I

Among twenty snowy mountains,
The only moving thing
Was the eye of the black bird.

II

I was of three minds,
Like a tree
In which there are three blackbirds.

III

The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV

A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V

I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI

Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII

O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII

I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX

When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X

At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI

He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII

The river is moving.
The blackbird must be flying.

XIII

It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

First Girl
When this yokel comes maundering,
Whetting his hacker,
I shall run before him,
Diffusing the civilest odors
Out of geraniums and unsmelled flowers.
It will check him.

Second Girl
I shall run before him,
Arching cloths besprinkled with colors
As small as fish-eggs.
The threads
Will abash him.

Third Girl
Oh, la...le pauvre!
I shall run before him,
With a curious puffing.
He will bend his ear then.
I shall whisper
Heavenly labials in a world of gutturals.
It will undo him.

There it was, word for word,
The poem that took the place of a mountain.

He breathed its oxygen,
Even when the book lay turned in the dust of his table.

It reminded him how he had needed
A place to go to in his own direction,

How he had recomposed the pines,
Shifted the rocks and picked his way among clouds,

For the outlook that would be right,
Where he would be complete in an unexplained completion:

The exact rock where his inexactness
Would discover, at last, the view toward which they had edged,

Where he could lie and, gazing down at the sea,
Recognize his unique and solitary home.

The **** crows
But no queen rises.

The hair of my blonde
Is dazzling,
As the spittle of cows
threading the wind.

**! **!

But ki-ki-ri-ki
Brings no rou-cou,
No rou-cou-cou.

But no queen comes
In slipper green.

In a circle I walked.
For this circle I prayed.
In a square I arrived -
    And am caught.

For the end of the circle
Would be its beginning.
And the round, colored space
Could be the world we live in.

But the square separates us,
Its edges cut sharp in my flesh
Each time I try to turn
And see where you are,
       And if we collide or crash.

Blindfolded I feel
Each new wall to come,
Each new turn,
In an angle of ninety degree.

So I am fleeing,
Searching you in the square,
And its natural shape
                         Prevents me from -
                                  seeing.

i.
there is a cold, against which
i have no defenses
an early-morning, black
night, kind of cold when
the air is so still, as if the
wind itself was too cold
to blow, ice crystals
float suspended in the air
brightly reflecting my car's
headlight beams, twin
seekers of the way ahead

ii.
you slipped out of bed
trying not to wake me
i lay wondering if you
acted from courtesy or
embarrassment

iii.
i sit in the coffee bar
in town watching you
work, maybe the way
you see without looking
attracted me to you in
the first place, maybe
you just make a good
cup of coffee, but, could
be that i have always
had a thing for
     hippie chicks

iv.
as i leave, you walk to the
kitchen without saying
goodbye, guess i will
have to find a new place
     to write

v.
i walk back out into
the still cold morning
perhaps the cold is not
the predator from whom
i require a defense
     after all

Although you sit in a room that is gray,
Except for the silver
Of the straw-paper,
And pick
At your pale white gown;
Or lift one of the green beads
Of your necklace,
To let it fall;
Or gaze at your green fan
Printed with the red branches of a red willow;
Or, with one finger,
Move the leaf in the bowl--
The leaf that has fallen from the branches of the forsythia
Beside you...
What is all this?
I know how furiously your heart is beating.

Children picking up our bones
Will never know that these were once
As quick as foxes on the hill;

And that in autumn, when the grapes
Made sharp air sharper by their smell
These had a being, breathing frost;

And least will guess that with our bones
We left much more, left what still is
The look of things, left what we felt

At what we saw. The spring clouds blow
Above the shuttered mansion house,
Beyond our gate and the windy sky

Cries out a literate despair.
We knew for long the mansion's look
And what we said of it became

A part of what it is ... Children,
Still weaving budded aureoles,
Will speak our speech and never know,

Will say of the mansion that it seems
As if he that lived there left behind
A spirit storming in blank walls,

A ***** house in a gutted world,
A tatter of shadows peaked to white,
Smeared with the gold of the opulent sun.