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 Dec 2011 J
Makiya
I see you and my eyes are
caves seas oceans and breezes and
the wind is shifting my
disposition my
gaze, following as you walk
on your way and
don't stop
to say
hi.

Fine.
I will be glad to open your eyes
another
day.
 Dec 2011 J
Zoe
i slide the paper off the straw, and
the smell of Jack Daniels reminds me of
memories i can't quite
remember
 Dec 2011 J
Jon Tobias
1
This is the song of you leaving
It is the lead finally soaking into my brain
Dumbing me down
This is the de-evolution
To perfection
Turning me into the animal
I knew I always was
Taking us back to the state where
True communication is the sound of something primal
You don’t have to be human
To understand the sound of desperation
It echoes off of lead paint walls
When we are left alone
It is the sound of my heart
Used as a door jamb
A last ditch effort to stop you from leaving

2
This is the song of quaking
The rhythm of helicopter blades over head
Rattling my windows
It is the sound of a faulty foundation
Reminding me all things are breaking down

3
Break me down to beastly
Howl my heart to heaven
You never misunderstood the rumble of my hunger
After the deep breathed sighs of my lust
The salivation of sizzling fat on a skillet

4
I always know where to hide
When the crack of bullets go off again
It is the air raid sirens of ghettos
It is the goose-stepping thunder
Of misled solidarity

5
I always know to walk the other way
When I hear someone crying
To hide my head under a pillow
When I hear weeping coming from another room

6
These pleads for help are wordless
But tug at my heartstrings
As painfully as any music
Only now the speakers are speechless
And the sound is without pattern
And the dancers are still
Fear is the sound of the quiet
Listening for a reason to move
Waiting for nature’s echoing bass drum
Telling you to run

7
Scatter you new found animals to safety
And lose your need for love
This is the sound of my saddened clatter
Keyboard key’s snare drum
It is the sound of a final poetic solo
Because as for being human
I am done

8
This is the song of me leaving
Wordy as it may be
Living a lifetime
Thinking this body is the pinnacle
This body is the tip of the bell curve
Before the hourly gong of descent
This is the song of becoming perfection
The song of de-evolution
It is me
Finally becoming an animal
Again
Taking a break from a 10 page research paper to write a poem inspired by my subject. Walt Whitman.
 Dec 2011 J
Waverly
Lonely Weight
 Dec 2011 J
Waverly
This
is how you tell a story.

From the beginning
to
the end.

When you told her that you
liked her and wanted to hold
her soft lips.

To the moment
she smacks
the **** out of you,
and your face burns
with your heart.

Shaking hot fingers.
Shaking hot stomach.
Shaking hot lungs.
Shaking hot
veins
bubbling
with the beer
running through them
as the soft bed
lightens
under a new
lonely weight..

My fear is
of looking over and being
alone and drunk.
 Dec 2011 J
William Alexander
whenever he complains
about my cold nature
and says
"baby, please open up"
i bend my knees
in a silent prayer
and take his **** in my mouth
 Dec 2011 J
Hayley Neininger
meet someone you want to write poems about
and instead sit at your computer for hours
taunting yourself with their voice?
feeling it warm the back of your head as their
words flows through your ears?
even now I can taste them sweet
as they drip down into my mouth.
I am in a self-imposed funk. Officially.
 Dec 2011 J
Hayley Neininger
I’ll rewrite my words
Hundreds,
Thousands of times.
Erasing periods
Commas and uncommon verbs
So my style will mimic yours.
I’ll speak my words
Hundreds,
Thousands of times
In a voice in my head that mimics yours
Hoping they will sound like yours
Hoping they, like yours, will
Will sit at the foot of my bed at night
And seep into my clothes the next morning
Like yours, eddy inside my ears
Hundreds,
Thousands of times.
A horrible poem written in less than 5 minutes inspired by Marshall.
 Dec 2011 J
Waverly
The astronomer.
 Dec 2011 J
Waverly
The girl
with two long braids
hanging from her temples
like droopy
antennae,
looked up at the sky.

A foggy halo
circled the moon
in a snowy paste
and
a tiny sister
pushed itself
redly
outward.

Out of the halo.

Out of the white shadow
of
the pearl.

The haze was so thick
that the girl
had to squint
to make sure
the tiny red dot
was there.

But it was there.

There
licking at the halo.

Eating it.

Eating its way out.

The black telescope
shined.

She laid her eye
on the viewfinder.

She felt suction
and the momentum of her eye
zooming
out to the vaccum.

She will tell the tale
of
the stars
and
the war-gods
full of blood.
 Dec 2011 J
Waverly
The Paints.
 Dec 2011 J
Waverly
She always laid out her paints
right before bed.

The oils nustled up against her thighs.
Some of them,
cradled in tiny white baths of containers,
lay in the open space
of her folded legs.

"Just in case, something hits me in a dream, I want to wake up and run and be ready at the right moment."

The carpet is rough
and stained with the shrapnel of dry paint
that *****
your soles
when you walk through
the living
room
to the
pale kitchen,
while she gurgles and
pops
in her sleep.

All the time,
the paint gets on the floor,
she paints in thrusts.

"You're going to have to pay for this mess, you know,
I'm not paying to have this carpet cleaned,
it's not my ****."

Condescension and guilt
spread through your lips
numbing you
in a fog of arrogance,
that you perceive
as good-natured caution,
while she hurts the canvas
thrusting harder.

She
paints
clowns.

Tall, fat clowns,
with long tentacle fingers,
bellies
out to                             here,
and tiny people
curling in black oily slicks at the corners
under the pressure of the clowns.

"Why the **** do you always paint clowns?"

"Why can't you just let me be?
you don't know anything about art."

The bed
is tiny.

***
is soft,
methodical
and
pre-emptive.

"I'm tired of stepping on your paint at night,
I'm tired of my feet
looking like a rainbow."

One night,
you come home smelling
like grease and fried chicken.

Your button-down
with the slippery gold name-tag
is dabbed
in the chest by leaves of oil
and
shadowed in the armpits
by
strokes of sweat.

Your manager kept talking about:
"You need to improve
your checkout efficiency,
you've been lagging lately."

Dropping the heavy black
flak jacket
with it's flare of orange lining
on the floor,

You see her,

with her arsenal of paints
arrayed at her criss-crossed
limbs
like the implements
of
a war.

She looks up
at you,
black circles
under her eyes,
an easel
holding up
a canvas of almost minsicule drippings of fabric.

"Oh,
I see you're still there,
great."

You walk to the kitchen
and open the fridge,
there's a half-gallon
of 2% left.

An apple
slowly crumpling into itself.

And a bottle
with a swig of orange juice left in it.

***** always leaves a swig.

You take the bottle up to your mouth and swallow down a trickle that you can feel in your bones.

"Don't drink from the bottle."
she says
with a nodded head.

"I can do what I want,
I bought it."

She looks up.

The clowns
she says:
"Are the type of people
that gain power,
the ones ruling the world,
the ones who become *******."

You laugh like an idiot
"People like me."

"No, you're not a clown,
you're one of the tiny ones."

"*******."

You want to wash yourself
of the stink.

Drain it all down into the gutter,
let the stink
sit there.

So you take a shower,
while she stares at the white cartridges
of paint,
and a conflict brewing.
Kind of a rough draft for a short story idea. Usually a story starts out as just a stream-of-consciousness poem for me. So, here it is.
 Dec 2011 J
William Alexander
it's funny how easily the tongue
forgets itself
loses language
struggles hard to roll around
too belabored
to find meaning in simplicity
too taut
to learn new speech.
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