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Strips of clouds,

pink-grey like a snail snatched

from its shell. So many days I waited, waiting

like that snail for permanent protection, waiting

as an activity to delve fully into.

Nirvana was coming. I saw it traced

on the dated sidewalk, etched on the curvy luster

of a raccoon’s still spine and in the devotion

of the rock dove waiting for its one decided love.

 

Nothing was ever enough to saturate my yearning.

Even for a moment, to remember a time before birth,

before the furious fluttering engine ulcerated

my stomach lining, or before my sanity became a soft noise,

fading. I could hear it like a basic desire I was forced

to forgo - ***, unquenched - like that but even

more. Like a crinkled cloth left on the subway floor,

I waited - dry, malformed, avoided.

 

The basement air is grooming me for an alien awakening -

maybe fluorescent, possibly ordinary, but better than

this sitting, tipping sideways on a broken chair.

Salt lamp on, a little fireplace or miniscule sunshine shining,

crumbling between my fingers, waiting

no more, moving at last

to another corner.

.

.

Copyright © 2012 by Allison Grayhurst


First published in "Dead Snakes" 2013
The Day Is Like

 .

The day is like

the day before

the worm arrived

in a jar at my doorstep.

Before I took the worm in

and fed it lettuce leaves and fresh water.

Before I had something to care for,

when loneliness was the largest difficulty around

and isolation pounded beneath my lids like

a cancer.

The day is tick tock and as slow as waiting

for that needed call to arrive.

I collect the noises from outside

but have nowhere to put them. I open my mouth,

but my voice has gone underground.

The sun looks in on me, but evades my skin.

I don’t hold my breath. I let it in and out.

I let the day be a blank wall.

And sometimes a day like today is like

an empty room and this empty room

is a treasure.



Copyright © 2006 by Allison Grayhurst


First published in "The Buddhist Poetry Review" 2012
Walking and turning
from the days of cous cous
to days of anything can happen.
Once sealed in summer - the four of us
on this ride, flourishing
under a brutal sun.
With September flushing in, hurling our
backdrop out of site, I wish for
the world to be a fountain of easy flow
and the hard mast made of stone to lie
flat and serve to stabilize our stance.
I know these things are
like necessary money
that we have so little of - but grace
is our bread and we face the drumbeat
whole - holding one another as doors opening, closing
lose their meaning.

Allison Grayhurst

— The End —