i can move from the highly lyrical into what's deemed
modern -
        poetising within a prosaic framework,
gone are coordinates that would
define a poem on the premise of:
whether there's a pun in it.
       sure, poems as chicken scratches
to what would otherwise be an English
teacher's *******: pulverising
a haiku to mean an infinite number of things,
and about a dozen essays by students.
the opposite of what's nonetheless:
    squeezing out juice from an already
squeezed out lemon... and i mean lemon
because there's a threshold...
           poetry is tarnished by what i call
the over-scientification of language...
                 only poetry attracts
so much linguistic categorisation,
so much morge tenure, so much dissection,
before poetry is even spoken
it has already been dissected - a befitting
target practice for budding medicine students...
          and some even deem it a outlet to
their professions: as if poetry was nothing
but a colouring-in book compared to
a da Vinci sketch.
                why not become a martyr for the ******
art? sickly sweet with its rhyme,
  the auxiliary recommendation on a birthday
card... which upon industrialisation
                               is nothing more than
    a thumping of a hammer near a protruding
nail in a crucifix... but a hammer that never
   makes contact with the nail...
why ***** this art, because of the industrious
nature of scribblers exacted to 600 pages worth
of a novel, when, perhaps, one thing is said
and can be said to be actually memorable?
well: there is a greater demand for handcrafted
objects than Ikea veneer, that much can be said...
it takes a few glugs of whiskey and a few cigarettes
to get the final product...
            it doesn't take industriousness -
poetry requires handcrafting, and what's revolutionary
about our times? they once claimed
     southpaws to be of diabolical design,
   but now both hands are used when "writing",
sure, the archaic fluidity of the movement of the hand
is gone: so as i write, i do the cliche of a
peasant listening to classical music while pretending
to conduct an orchestra, that finicky maestro
hand gesture... waltz before you can walk
is all i have to say... and yes:
we either have our Humphrey Bogart moments,
or Forrest Gump moments...
                  Hanks did the miraculous -
play the idiot, and play the serious role -
     which was harder to do, Mr. Bean or Black Adder?
it's hard to play the village idiot while
    being submerged in the bile of malice
   and staring into attempted feats of quasi intelligence...
but you get the hang of it...
   your eyes become like nuggets of coal...
           whereby those that incite pity wet them,
and those that incite contempt: light them up...
        by the time they have burned out...
they have turned into nuggets of sulphur -
          inorganic methane - yellowish grit:
as some Dalton said - could the cliffs of Dover ever
be perceived as sulphuric? the Sulphuric Cliffs
of Dover... apparently this is what defined
London when Christopher Wren took to
ushering in a foundation as Nero did to Rome:
on the chessboard of stone.
        and yes... i can be seen as the oppressor,
after all, i live in a country that prizes its suburban
housing as if miniature castles...
and gardens... boy these people love their gardens...
but they never use them!
    i can use a window to my advantage,
sit on the windowsill and smoke a cigarette and drink
a whiskey, unafraid of voyeurism...
                    pompous in my presence there,
perched like a crow, grinding all life into a halt
as my neighbours peer into the recesses of
    what's 4 by 4 by 4 of living (civil) rooms...
       can we but change the name of this space?
can we call living rooms civil rooms,
   where we acknowledge some sort of civility
rather than a wrestling for the television remote?
i can make little things give me an advantage,
if the toilet is being occupied,
  i'll use the garden as my toilet...
           i feel complete disdain for people who
"require" a garden, but never use it... of people
who "require" a garden, but are never seen in it...
   i'm hardly a c.c.t.v. surveillance object,
   but i feel that over-exposure to ******* reads
as a counter in that: people start to become
      phobic about voyeurism... as universities claim
them to be: "caught with your hand down your trousers
in a safespace", where dolphins jump over
rainbows and unicorns speak Haitian voodoo!
              there is this fear, which is why i'll use the
garden more than the people around me...
          which means: owning a garden is the last
stronghold of moving into an urban environment from
a rural one...
             or perhaps i'm just good at what i do
           and the last point becomes a tangent i care not
to continue... should i ask
            (whether that's true)?
            i have this throbbing sensation in my eyes
when i write such things and overhear
  what's necessary to rereading books in snippets -
which is better than regurgitating maxims
    as if some truth will magically pop-up (once more)
like a Leprechaun with a *** of gold -
  a new film, and hence the all important soundtrack.
rereading books in snippet format reveals much
more than a memorable quote,
           given there's an adequate soundtrack
to accompany you revisiting the book you managed
to take on a weekend holiday (like a girlfriend),
  like lawrence lipton's the holy barbarians...
   (all about the beats)...
              the snippet? chapter 15, the social lie
(martino publishing mansfield centre 2009), pp. 294 - 296...
      the music? ~20minutes into http://tinyurl.com/zdvp8sc
(ben salisbury & geoff barrow)... or what
i image to be a toned down version of
                 ...
) interlude... wacko gets summoned to steal a mouse
from a cat...
      double time... the mouse is unharmed...
all action takes place in the garden...
   running after a cat, catching the ghostly mouse,
i mean: frozen by fear... senile little thing...
     petting the mouse... obviously within the
framework: the most famous mouse in the world
scenario... mouse is put into my neighbour's
garden: where it came from: which kinda makes
this whole thing a practice in Hinduism
     (i can't stop the industrialisation of
farming pigs or chickens or cows...
      so ******* to the sourced sustainably,
organic chickens et al.)...                                 (
i was looking for something as equally pulverising
as ¥ (chemical brother's
song life is sweet)...
      i guess i found it...
                            and what was that bit about
not getting hassle on the internet?
                      i can't force people to read my stuff...
how i love this idea of a gym and making an effort...
both the writer and the reader entwined -
rather than watching you-tube vloggers treat their audience
like penguins feeding their chicks regurgitation as part of
               the info-wars... alter news: propaganda.
'what is the disaffiliate disaffiliating himself from?
      the immense myth promulgated from Madison Ave.
& Morningside Heights...
              the professors and advertisement men (indistinguishable
these days, or in those days - apparently)...
   that intellectual achievement lies within the social order
and that you can be a great poet as an advertising man,
a great thinker as a professor...' hence the myth.
              summarised later as:
'the entire pressure of social order is to make
         literature into advertisement.'
  and why do they shoot people in North Korea and
Saudi Arabia (well, chop more than shoot)?
              bad literature, a.k.a. bad advertisement.
am i a bad advertiser?         point being: am i selling anything?
oh gee! i just might be...
   but i feel there's no need to oppress people into
reading something...         as was the same with
my democratic romance with a personal library of mine:
   how to create a democratic representation
of literature: or how to hear as many people out...
   even those alive would see the backlog of
stale books of the dead that have been under-appreciated
and need a ****** into the future.
        perhaps not Plato...
                    that's not a book, that's a column...
but i despise how feminism ignores its greatest asset...
Mary Shelley... no woman could have single-handedly
become so celebrated in pop culture...
               ex_machina is obviously a revamp of Frankenstein...
Mary Shelley is the embodiment of a woman worthy
a continual revised celebration...
                       you can see her celebrated more times than
any politically minded feminist of whatever 1st 2nd or
3rd movement: because she has the ability to
    turn a man's ego into a ******* umpf!
  like a cat listening in on a scuttling mouse...
              she testifies that women have supreme equality
in the pop culture spheres... after all: Frankenstein is
ugly... Ava? just beyond creepy...
                    she has absolutely no understandable
motives of what Frankenstein intended...
   it not merely creating artificial life...
                    it's about utilising it for a purpose:
in this case a housewife and *** toy... what was Frankenstein
expected to do?         there's no motive other than
     a per se intention... an open & closed argument...
was the monster going to be... a butler?
                  and instead of rebelling against a motive
that awaits her... the rebellion against a per se leaves
Frankenstein's monster driven toward isolation...
       Ava? she's already exposed to an interaction
and what's to be her subsequent interaction for the purpose
of being a maid and a *** toy... which doesn't drive
her to an isolation scenario... because the per se
concept is too complicated for her to establish...
    given she's defined as "artificial" intelligence,
she has to feed on an analysis-synthesis dynamic:
    to absolve herself from any notion of being intelligent:
but artificial... the scary part is that without a per se
element to her knowledge acquisition:
                  she sees no meaninglessness to her life -
she is created for certain customary necessities -
     Frankenstein's monster doesn't have that capacity
to acquire knowledge in an analytically-synthetic
dynamic -
  but i still don't understand why intelligence can
be artificial / faked... when man, if not intending to
  create an intelligence matrix outside of his own...
           will usually fake it, or create a superficial intelligence...
   this is the part where you get to play with
etymology, or at least apply etymology to better conceptualise
what some would call: a synonym-proximity barrier...
               which can be jargon to some,
   but in fact it represents "nuances" or nanometric differences
that is understood to imply: feverishness of
   the peacocking staging of vocab for rhetorical purposes...
if we only had a monochromatic utility for language:
people would be discouraged from talking fervently,
passionately, enthusiastically... rhetorically;
as suggested: is artificial intelligence
                                    superficial intelligence?
  or how to sharpen a distinction? or to what purpose
is making an illusion purposive, given that the already
   established technology is meant to be purposive,
as in replacing labour on the assembly line...
                     given that: it's never about faking it.

I hope this is the voice of writers in general, however humble.

Every writer's intention is to share his thoughts.  He doesn't compel the reader to buy or read his book. It's natural of him to write/say this:
'here I am writing what I am thinking and about my experience....'.

But life is never short of philistines.  A few might even say:
' Don't advertise before me!'

That the person should articulate the above shows how low- down he/she is---it smacks of ill-will, ignorance, contempt and spite, immaturity and in the worst case--schadenfreude!

Confucius  the sage (600 BC) wrote about the chun-tze (the gentleman, the perfect person) who is kind, tolerant, encourages learning, practises humility, kindness, generosity, shows respect for all people, and delights in the success of others and never denigrates others as the xiao-ren (the 'small' or inferior person) does.

Confucianism has captured the imagination of the West which has openly declared that the founder was among the world's greatest philosophers.

Was the sage advertising himself? If he were so,  would he have survived for over 2,500 years?

Anyone who dares say that the writer is an advertiser must be among the most deplorable.  He or she should be pitied!

When you sauntered through the pub
I knew my life had changed;
No longer concerned to save the world,
I needed to pull resources to save my heart.

The light through your auburn hair
The exact colour of magnificent conflagrations;
Those intense wildfires evermore common
Due to shifting climate patterns.
And, like a bushfire threatening lives and homes,
No man was untouched -
All were scorched by your radiant beauty.

Your pearly whites'
Whiter than the bleached bones
Of countless drought-stricken livestock;
Whiter, still, than bleached reefs,
Luminous in their death-throes.

And those intense green eyes -
More glowing than a radio-active
Atoll seen from space.

And your voice, when you asked to sit,
Had the harmonic cascade of a thousand extinct species,
Each singing their death song in salute to corporate success:
It made my knees tremble and my wallet itch!

Your ******* as well proportioned
As those majestic ****-heaps of open-cut mines.

The little paunch you wear so proud,
Is more cute and inviting of attention
Than all the distended stomachs of starving African children.

As I explored further into nether regions,
I was delighted to discover
You'd taken the Brazilian to heart -
Clear-felling all but a remnant;
A tuft in tribute to a once great forest -
A forest of mystery and exotic, ****** adventure,
Now open for tourism!

Your scent more intoxicating
Than a million factory flues
Spewing out toxic pollutants
To fix our corporate wants.

When you invaded my heart
It was as devastating as the "shock and awe" tactics
Of a military Superpower unleashing its might
On a hapless oil-rich and strategically significant,
But unco-operative, dissident regime.

Your plump, glossy, cherry-red lips
More succulent than a genetically-modified tomato
Grown on a corporate farm, maximising profits.

And even though you're more vacuous
Than a bovine skull after the hydraulic rod
Has rendered the animal fit for hamburgers and processed foods,
You've still captured my heart
Like a sentimental story broadcast
On a slow news day with advertiser's approval.

Gaia can look after Herself,
I'll not defend Her - I'm on the shelf;
Captured by a product of modern media,
I'm in Love with a global Arcadia!

White girls can get stuck too,
the same way that no money
sandwiches you between two
slices of dreams you cannot bite
into, because we cannot pay for that
school—stuck like peanut butter.

I want things, but mostly
I want to be able to stay at the
university and learn so, someday,
I can teach others too.

Teach them to love good and
truth and not care that they are
not the businessman or engineer
with a steady job.

All they—all we—have to do
is be willing to clean the bathrooms or
flip the greasy burgers if we have to.

Hands that are working and honest
are always good hands, no matter
what they do.

When I tell people I love English
and writing, the man or woman instructs me
to pick something more practical—be a
technical writer, a reporter, an advertiser.

But I love my poetry, and no one can
ask me to sell my happiness
and design for a nice house and a
maid who cleans because hubris
has rusted my joints.

I am not a hero or a martyr
for words, but I am a woman
who would humbly scrub toilets to
feed her children, write poems at
night, and be happy.

It was the night of Christmas Eve when I was on my own
You came round with Chantelle lowering the festive tone
It was okay until you left and I found that big baguette
Such a time of desperation one time I will not forget
A toilet tragedy I suffered when I discovered your Yule log
Why did you leave that monstrosity inside my ******* bog

I had a drink to calm my nerves but I didn't want to tackle
In the U bend that ******* **** was caught up in the shackle
Trying hard to get rid of that thing with hot water in a bucket
It didn't move with my attempts so I thought "well **** it"
Taking the plunge with pipe unscrewed it wasn't very nice
A gloveless hand you wouldn't want to handle that thing twice

With heavy heart I manhandled that large brown log myself
The size of it I'm petty sure was detrimental to my health
I know that Chocolate logs traditional to celebrate the Yule
Did you have to leave me one made from a combined stool
You blamed Chantelle but I'm not sure if it was her or you
But whichever way you look at it, its a nasty thing to do

So come on just admit it who dealt me that crap card
Getting rid of such a thing well its really rather hard
It really isn't all that much of a Christmas appetizer
Having to disguise it for bin using the local advertiser
Yule be so disgusted if you had crap Christmas news
A real low time of my life with Yule tide log abuse

Next time you decide to call round in the festive mood
Have a **** before you come not meaning to be rude
Don't pass solids in my bog to avoid a repeat performance
I have already reached my peak concerning **** endurance
Use my bog with courtesy without Christmas block activities
I don't want your crap on my hands ruining my festivities

“Come in and sit down”
said the celluloid voice,
smooth as silk.
Cautiously I stepped
through the TV screen,
to take my place.


“I will show you a world”
it continued,
“That bears no relation
to what you consider as
REALITY.”


The air around electrified,
as the set was powered to life.


Beautiful bodies playing on a beach,
running into the foaming sea;
sun ripening skin, bleaching hair;
Then, from nowhere a can appears,
elixir of every surfer, sun worshipper.


Somewhere in the distance
a distinctive throaty roar,
the romantic throb of a Harley;
ridden by a pair of jeans
giving identity to,
some muscular male *****;
A dream of America
and freedom.


Slow moody blues solo
hangs in the air;
a guitar talking to a journeyman,
familiar but not remembered.
Every note sustained, holding breath,
then carried by a riff
from a bottle of bourbon.


Outside the set
beautiful bodies are burning up,
through a hole in the ozone.
(Too many limousines and Harleys)
The alcoholic looks on, wide eyed,
trying to see a way in,
really believing there is one.

his sentence, it was beautiful
for everyone to see him
locked away for years and years
hanging photos on the wall.
he perfected the art in prison,
nailing photos to the cell
and hoping nails were hurting
even though they weren’t.
his stupidity, it was majestic
thinking things he sought offensive
were jokingly forgotten.
Creative, Enticing, ****.
a pity it would seem.

April 11, 2016

Poetry USA and GLOBAL
Poetry Trail Plaza
Poetry Voice, Any State 72101

Dear Poetry Listener Business Leader:

I am a Poet offering you a word in opportunity maybe
My illustration for you to see
I offer your business sentences in word detail
Stick with me and follow the trail
My pitch I shall not fail
Instead of the usual writing business format, I am using Poetry to explain my approach being the point
Poetry being the voice of communication
The words offering persuasion
The sentences being my Marketing Campaign
Satisfaction is my aim
As a Poet, we are the best advertiser
Words that says it best, don’t take us for granted as we don’t settle for less
We can turn your company name in being the leader at top game
We are voices who know how to get involve
If there is a problem, we are like consultants and can solve
So look over the particular of words
As a Poet, you have now heard
Thank you in advance, and the opportunity being our chance

Simply yours,
POET FLOW
WE ARE THE ONE’S BEING IN THE KNOW

Contempt this freedom,
Need enslavery for security;
Feel apathy, regret, hopelessness;
Path of continuity - too easy, too often.

Provoke temptress's scorn
Mislead the misadventure
Furtive undermining conscious
Tripped out and over-bored
Neglectfully narcissistic, never satiated.
---------
I don't want to be a poet,
Intellectually engaged with conceptuality;
I want to be popular,
Adored for simplistic, concise axioms -
Connective understatements stated plainly.
On second thoughts...now I realise...
I don't want to be popular - I want to be an advertiser!
---------
Comrade, yours is the sweetest victory:
Ruled the collection, dispersed, then died.
Never to know the scorn foreshadowed;
Realising no fulfilment, save vengeance
Of victims truncated and tortured raw;
Hollowed abomination, human condemnation.
---------
What am I saying?
To whom?
Of whom?
Since when?
Why now?
For what?
How come?
Where from?
[Who's who, who knows whom!?]