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  Mar 2019 Medusa
Johnny Noiπ
The painting addiction code includes:
Add to discount the ****** of Lady Benson
Alison and in northern Kenya she has steam,
beauty, personal characteristics,
racial discrimination, ******
and holiday tendencies before
the choice of amino acids.
In addition, children's elephants,
such as color, coffee ******
and other information, E.V.
The heat keeps the information
in the festive Atheist Football
Ball Family Robot: it is easy
to incorporate the book of ornaments
of the Christian Museum of the ******
of today and the other type
of ****** of chocolate
and wet chocolate in the pantry.
Timothy is waiting for the company.
The rich, the brand of ******
and prosperity. Of course, there is no happiness here.
The whole Atlas of the winter
window and the problem of bleeding
the debris from West Cathedral, the buyers
of white and red ******, the lack of a bank,
the Irish detergent, the milk keeps a clean
Armstrong car that meets our needs.
The real value of millions of tax poisoning
codes will make your body toxic to Benson
Bains' behavior. The amino acids provide
all kinds of steam, beauty, personality traits,
racial discrimination, tendency, urogénesis,
Christmas tendencies before Christmas
prostitutes and Kenyan Nordic recipes.
In addition, elephant children such as color,
coffee and others have information
about the legal weeks of European
mountains. Your cabin contains more gifts
of chocolate, foxes and mosaics, including
a cat. Timothy is waiting for the company.
The rich, the brand of ****** and prosperity.
Of course, there is no happiness here.
All the ****** of the Atlas of the winter
window and the Cathedral of the West,
white ****** and red buyers,     hemorrhoids,
convertible banks, Irish lands,
problems with milk,      to see the Armstrong
car, which meets our needs side                                         aides.
The Translations of the Article's
Frequency lost the lathe lastly
the el of the lo; the Definitions
of the Article 1 denoting one or more people,
or things already mentioned
or assumed to be common
knowledge what's the matter?
2 used to point forward
to a following qualifying
or defining clause or phrase.
the fuss that he made of her
3 used to make a generalized
reference to something rather
than identifying a particular
instance, he taught himself
to play the violin 4 enough
of a particular thing he hoped
to publish monthly, if only
he could find the money 5
pronounced stressing “the”
used to indicate that someone
or something is the best known
or most important of that name
or type he was the hot young
piano prospect in jazz 6 used
adverbially with comparatives
to indicate how one amount
or degree of something varies in relation
to another the more she thought about it,  
the more devastating it became.
Good Food
Good ***
Good Friends
Good Medicine
Good Work
Good Environments
Good Meditation
Good Music
Good Seclusion
Good Education
Good Books
Good Entertainment
  Mar 2019 Medusa
Johnny Noiπ
Spring was never waiting for us dear
It ran one step ahead
As we followed in the dance
MacArthur's Park is melting in the dark
All the sweet, green icing flowing down
Someone left the cake out in the rain
I don't think that I can take it
'cause it took so long to bake it
And I'll never have that recipe again, oh, no
I recall the yellow cotton dress
Foaming like a wave
On the ground beneath your knees
The birds like tender babies in your hands
And the old men playing Chinese checkers by the trees
MacArthur's Park is melting in the dark
All the sweet green icing flowing down
Someone left the cake out in the rain
I don't think that I can take it
'Cause it took so long to bake it
And I'll never have that recipe again, oh, no
MacArthur's Park is melting in the dark
All the sweet green icing flowing down
Someone left my cake out in the rain
I don't think that I can take it
'Cause it took so long to make it
And I'll never have that recipe again, oh, no
  Mar 2019 Medusa
Johnny Noiπ
Chapter 24 of the bridge and branch office
in Moscow. But the developer. now? Address - -
Copyright © 2000-2012 3.8.7 For Sale - - - - -
come back all three ------- General Tomorrow?
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- Tablet - - - - - - - Call, and you forget to write. -
Audio - Copyright © 2000, we believe
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start 2012 - HTML img Rank. G & G gelatin
for a God in Israel, and Israel,
his mother's coat. Rome, but the market grew.
And happy. That begins on April 24's growth
of the industry of all Americans.
And happy. Follow on April 24,
Body 24 is a secondary
school with bridges and walls
near Moscow. But the developer. now?
Address - Depression Copyright © 2000-2012
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| in our store and then on the head
Central disease. and you're
surprised by the fact that the highest
Water Bridge 24 Moscow.
But this is the idea. Now! People - -
Trade Markets Copyright © ® 2000-2012
3.8.7 General Conference - - - - - All of us have
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Cash can not be purchased. - Waiting for Wedding -
Copyright © 2000 events 3.8.7 Three
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dataset Wood Huts G & G
Moses the God of Israel, the God of Israel.
  Mar 2019 Medusa
Nat Lipstadt
35,088 feet over Nebraska,  

(Nebraska-imagining me climbing a ladder, me upwards, Jacob’s angels coming down, off to a high school All Saints wrestling match in a cornfield town)

a place not on my bucket list, just a blue bias of an eastern stater’s unknowns, a sure sign of how much he doesn’t know

reading Patti’s slender volume “Devotion”

slender like her body, some would call it a wiry woman's
sparse but directed, connective, word-worshipping,
old familiar strangers she delivers to you that you have never met, her phraseology striking me and strikingly beautiful simultaneous

scan it and understanding instantaneous
she asking,
why do we write?

her answers are fine copper wire threaded
into a coil and I close it quick cause the loving ****** desire to
plagiarize such an oddly gorgeous offerings is overwhelming;
I feel the wire words piercing my temple, intending to
emerge out the other side, a decorative symmetry,
I don’t own

my need to script some cursive on my smooth body parts,
on my god-given papyrus, always at the ready,
is a methadone itch, a dulling urge needy for fulfillment,
that needs satisfying but me, soundly second rate,
write like the flip side of a hit vinyl record, no one is expected to play, fulfillment meets futility

thus the title is a modification of a Patti light touch

my alchemy never made any gold and my present presence now over Iowa a reminder that my prescriptions are 1200  evacuations; they are negative commandments,
proscriptions, not prescriptions

do not write, do not wrong words with a middling diffidence,
hide your face and put her words on a shelf above your head
hard to reach, so you do not be tempted

why do we write?

“All seeking an emptiness to imbue with words.  
The words that will penetrate ******
territory, crack unclaimed
combinations, articulate the infinite.” Patti Smith

disambiguation she relieves us of uncertainty
my combinations over Waterloo, Illinois
are ordinary smokestack gray, a spewing wastage,
the angels conforming that my words Cain-fail,
my confession
meets no one’s standards, not even mine

7:07pm Central Time
march 25 2018
  Mar 2019 Medusa
Where Shelter
trigger warning:
Hate long poems?  move on.
Love words?  pleasure your self

<=>

drought and famine of the spirit,
over-staying summer
house guests in an overly sun blanched,
voided, white outed, mental abode.

faculties parched,
overly starched,
compositions lost in transition,
why can't they make it ashore?

It's after 2 AM, and though
ferries have stopped running,
mainland hangover hangerons are
working overtime to prevent
"author"izations, so all I get
when I press send is a whole lot of
"permission to cross," denied!

causes of vexation undisguised,
dual natured and manifold,
luxuriating and drowning in home grown,
city organic insipid,
makes one quick to blame
nobody in particular,
but yourself, repeatedly.

reasons many, the distractions of
rustling contradictions populate,
another life road fork looming,
a track record for choosing badly,
colors the blacktop even blacker and
ramps up desires for a janitorial,
but first do no harm, status quo.

Need a beer.
Need a distraction.
Need a homework assignment,
which I buy at the IGA market:

obey the eleventh commandment
which every writer knows;
you think you're Mr. Bigshot,
so pudding prove it,
write it,
one true sentence,
let it be a constitution for all,
with the lengthy consistency,
of a Hemingwayesque,
one true sentence.

dearth to riches occurs
as fast as a basketball
three second violation,
inspiration dripping like
windshield condensation,
got so many true sentences,
how ya gonna choose,

O sinner man?

sadly you don't hear or feel
my background music,
stringed surf sounds playing
Perlman's Mozart low to
the thunderous, sweltering,
swells of applause of
90+ degree heat
w/o a Crescent Beach breeze
to console the disowned

these superheated thoughts
now focused,
emerges a bill of sight,
lading my heart's many heresies,
staccato thoughts now,
rapid fire rebel,
a pre-discourse insurrection,
voices of words lash out -

pick me - immortalize me,
I wanna be,
a constitution for one,
one true sentence.

The Moment of Ownership.

Hillel did it,
standing on one leg,
a Sanskrit mantra,
not by me,
not for me,
not through me,
even more succinct.

full clarity unobtainable,
begin when fighting thru
the static of each nerve,
knowing that
each thought,
each emotion,
is a constitution
of sorts,
recognizing life is a series of
moments of ownership,
but that are truly ours
only when relinquished.

each one, a true sentence
when writ, spoke,
but only when disabused
of notions of possession
only true, when gifted away.

Lucian Freud painted those whom
he knew best, their portraits,
fully clothed but wholly naked,
a painter of revelation
thru the skin tones of the flesh.

exposeur of skins interior
displayer of old and ungainly,
left us eyesight more true
than an honest mirror,
with poetic brushstrokes overlay,
gained entry to what his
grandfather named id and ego,
artist's superego, his reflections,
a continuous judgment
on a pool of stretched canvas
that makes me despair that:

I will ere succeed
to cross the borderline
that modernity insists upon,
self preservation, neurotic fears,
impositions on my psyche and
that my moments of ownership
will be n'ere be stamped "transferred."

I take back my life,
by giving it away
this alphabetized self portrait,
a wrinkled sketch of me,
my ownings, undertakings
needs taking by you
so I can disown it.

these words are my own,
their conjunction is a
junction to you,
and a constitution for me.

once this expiation
is in your purview by the voted
election of Send,
bonded by a mutual
Moment of Ownership?

so net net,
bottom line,
these are my
one true sentences,
summarized, constitutionalized:
I am yours, for the taking,        
so come by, for and through me,
in many moments of ownership.


p.s. let us shelter together in place, an island growing
lost for many years; for Mary Winslow
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