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Akemi Jan 2018
askew undoing the worthless match
over and over and over and over
where is the existentialist
at the point of a gun
at the intersection of poverty and mass incarceration
in the languid simulacra of discursive repetition
whence copy of a copy of a copy
with no origin
dance
to no choice in the ******* matter.
Akemi Jun 2016
“What happened here?” the girl said. “Why are they dead?”

Silhouettes like stone. Cluttered and flat, eyes staring inwards.

The girl tugged on his sleeve. “Hey.”

He did not reply. Time passed. The girl stared long at him. Black streaks ran like rivers across the city, sweeping emptiness into the earth’s sullen heart.

“The children got away.” He said. He ran his eyes along the horizon. A turgid grey. The beginning of a storm. “Let’s go.”

The girl followed, gripped his sleeve. There, in the alcove above city square, a figure watched them leave.

---

Mist rose in galloping swirls, creeping and bloating and fading. Ferris in the distance. Rust and the dead breath of an age past.

A sinking feeling gripped the girl. An old friend. She began to cry. Small pitiful sobs that echoed across the field.

He bit his tongue and continued.

---

It ran through the crevices of the city, gathering oil and dirt. It ran black down the windows of hollowed houses. Arms reached in. Hallowed memories took them and danced. Fleeting joy erupting into longing. All across the city windows flashed amber, before descending back into austere blue.

The girl cried louder.

Blood dripped from his mouth.

---

Sometimes she would murmur in her sleep. Half-formed words. A soft stream, twined in the ether of dreams.

Sometimes he would remember. A still house, and an immense lack.

---

“This is where we lost,” he said. The girl gazed out. There were hundreds of domed roofs. White, cracked shells, hollowed rooms.

“We?” the girl asked. She picked up a piece of roofing. “We?”

He fingered his coat button.

The rain stung his skin.

---

The district was untouched. Warm amber trickled out of the shops like laughter. There was a joy here that was not ready to leave.

It had grown darker. The sky was suffocated in black pollution. Tears fell from their ankles, trailed lines across the shop floor.

Wooden figures lined the walls, flat eyes staring into nothingness. A thick dust lay upon their heads and shoulders.

The girl stopped in front of a small, child-like figure, palms facing one another, as if cradling a missing object. “This one’s me,” she said quietly.

“And this one’s me,” he replied, sinking to the ground. On the opposite wall lay a nutcracker, rifle pointed to the sky.

---

The streets were howling. Glass shook. Latches twisted and broke.

“It’s begun,” he said without emotion, flesh turned pale. The girl stared at her feet. Slowly, slowly, her legs were filling with stones.

“You did this?” she asked. “You?”

He began to shake. The edges of his body frayed, spun. Dust in a beam, twisted to an invisible tilt. He was falling between himself.

“Why?” she cried. “We were starving. We—”

Thunder bellowed above. Streaks of darkness ran from the sky to the ground. The dead city had nothing left to rot. An emptiness descended and drew the colour from its walls, the smell from its air, the song from their throats.

Unable to speak, she stared at him, horror burning a hole through her chest.

Bodies drifted past the shop window. Limbs, fingers, pointed to the earth, heads turned away. Street lights flickered. Each flash flattened the soldiers, lit their flesh paper white. The city folded inwards. Card-thin walls collapsed in sequence. She felt herself losing definition. Compressing into caricature, insubstance.

He gave a weak smile and held up the missing object.

Palms facing one another, she pulled it to her chest.

The city collapsed.
endless deferral
a figure cradling a figure cradling a figure
in this paper mache world

6am, June 7th 2016

A poor man's Angel's Egg.
Akemi May 2016
the bottle twists
glass falls in drifts
and air parts like flesh

there’s a terror beneath this city
trucks enter from out of town and shake the power lines
passing without pause

sometimes birds gather for days
chirps grow exponentially
before tailing into silence;
heather and brimstone
little bodies roll to the edges
and burst on the streets in red regalia

a somnolence keeps the city forgetful
time flows in fits
a streetlamp; a raven; ten gravestones
it all runs without moving

vessels dilate
hands hold themselves

there’s nothing to breathe with
an empty chalice, turned on the hour grants
heaving clenching writhing
an ocean of rust
bulb shatters, blood spills out her
mouth cave head turn faith
the world remakes itself
*******
the colour of sunflowers
bicycle chains
thirst
colonialism
wet paint

emptiness over emptiness
act without agent
lack lack lack lack lack lack lack lack lack lack lack
peel the flesh and find flesh
always more flesh
don’t stop they know better
chirp chirp chirp
turn
exit
substance
purpose
nothing
4:45pm, May 1st 2016

the broken frame; the endless egress
Akemi Apr 2016
Running running running running
Bury him in the dirt
Bury him in the flesh
Skateboard wheels run along the ground
Shhh shhh shhh
A digger splits the pavement
Water spills into a dead bird's beak
Ten pressed to the power line
A chaotic mesh wings snarled in the air
For a second an eye emerges
But reality shifts
A man fails committing suicide
They remove the tie from his throat and blood cells rush through his flesh
But his starved brain remains dead
And his daughter can't stand his stupid bloated face
Red leaves the color of blood
A dog breaks its leg crossing the road
Gutters overflow with spit
And fish swim until their ribs shrink
There's a heart in the centre of the earth
Oil spills into the gulf
Fire seals the exits
And twenty families drown
Sprinklers carry their bodies to the heavens
A newspaper kid sees them on his morning run and bikes around
Reality shifts
I'm caught in the whirl of my motions
Tumbling forward unable to grasp my presence
Reality shifts reality shifts reality shifts
But I'm not ready to shift with it
There's a dead bird in my pocket
I cross a road but the road is endless
I feel sick
Head on my knees
Awake in my bedroom
Construction workers lift the tarmac and reseal it
The old pieces pile where no one sees them
Decay codified in construction
Jesus, what am I saying?
Is any of this even real?
I've been gone a long time
Hands stuffed in pockets
Eyes set on dead grass, raindrops and McDonald's wrappers
People gather and break like tides
But I'm never one of them
I thought the mouth was for flesh
But it's for rot
It all makes sense now
Why Sunday mornings taste like glass
Because I can't stand myself
April 2016

https://mitakihara.bandcamp.com/album/empty-mouths

— The End —