of worlds whereto this earth’s a hurled dream

down eager avenues of lifelessness

consider for how much themselves shall gleam,
in the poised radiance of perpetualness.
When what’s in velvet beyond doomed thought

is like a woman amorous to be known;
and man,whose here is alway worse than naught,
feels the tremendous yonder for his own—

on such a night the sea through her blind miles

of crumbling silence seriously smiles
I'll tell thee everything I can;
There's little to relate,
I saw an aged, aged man,
A-sitting on a gate.
"Who are you, aged man?" I said.
"And how is it you live?"
And his answer trickled through my head
Like water through a sieve.

He said, "I look for butterflies
That sleep among the wheat;
I make them into mutton-pies,
And sell them in the street.
I sell them unto men," he said,
"Who sail on stormy seas;
And that's the way I get my bread--
A trifle, if you please."

But I was thinking of a plan
To dye one's whiskers green,
And always use so large a fan
That they could not be seen.
So, having no reply to give
To what the old man said,
I cried, "Come, tell me how you live!"
And thumped him on the head.

His accents mild took up the tale;
He said, "I go my ways,
And when I find a mountain-rill,
I set it in a blaze;
And thence they make a stuff they call
Rowland's Macassar Oil--
Yet twopence-halfpenny is all
They give me for my toil."

But I was thinking of a way
To feed one's self on batter,
And so go on from day to day
Getting a little fatter.
I shook him well from side to side,
Until his face was blue,
"Come, tell me how you live," I cried,
"And what it is you do!"

He said, "I hunt for haddocks' eyes
Among the heather bright,
And work them into waistcoat-buttons
In the silent night.
And these I do not sell for gold
Or coin of silvery shine,
But for a copper halfpenny,
And that will purchase nine.

"I sometimes dig for buttered rolls,
Or set limed twigs for *****;
I sometimes search the grassy knolls
For wheels of hansom-cabs.
And that's the way" (he gave a wink)
"By which I get my wealth--
And very gladly will I drink
Your honor's noble health."

I heard him then, for I had just
Completed my design
To keep the Menai bridge from rust
By boiling it in wine.
I thanked him much for telling me
The way he got his wealth,
But chiefly for his wish that he
Might drink my noble health.

And now, if e'er by chance I put
My fingers into glue,
Or madly squeeze a right-hand foot
Into a left-hand shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know--
Whose look was mild, whose speech was slow,
Whose hair was whiter than the snow,
Whose face was very like a crow,
With eyes, like cinders, all aglow,
Who seemed distracted with his woe,
Who rocked his body to and fro,
And muttered mumblingly and low,
As if his mouth were full of dough,
Who snorted like a buffalo--
That summer evening long ago,
A-sitting on a gate.
If rightly tuneful bards decide,
  If it be fix’d in Love’s decrees,
That Beauty ought not to be tried
  But by its native power to please,
Then tell me, youths and lovers, tell—
What fair can Amoret excel?

Behold that bright unsullied smile,
  And wisdom speaking in her mien:
Yet—she so artless all the while,
  So little studious to be seen—
We naught but instant gladness know,
Nor think to whom the gift we owe.

But neither music, nor the powers
  Of youth and mirth and frolic cheer,
Add half the sunshine to the hours,
  Or make life’s prospect half so clear,
As memory brings it to the eye
From scenes where Amoret was by.

This, sure, is Beauty’s happiest part;
  This gives the most unbounded sway;
This shall enchant the subject heart
  When rose and lily fade away;
And she be still, in spite of Time,
Sweet Amoret in all her prime.
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