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SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist ... in the slow twist ... of the wind.
  
If the north wind comes they run to the south.
If the west wind comes they run to the east.
  By this sign
  all smokes
  know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: "I know you."
  
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from-
You and I and our heads of smoke.
  
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
  
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
  
Smoke of a city sunset skyline,
Smoke of a country dusk horizon-
  They cross on the sky and count our years.
  
Smoke of a brick-red dust
  Winds on a spiral
  Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
  
Stammer at the slang of this-
Let us understand half of it.
  In the rolling mills and sheet mills,
  In the harr and boom of the blast fires,
  The smoke changes its shadow
  And men change their shadow;
  A ******, a ***, a bohunk changes.
  
  A bar of steel-it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left-smoke and the blood of a man
And the finished steel, chilled and blue.
  
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
  Smoke and the blood of a man.
Pittsburg, Youngstown, Gary-they make their steel with men.
  
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
  
  The birdmen drone
  in the blue; it is steel
  a motor sings and zooms.
  
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
  
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up-
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
  
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
  Smoke nights now.
  To-morrow something else.
  
Luck moons come and go:
Five men swim in a *** of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the ******* plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers-they shadow-dance in laughing tombs.
They are always there and they never answer.
  
One of them said: "I like my job, the company is good to me, America is a wonderful country."
One: "Jesus, my bones ache; the company is a liar; this is a free country, like hell."
One: "I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves."
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
  
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
  
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
  
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the ****.
Forever the **** gets washed in fire and wind.
The anthem learned by the steel is:
  Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
  
Fire and wind wash at the ****.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors-
Oh, the sleeping **** from the mountains, the ****-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
  
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
  
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks-flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
  "Since you know all
  and I know nothing,
  tell me what I dreamed last night."
  
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
  
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
  
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
  
The wind never bothers ... a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.
Nickols Dec 2014
Immune to the depravity.
Enslaved to the creativity.
A weaken soul, to the artist brush.
A becon of burning coals, in the artisans stove.

Two sides of the same coin.

We are writers.
We are painters.
We are smelters.
We are dancers.
We are singers.

We are art.

We are, us.
Wk kortas Jul 2020
It is, in its own fashion, a ballpark—there are dugouts,
(Though more kin to lean-tos if the truth be told)
A fence with advertisements, though its paint is cracked and faded,
And some of those firms testifying
To being tops in collars and canned foods
Have long since changed names or flat-out gone under,
But a ballpark nonetheless, and if you squint your eyes
Or find some other convenient method of self-delusion,
You can convince yourself it is a rather fine thing,
Happily oblivious to the fact that the infield
Is all bumps and tiny moraines
Covered with crownvetch and chickweed masquerading as grass,
The outfield rife with bark scorpions
Who frequently wander inside the lines.
Milling about this somewhat-short-of-pastoral greenish patch,
Wearing uniforms of a reasonable homogeny,
Is a curious, potentially combustible group of men:
Honest-to-goodness big leaguers whose off-field proclivities
Led Judge Landis to excuse them further participation,
Rope-muscled miners from Bisbee,
Carbide-lamp helmets tucked under their arms,
Callow boys taking a chance on this decidedly last-chance town,
One or two others with tangibly acute reasons
For staying in close proximity to the Mexican border.
Holding court in the midst of this collection
Is a man whose face was not visited by the smallpox
As much as it was wrapped up in its full embrace;
It’s old Charlie Comiskey who should be in jail, he grumbles
Man has more money’n he’ll ever need,
Hell, more than Stoneham or Ruppert.
No reason in the world he couldn’t pay his boys a fair wage,
But he treated ‘em like dogs, and if you starve it long enough,
Why, even the most loyal dog will turn on a man,
Ain’t that right boys
?, and a pair of his listeners,
Men named Chick and Swede
Who know of Comiskey’s parsimony first-hand,
Grimly nod their heads in agreement.
The speaker pauses for a moment, and as he does
He produces, seemingly from nowhere, a hip flask
(Brought forth like a seasoned magician
Pulling flowers from some gauzy handkerchief,
Or a card sharp finding an extra king in the very air itself)
And takes a long draught before continuing.
Look, I love this game--hell, no man loves it more
But it’s still just a **** game,
Just entertainment, like a circus or a rodeo.
Maybe we a took a few liberties with a game here and there,
But, you know, I knew folks who’d see the same Broadway show
Three, maybe even four times;
They knew how it would turn out, I reckon,
But it didn’t keep them from spending four bucks a ticket.
Well, what’s a ballplayer but an entertainer?
We still put on a good show, and no one gets hurt,
But because it’s a ballgame, you’d think we’d spit on the cross
.
With this, the circle breaks up, and men head to spots on the field
To field lazy fungoes and toss the ball around the infield,
And most of the on-lookers soon head back toward town
(Perhaps back to work at one of the smelters,
Their stacks blowing forlorn clouds into otherwise endless skies,
Or maybe to one of the sad houses on the far side of town
Where haunted-eyed Mexican ****** mechanically light candles
In supplication to saints whose efficacy they’ve come to doubt)
But the stragglers who stay behind are treated to the first baseman
Make a marvelous, almost magical, pickup of a short-hop throw
With the easy nonchalant brilliance which at one time
Brought hundreds, no thousands, of men to their feet in disbelief,
And as he sweeps his glove upward, he laughs
(Though with just a touch of restraint, a trace of the rehearsed)
And says See, boys? Once you are big league,
You are always big league
.
alifeissixtofiveunlessyoujiggletheodds
Viktor Gado Sep 28
When the light dies and in creaps the dark whelm,
the door is revealed under the Moons guise.
Speak Friend and enter into the realm
of an empire domed by granite skies.

Behold, visitor! The majestic halls
that echo the clanging of hammers still
a whole age later after these walls
first bore marks of our patience and skill

woven together into an endless grid,
with caverns and roads stretching far and wide,
once richly adorned and brightly lit,
meriting to our mastery and pride.

Every day and night our smelters gorged
upon the hills of a precious ore.
The blunt pounding of our mighty Forge
through these passages that we bored

never ceased. The domain breathed with its draft,
that fed fires hotter than veins of Earth,
and in generations of labor in this craft
amassed riches of a boundless worth:

Silver, jewels, iron and mithril too,
all freed from the crampy grasp of stone -
as our picks slowly razed their way through
the Mountain towards the old and unknown.

There was no such thing as a well too deep
... untill there was. And in our greed and vain
we suddenly woke from it's lengthy sleep
the herald of our doom. The Durins bane.

Silent now stands the greatest of all
Dwarwen kingdoms. It's heirs deceased.
Defiled by vermin. Plundered. Appaled
from the enduring presence of the Beast.

But it's foretold that we will return
once that the Fiend is bested and slain.
The rekindled forge will again burn
and breathe life into the Mines again.

— The End —