You read a poem and think about your life.

The words spill over the dam of your reservoir and seep into the soil of your brain.

Why do you hide yourself from this fact?

The writer couldn’t have known any other reality than your own when they wrote this piece.

They could not have anticipated the oneness you two now share.

If you hadn’t let their words into your spine, tingling through the vertebrae,

touching the synapses with fluttering hands, gentle and soft,

wouldn’t they have known their failure to reach their destination?

Today, I watched a heavy insect of
indeterminable species
repeatedly slam into the wide picture windows
of my college library’s
third story as I read a book
analyzing one poem
Teilhard de Chardin wrote
after carrying casualties
on a stretcher
all day
from a war for which no name is presented
to me.

It is inferred de Chardin's time tells of world wars,
yet his poem deals with virginity
and mothers
although of each he was in just one.

Resistance to our ****** urges
and the potency resistance drains
was compared to
minute prosperity provided by the pursuit
of retaining 'innocence'.

The book was named "Eternal Feminine"
and its author's argument functioned
as a double victory for remittance
to a cloud kingdom
and shivering loneliness
seen through invisible barriers
on earth.

Hooray!

He seemed to be
rationalizing the struggle
with sickly pleasure
from repetition of denial.

But I lost interest in his foolish, war-time words.

Watching the flying thing reverse directly,
then continuously speeding ahead
into various windows
which were thought to be bare air,
confused and jolting with every attempt
and frantically circling in my sight,
I was led to thinking of a
demolition derby
at a fairground to which
my parents brought me
each year
of childhood
in the Autumn.

I watched, fascinated
machines stave-off
self-induced decimation
until the very last collision, after which
their motive force removed itself
rushing off to pilot
some variant of bumbling insects
and stretchers
in the form of French theological poets
throughout the past
carrying bodies
into the hands of a college student
backing up determinately
to burst through, toward the one who bares
no sons, who may become warriors
or demagogues.

This kind, secular Hannah
crosses my vision
walks out
beyond frames and doors,
clothes flowing with her
body, like a
sweet corona
sweltering with unseen heat
the fading horizon
of my day.

He sees her reflection on the moon.

Now he may not see space’s vacuous expanse
while
she may not be able to touch time’s clear fabric,
although they each feel
glass’s frozen liquidity
in silence.

Each
continuously strikes their head
against motion’s transparent barriers
with force
stubbornly flapping
into matter
with passion
and wings pulsating
toward a new direction
which does not seal them off
to the outside
of a building
in which they would be swatted,
punished for what they are.

Then the moment passed
and the sun’s thousand year combustion
had reached my neck
and penetrated matter
to massage me;

for eight and a half minutes
it travelled
toward a shadow I pushed
across the table
when the sun suddenly was helpless
to tell me where I ended,
which windows I flew through.

I was on top
de Chardin’s stretcher
as he looked at me to say I shouldn’t
charge in that way,
but I fell down
when he let go
or he evaporated
when I doubted he had lived.

Pressing my cheek against the glass
I reversed my propulsion
like the flown insect
and sounded again
my body's tinging
reverberation
on every surface.

A Monday Poem
I always forget:
Is today the first day of this week,
Or is this week the first week of today?

This subtle reordering reminds me that structures we place on pedestals
And signify through complex rituals
Are banal and meaningless
As traveling for some unknown, still, despised enterprise

And yet:
To ignore the difference between a month, a May
Or more particularly, a week and day
Is offensive,
Punishable, even, if maintained
By being made redundant at a job we hate
In the same way days become weeks
--Or was it the other way?—
We slowly fall into line

Our whole civilization is founded on such times
Delineation between yours and mines
Months and seasons, seasons climes
Climes and seasons, suns and shines
Generations and centuries,
Januaries and Februaries

We maintain our separation
And produce indoctrination
With the idea that Monday is a rhyme
Which ends with giving more than half your time
To the owner who insists
With pleated pants and flinching fists
The difference between week and day
Is a year’s labor
Handing out stock animal’s salaries
To the ones who know the difference between
Week and day.

Curled beneath the Christmas tree,
On this snowy Christmas Eve,
Lay my daughter, nearly three
Upon this perfect bed.
Asleep and warm in footed wear,
Tinsel static-ed to strands of hair,
Glistening lights ‘gainst skin so fair,
Halo her youthful head.

There she dreams of dreams her own,
That circle ‘bout her life, her home;
Doesn’t fear the world unknown;
I pray such times remain.
With eyelids’ flutter, weaves tomorrows,
To fill with splendor, not of sorrow,
From her, such vision I will borrow;
And will live my life again.

Nestled lone, in face of fire,
Breathing deep, this sweet admire,
With new eyes see all my desires,
How life has blessed so far.
Then, with scent of piney resin,
Awakens precious Christmas present,
Blue-eyes sparkle, sleepy crescents,
The babe beneath the star.