your skin is pale silk, my white hart, my Sol heart,
your blood as it thrums is red Eucharist wine,
your hair all the sun's godly glory and gold:
so Gloriana, lonely amora, who'd not call you the one and the only?

you speak of the sweet whispers that the waves could-- could!-- bring,
you, all fragrant with frankincense and rosehips and thyme,
you, avournine, flow to and away with the moon's ebb and sway,
and who'd not shiver and tremble before you, loreley!

you claim castle and crown with your easy warm grace,
you claim thrones of ice then complain of the cold,
and to touch your lips to petals is to touch her face:
but Titania, appassionata nostra,
caprice and impermanence, grace and countenance,
our lady of the lake!

Should the breadth of silence stretch,
Maria, sweet girl of the boughs of flowering
pear and tangerine trees, your stocking-foot
brown like the branch of a sapling tree,
and should the dark profundity of the earth
begin to part (among the hymns and litanies
of things I cannot comprehend
is how Orpheus sang down the earth to part
beneath his feet) then the rich black soil of spring
is where I plant the Could-flowering seeds
of all that I am not brave enough to be.

(chérie, avournine, Eurydice;
you will forgive the
thousand words I do not speak
when you know that language is
but the honeysuckle beneath your feet.)