Submit your work, meet writers and drop the ads. Become a member
Ken Pepiton Apr 2019
Ah,
the attention I paid
you paid
I meant
these were the last lines

Worthy one, I paid too dear
truth to tell, when no truths were mine.
Seek.
I sought.
Ask.
I asked.
Knock.
I knocked.

Enter into the joy of the being who governs you.
Whose kingdom we have made ready,
into tu corazon, eh.
Where a man's core is, there's where
the dragon guards the hoard,
until,

the hero in your myth-tical meander

Wise ***, as an actor in my play, is your role real?
Am I mad, or are you a mind
I imagine answering me
because you saw the
angel with the sword?

Jesus. Really, that was the door I knocked on.
He opened.

And long ago, a quest was taken,
is my first answer a lie?

What is the sound of one hand clapping?
Every gaijin's first kaon

The answer found in the sound
of one hand clapping is
in the sound
each makes
as each claps

swish, swing, and a miss,
that one hand was not clapping, or
the other would have helped.

Clapping calls for both hands,
to clap, neither asks the other,
stop me from failing to
clap
instant
instantiation
imagination, see the sound
made,
the effect one hand
clapping with another and
meeting
in the middle of the motion
makes
the sound of one hand clapping
The intention to make this sound
calls another hand
to clap along
so,
sing a song, appraise the worth
of knowing the sound
balanced against making
this sound of one hand clapping,
keeping time
to swishpering shuffling feet
dancing in the sands

a value scale must balance on a point,
weight and worth must meet
at that Hermetical metal river side
Twixt all of this in all o'that.

point made and taken.

Is this the meta game?
Our next kaon.

What is the measure of worth?
Dave Cortel Apr 26
vinegar, soy sauce, crushed garlic, peppercorns, and bay leaves
i saw my mother mixed these
in a palayok softened to a gentle patina.

i’d like to help, but my hands
were already covered in bruises
from playing luksong baka.

“where have you been, boy?”
mother asked, as she raised the sandok,
while her eyes glued to the palayok.

i wanted to tell her i’ve been with a friend,
a boy, who pushed me into a charcoal pit
so my knees were black.

but this friend came to our house
carrying a small ointment,  bottled in green.

he smiled.

and i looked at him,  hesitant to give it back.
i learned that the ointment
was for the wounds i got
from his own mischief.

but he didn’t apologize.
instead, he sat on a dining rattan chair,
facing me.

“why is he here?
isn’t he ashamed of what he had done?”
i thought.

“oy hijo, didi nala kaon.”
mother, in a duster dress, spoke to him
while serving the paksiw,
we could smell its tangy scent
of vinegar and crushed garlic.

she managed to notice
that we might be in a little fight
so she told us that we must have our backs
for each other, always.

and we did.

twenty years later, this friend came back
to our house, redoing the scene:
carrying an ointment bottled in green.

“tita, don’t you know
he’s been crying over a stupid man?”
he spoke and laughed, childlike.

oh this boy, unaware of my charade,
as i fake drama, keeps comforting me
again and again and again.

mother served the same paksiw
and i found myself smiling,
watching him treat my home, a home.

— The End —