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Jim Kleinhenz May 2012
(For Thomas Davis)

A reptile carved, a breath of language, one
That one imagines to be real, like
A lizard given life, pretend for fun,
Perhaps, a supervening thought, so like
A kite, but not airborne at all: We hold
Its substance in our hands and come to think
That this is all there is. We even hold
It in our thoughts, still nameless, and we think
That its vital beauty make it a part
Of God. Soft, small, patina-rich, handmade
From stone or bone, rhinoceros horn: its art
Is in its existence, perfection paid
For by its half-life in our hearts and hands.
So reptilian, what poetry demands.

© Jim Kleinhenz
Anthony Williams Jul 2014
You're just a tiny bit minimalist in your own unique way
a white star I have to squint to see in daytime sky
not a Mercedes five point but a Nissan Micra car
you park neatly in a three point turn by my netsuke
and put a circular dent on my platonic furniture

Your two humble rooms devoid of any bold sculpture
except a fold-out table and a miniature bubble chair
and a futon for a bed which is troublesome to share
you draw the line at adornments but allow a wallflower

A bulb in a bowl is your ornamental garden feature
mealtimes a nibble on grated carrot celery cucumber
you run so long on empty you're an eco friendly teacher
stretching out the energy is a passion of my lover
engaging in lessons on sustaining a resourceful nature

Your shoes two pointe ballet slip ons easy to care
barely there g-string thin cotton underwear
nothing loud to upset your understated figure
slight as a pin drop your bottom's semi-derrière
sits so light on feet I'd swear you float on air

I rarely get to hear you come before you're in my hair
with a voice pitch high as a smitten kitten's purr
your upper reaches get a score sized single 'A'
nice when it fits into our schemes of feng shui

I carry your bundle home on the roadway rivers of light
yet you only burn one ray of candle power at night
born of scintillating atoms which flow along each vein
containing so much love without clutter in your frame
a brave star small as wings formed of minuscule wire
flutters in your eyes with minimal flare
but deep desire
by Anthony Williams
a bonsai has two elements, the tree and the container, and “once outside its flowerpot the tree ceases to be a bonsai.” Miniturization is not the defining feature of a bonsai; containment is, the strict boundary between the bonsai and the rest of nature. So, too, it was between her nature and mine.
Raj Arumugam Feb 2012
DANCING MAN:

My right foot up
and my left hand on my head
Oh this sake
brings me Heavenly fever;
sake purifies my heart
and the gods are pleased
and I dance
like the Shinto spirits of old



MAN with the CUP:

Oh, drink and be merry
be lifted high in the air
by sake and its spirit;
the Toji has done well
a master brewer he;
and dance you well
in this ecstasy
and while your eyes
are towards the gods
I'll steal a sip or two
that shall build into
more than a cup for me:
*O dance in the spirit of sake -
another cup I hold ready
for you, always
The image of the Netsuke can be viewed at:
http://rajarumugam.sulekha.com/blog/post/2012/02/netsuke-depicting-2-men-drinking.htm

Photo by Brooklyn Museum
Minko. Netsuke Depicting Two Men Drinking Sake, 19th century. Ivory, 1 1/2in. (3.8cm). Brooklyn Museum, Gift of Mr. and Mrs. Burton Krouner, 74.103.11. Creative Commons-BY-NC
Jim Kleinhenz May 2012
It’s like tea strained through silk,
so pure, so like a tabula rasa
constrained for us to use amid our doubts.
Stay, carrion, stay and sit beside me.
For we must carve the lines of
a language into ivory conventions;
we must starve out the demons when
they cry out their so-called interventions…
Why are they here when we are not?
Too easy the simile; too easy the regret;
too easy that we are not majestic,
that our life ends in rot.

His face an ivory façade,
the Buddha smiles, unlike our God.

© Jim Kleinhenz

— The End —