The building had to be as it was
Before, when it first was built,
So the Inspector said to me,
I was mortgaged up to the hilt,
We’d already changed some minor things
They’d stand, he said, in the way,
We couldn’t move in till they were changed
Reversed, to our mute dismay.

He ******* the permit into his hat
And clamped it down on his head,
‘Where are we going to sleep tonight?’
‘That’s not my fault,’ he said.
He’d locked us out of our only home
With it only half rebuilt,
Then driven off as he sneered and coughed,
‘Are you trying to feed me guilt?’

We’d lodged our plans seven months before
To rebuild a nest of rooms,
The Council never got round to it
So they left us mired in gloom,
We couldn’t wait for their paperwork
So we just got on, and ‘did’,
We toiled by night in the after light,
In the day, just lay and hid.

Then when the paperwork finally came
It covered a room too short,
They charged full odds for their office clods
But for plans, their worth was nought.
Back he came on a day of shame
To demand we tear it down,
That extra room that had fed our gloom
So I said, ‘You go to town!’

I handed over a hefty pick
And I said, ‘It’s up to you.
I wouldn’t touch it myself,’ I said,
‘But you do what you must do.’
I didn’t tell him of Cranston Leigh,
The ghost of that room out there,
I should have said, but then Cranston’s dead
So the end result was fair.

He laid about him with pick and axe
And he tumbled half a wall,
Before first hearing the screech from Hell
That was Cranston’s warning call.
I saw the Inspector’s hair rise up
Like an early crop of rye,
And that was even before the ghost
Screeched out, ‘You’re gonna die!’

I’ll never forget the scene that night
The Inspector burst in flames,
While Cranston, from the unholy dead
Leapt in and out of our drains,
That room still stands, it’s unfinished still
The Inspector will not call,
We left a poster of Cranston Leigh
As a Welcome, out on the wall.

David Lewis Paget

I
This is the night mail crossing the Border,
Bringing the cheque and the postal order,

Letters for the rich, letters for the poor,
The shop at the corner, the girl next door.

Pulling up Beattock, a steady climb:
The gradient's against her, but she's on time.

Past cotton-grass and moorland boulder
Shovelling white steam over her shoulder,

Snorting noisily as she passes
Silent miles of wind-bent grasses.

Birds turn their heads as she approaches,
Stare from bushes at her blank-faced coaches.

Sheep-dogs cannot turn her course;
They slumber on with paws across.

In the farm she passes no one wakes,
But a jug in a bedroom gently shakes.

II
Dawn freshens, Her climb is done.
Down towards Glasgow she descends,
Towards the steam tugs yelping down a glade of cranes
Towards the fields of apparatus, the furnaces
Set on the dark plain like gigantic chessmen.
All Scotland waits for her:
In dark glens, beside pale-green lochs
Men long for news.

III
Letters of thanks, letters from banks,
Letters of joy from girl and boy,
Receipted bills and invitations
To inspect new stock or to visit relations,
And applications for situations,
And timid lovers' declarations,
And gossip, gossip from all the nations,
News circumstantial, news financial,
Letters with holiday snaps to enlarge in,
Letters with faces scrawled on the margin,
Letters from uncles, cousins, and aunts,
Letters to Scotland from the South of France,
Letters of condolence to Highlands and Lowlands
Written on paper of every hue,
The pink, the violet, the white and the blue,
The chatty, the catty, the boring, the adoring,
The cold and official and the heart's outpouring,
Clever, stupid, short and long,
The typed and the printed and the spelt all wrong.

IV
Thousands are still asleep,
Dreaming of terrifying monsters
Or of friendly tea beside the band in Cranston's or Crawford's:

Asleep in working Glasgow, asleep in well-set Edinburgh,
Asleep in granite Aberdeen,
They continue their dreams,
But shall wake soon and hope for letters,
And none will hear the postman's knock
Without a quickening of the heart,
For who can bear to feel himself forgotten?

She sat in an empty booth. It was a Tuesday, mild, with a thin veil of cirrus clouds on the horizon. Somewhere a dog barked. Outside, the Commercial Street Flower Market opened for business. A ******* stood on the corner.
        With one the sitting woman opened the menu, scanned it, and dropped it back on the table. A bleach-blond waitress arrived. Before the waitress spoke, the sitting woman cut in.
“I’d like home fries, fruit salad, and a cup of earl grey, please.” The waitress nodded, slightly wary, and scribbled the order on her yellowed order pad. The woman went back to staring at her fingers. The waitress left.
She opened her purse, rummaged around, and grasped a worn paperback of Vonnegut’s Slaughterhouse Five. A small likeness of a snake twirled up her left index. She wore beige eye shadow and a full set of fake lashes. Her nails were lacquered candy apple red. There was a large scar on her neck. Sighing, she settled in to read. The snake ring’s eyes were rubies; as she turned the page, they glistened brightly. The café’s door jangled. Seconds later, a man slid in to the seat opposite her.
“You’re late,” she said. The man smiled. He had lidded Egyptian eyes and a set of straight, white, fluoridated teeth.
“So terribly sorry. Pressing issues.” He tapped a finger on the plastic table. The woman licked a finger and turned a creased page.
“Still reading that blasted book, are we? How many times has it been now, Laura? Twelve?”
“Fifteen, to be exact.” The waitress arrived with plates of bright fruit and steaming potato. She waitress had poorly tattooed eyebrows. They rose.
“Can I get you anything?” she said to the man.
“Strong cup of coffee. Two cubes sugar, slice of lemon on the side. Thanks.” The waitress smiled.
“Certainly. Your tea will be in, miss.” Laura nodded. The waitress sashayed off and the man leaned in, breaking the barrier between them.
“Why are you still reading that godawful book? Wasn’t once in Junior year enough?”
“No, it wasn’t. If you don’t mind, let’s get to the point. What are you doing here, Jack? I know it has nothing to do with harassing me over my literary opinions.” The book closed with a muffled snap. She slid it back in to her large purse and adjusted her dress.
“I got the part.” He said the two words with barely veiled excitement; they sounded unnatural and foreign.
“What in the name of God are you talking about?” she asked. She stabbed a home fry with her fork and sprinkled it with salt.
“I’ve made it in, Laur.” He said. She dragged the fry through a small puddle of ketchup and smiled. She leaned back and drew her hands through her hair, bit her lip.
“Who’s directing?” she asked. The waitress arrived again and they both leaned back, away from each other. He nodded his thanks, blew on his coffee, and drank deeply. She dipped her finger in the cup of tea.
“Some guy by the name of Cranston. Will, I think. He’s good. Directed a film called The Devil in Whitethorn. You might call him an artist.”
“Oh, Christ. You’ve made your big break, have you? With a ****** arthouse director no one’s heard about? I’m impressed, Jack. Real impressed.” She sipped her tea. “What’s your deep, philosophical movie about, Jack?”
“A man dragged wrongfully in to hell who has to prove to the Devil that he is a good man,” Jack said. His chin rose slightly. “he goes through his life as an invisible man, observing all of his human mistakes. Eventually he discovers that Hell is just another version of Heaven and it’s all a test to get him to look at his life as an outsider. I play the college version of the lead. I’m third-highest billed.” He reached over and snatched a strawberry from her plate. She smirked.
“Wow,” she said, “sounds deep. Almost like one of the sappier episodes of The Twilight Zone, twist and all. Tell me, does Shatner play a PTSD-riddled man who sees monsters on an airplane? Is the Devil a fan of billiards? How many aliens are in this movie of yours?” she smiled at him, exposing a line of somewhat crooked teeth. “A movie, huh? Congrats.”
“Many thanks. I thought that someone who appreciated the subtle insanity of Vonnegut might appreciate a good deep film. Are you going to finish those?” he gestured at the fries. Six of them remained. Laura slid them across the table and tucked in to the fruit plate. “No more awful local commercials for me, love.” She scoffed at that.
“You’re a crap commercial actor. How much money are you getting for this little highbrow film of yours? One K or two?” She stabbed a honeydew square and crunched it between red lips.
“Four, doll. More than you make in a month.” Her cheeks reddened.
“I don’t need much, Jack. You of all people should know that.” She coughed lightly in to her napkin. “You’re a tricky *******. How long have you known?” He licked a spot of ketchup off of his  finger.
“Oh… Five weeks? Six? Somewhere around there. We start shooting next month.” He leaned forward, lightly brushing the back of her hand with his fingers. “It’ll premier downtown on the seventh of July. Be prepared, since I’m dragging you out there with me. You’ll need a cocktail dress and modest makeup.”
“How modest is modest?” she asked. He surveyed her face, scanning with his eyes squinted slightly. Her face flushed a touch more.
“Hmm…” he said, “drop the red lipstick, add a few more spots of cover-up, light champagne eye shadow and less blush. Also, ditch the falsies.” She laughed, a light trill.
“I don’t leave the house without them. I suppose I can scour my collection for some more… What was the word you used? Modest pairs.” His fingers stopped rubbing the thin, veined skin on the back of her right hand for a short moment.
“In other words, you’ve said yes.”
“Yes, I have.” He dropped a ten-dollar bill on the table and stood up. “Call me some time. You haven’t forgotten my number, have you?” Laura grinned. He picked up the lemon, separated the meat from the rind, and rubbed the white flesh on his teeth.
“No, I haven’t.” He dropped a single white envelope on the table. She surveyed it, placing it next to the tattered paperback in her purse. He walked away.
“Oh, and Jack?” she called without looking back at him. He stopped mid-step. “I wasn’t wearing blush today.”
He grinned harder, waved his goodbyes to the waitress, and left. The door jangled. She finished the last dregs of her tea, dropped a twenty dollar bill on the table, and stood up. It was a beautiful morning. She walked outside. The bells on the entrance jangled, stilled, and their song died.

On Sunday mornings they’d grab us by the shoulders
and stare into our eyes until
we repeated those universal truths —
what goes up much come down,
He was conceived by the power of the Holy Spirit,
even Satan knows
that he’s out there.

Inspired by Meg Cranston's Artist for President
(http://www.uniteddivas.com/megcranston/megpresident.html)**

We assert that there is a youth culture that is different and separate from all other cultures and that our culture is governed by principles which the aged population finds peculiar or offensive.

We are tired of being labeled.
We are tired of being segmented.
We are tired of hearing old people talk about us.
We are tired of being the respondents to your 20 city questionnaire.
We are done with being ignored.

We are sick of 1980s spandex.
We are sick of your Top 40 hits on a compact disc.
We are sick of your rom-coms and big budget fantasy sci-fi sequels.
We are sick of 60 billion ad messages being hurled from satellites in outer space.
We are done with being disappointed.

We demand the right to change everything.
We demand the right to create our own words.
We demand the right to define what is cool in the morning.
We demand the right to re-define what is cool in the evening.
We are done with being told to follow.

We reserve the right to be elitist.
We reserve the right to choose our heroes.
We reserve the right to create jobs that never existed before.
We reserve the right to outsource, open-source and crowdsource everything and all.
We are done with your rigid ways.

We condemn the wars that you started.
We condemn the poverty and hunger you created.
We condemn your irresponsibility in ignoring our dying planet.
We condemn the forces of greed that keeps an honest man from climbing the income brackets.
We will fix the mess you left behind.

This is for school kids
This is for college students
This is for young professionals
This is for the young artist who shares his creations on DeviantArt
This is for the young blogger who dreams of being a travel journalist
This is for the podcaster who is on her way to become a successful RJ
This is for the YouTube user who dreams of her own television show and feature film
This is for the photography enthusiast who spends his pocket money on a Flickr Pro Account
This is for the opinionated Twitter-for-Blackberry addict destined to become a Twitter celebrity. (Even we don’t know what that means!)
This is for the coding guru who gifts his geek friend a mobile gaming app based on Dungeons & Dragons for his birthday. Yes that is cool...for now.

This is youth culture

Down by highway twonintyfive
a racoon lay breathless on the canyon side
survived probably by a family of four
or three who knows,
sticks and stones
life as it goes.

Down by the river Providence bound
a drunken man falls down
from the bridge to the ground
homicide suicide noone will know,
sticks an stones
life as it goes.

Cranston town a white pickup
two fat men come to steal your stuff
and break into your private home
thinking they're the underpants knomes!
Days are short that's all I know,
sticks and stones
life as it goes.