I  play with the sand,
crush it to a globe of
sun dried golden particles,

until the thing in me
that is the ocean calls to
release it to the tide

so full of  the incessant
sorrow  upon sorrow of other’s  tears
forced daily to kiss the shore-

its roar constantly reminding me-
the ocean hates the land-
the ocean does not love the land.

He lacked the skill to make it true, the crib,
so he  assembled it from a wordless diagram,
an ark of 5 panels, 32 screws and bolts, 3 tools-
tightening it just enough, until the memory
of its creation fixed solid in his soul, well past
the 1000 days of the child dreaming in it,  
the 30 years of lying unassembled in attic dust,
its existence cradled, tightened and retightened,
in lullaby and bedtime rhyme- until the child
reached his Jesus year, and needing a
second-hand cradle for his soon to be first born,
noticed it in the growing dawn and dust and
thought “Dad, I know I have the screws for that.”

My mother was always a better singer
                                than she was a cook.

She may have burnt a lot of things but
                              never missed a note,
         especially when Harry Belafonte
came on the transistor kitchen radio-
a voice so pure it made her cry with joy.

“There’s a hole in the bucket dear Liza,
                                                     dear Liza,”
                         he sang echoing her past,
                                                 the divorce,
                         her humbling present life.

The duet had the reply she wanted to say
to everything and sing it like Odetta--
                             “Well fix it, dear Henry
                                                 dear Henry,
                                                          fix it.”

It was her kitchen cooking song and
           and we would sing it together
            when Harry wasn’t on the air.

We sang it so often,
                                  switching voices.
                                      that I believed
                         she could fix anything
                                     and I could too.    

When we got to the fortieth line
                the meatloaf was burnt
                                              on top.

I ate it all with a lot of ketchup.
She just cut off the burnt part
                and fed it to the dog.

My sister,
                             two brothers
                              and stepdad
                             ate it quietly,
                        building up a lot
                                         of bad
                 meatloaf memories.

All the other kids had
                          their own songs
                that she sang to them
                                but she sang
                                               only
                         Belafonte to me.  

“Daylight come and me wan' go home,”
                    she sang to me in a whisper
                   before kissing me goodnight.

Calypso more than Salsa echoed
                            her Boricua pride,
                 the youngest of thirteen,
            yet never born to the island.

“Midnight come  and she wan’ go home,”
I sang to her open casket 22 years later,
                              kissing her on the head,
                      taking the hole in the bucket,
                                     along with Belafonte
                                                   to the future.

The drought has made July linger.  The air smells of sewer *****, sweetgum, sassafras, fescue, concrete and asphalt.  

On this long summer day when the light and heat decide to linger— parents let their children play well into the night on the community’s green.  

Their laughter and the croaking of frogs in the rention pond, just beyond, overgrown with cattails,
has my dog thinking the sound of fireworks and wanting to go back home.  I see the flickerings of the early late night news peeping through the half-drawn curtains as we head back.  

I imagine the children dreaming dream after dream in the hot mist of sleep after the last door has shut.


In that moment I see the first lines of my new poem, full  of that living hurting nostalgia that everyone likes to star and comment on— a poem, that I imagine, might be found after my death by my executor.  It would be one of those critically disdained viral odes charming and popular enough to be embroidered on sofa pillows that comfort the aching backside of old widows. A poem with a hint of despair but not written in despair.   One that knows the substance of July summer nights.

The pond was a quarry first,
a blast furnace to the colonies
where trains ran across its field.
“Iron Ore Bed” map points called it.
It was left to the rain when it dried up.

When his parents bought the land
twenty- five years before he was born,
the field was overgrown and the pond
was weedy and inaccessible.

Over the next few decades,
they cleared the area all around it,
diverted a nearby brook
to flow through it.  
It became the center of their life.

It was sixty feet deep with water
that was clear and warm.
It teamed with small trout, pickerel
and bass, shoals of gentleness that
passed by him and his cousins as they swam.  

Great blue herons, snowy egrets
would feast their briefly before
their Souh American migration,
always mindful of the need
for even quick hellos and goodbyes.

In his presence they would dip their wings
and then rise majestically over the pond
above the beech, birch and ash,
vanishing from his sight, beyond the horizon.

And then, always the rain would come,
the pond shimmering in the downpour
washing the pond mud and silt
from his arms and legs, the last
streaks of it from his hair.  

Afraid he would be struck by lightning,
he retreated to the screened in porch,
with everyone, out of the rain, playing
Monopoly in the coming firefly night.

Man


I don’t know if I am a practical person.

I don’t obsess over the uses of a watch.
It’s enough that it tick and the hands
move forward, even if I don’t.

When my dog paces in front of the door
I know I must walk him.  When he paws
my lap, I must feed him. He knows himself.

Today, I took him to the beach and
let him romp the shore, content like him,
to not know why the tides moves forward.

The tides are tireless and they go up and down
endlessly with a purpose  I’m not privy to.
My winding down bones know to let things be.

Today, the current matters. Tomorrow it won’t.
All that matters, this moment, is that my dog
returns the stick I’ve thrown and not run away.

Yet, nothing we accomplished in that time,
in all its impracticability, will matter
to all this ceaseless renewal all around.

Tomorrow the future will pull me from
my past even if my feet  don’t move,
even if my ashes are urned

I come to the creek path near my house, the one my wife doesn’t like me to walk alone, for fear I might fall.

I see mountain bikes riding through, a leashed  triplets of dogs of Goldilock sizes their caregiver behind, struggling to contain their strides.

My husky-chi barks at them, underneath a low growl  in the back of  his throat threatens to come out.  

He pulls me to the path. I pull him back.  

The evening concert of cicadas and toads in the overgrown retention pond between is just starting its clicks and croaks.  


Hours  later, on my beast’s last brief walk of the night, while most life is asleep and the path is still dangerous, I hear their deafening crescendo.

The creek is a gray smear cutting through the golden moon, the canopies of the night.  


Only the streetlights, the head lamps of a car turning the corner, show me the way home— but I think, know, only want the path.

A chill rolls in, so to the first drops of  predicted rain, of  the morning  fog and mist to come.

I unleash my dog and he vanishes into the path.  I hear the splash of water, the snap of twigs and crunch of leaves that lets me know he had crossed to the other side.  

There’s a small squeal, two long beats, and with it, the concert stops, then restarts in a softer refrain.  

My  beast proudly returns, dropping a field mouse at my feet.  I am disgusted, but being gracious, I pat my dog’s brindle head, tell him he’s a good boy. This is his nature and I am helpless to restrain it.

I stuff the creature into a dog waste bag, think of walking to the path, just to where the concrete and forest separate, and pitching it as far as I can, but then realize my dog would just retrieve it again.          

My dog snuggles against my leg. I put the mouse in my pocket, pet my dog’s heaving stomach.  

The path calls him- calls me. I clip the leash to his harness, prepare for him to tug me onto the path.  

Instead, he spins around without a snarl,  and starts to follow the scent trail of home, pulling until the leash tells him that I want to say.

I sit down at the end of the concrete path, my dog obeying my motion, but facing home. My fingers create a lazy trail in the muddy earth.  

When it’s deep enough for a small grave, I drop the mouse in, covering the hole over quickly before my dog notices the rejected offering— the present I can not keep or even explain to my waiting wife.  

A sadness wells in me- not for the mouse but for steps I will never take- the knowledge that I will fall and never get back home- the knowledge that I will not know the wild path forward, just the hard, white one behind.