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C J Baxter Sep 2014
She draws your eyes at first when you look/
Her soft hair falls like water drawn by electricity.
In the corner spines try and strangle books.
Or some sort of bone- might not be a spine.
But they are forcing them shut. Such crooks.  

Creeping in the corner of the warmer side of the room
Is a man who stares like he longs to be her groom.
I assume he’s the focus that your not supposed to notice.
“Don’t try and draw meaning! It’s useless to do so”,

Cries the voice in my head as I try and make my thoughts slow.

I shall just gaze emptily. Theres plenty to please
my eyes without meaning rotting my brain like disease.
But theres need to unravel why he glares at her crimson.
Why crimson? Why Crimson? I have to listen.

“ Perhaps his face is the blood that runs through us.
A symbol of lust? Love? Or Mistrust. Lets discuss”/  

I must shut this noise at once. Enough.
I can’t start tying this to myself or my own health.
Ignore what is felt, focus on the symbols with context.
Think of what is in front of you not what might be next.

“ But whats next messed before. ******* it right up.
The man had been hexed in folk tale made up!
She stole the symbol and painted him to creep up.”

Regardless, Lets part with these thoughts and just focus.
Theres locust that leap beneath her feet we didn’t notice.
Now Locusts can be hopeless but also denote somewhat biblically.
Perhaps this plague lurking is his misery? Represented Physically

“ By a woman on a hill painted with locust covered feet.
A crimson man behind her sat creeping perched on a seat.
In the corner theres a pile of books with titles you can’t read.
And spines try and choke them but instead they somehow feed."

And all this by a woman who I know could not see me.
Trying to approach allegorical work in a realist manner results, understandably in confusion. This poem celebrates the confusion

— The End —