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Lori Jean Jan 2011
The mind rushes
To analyze
What future looms
I bide my time.
As I await.

The body tremors
Inside and out
Fatigued, it yells
The pain, it shouts.
As I await.

The eye stabs
Vision blurry
Migraines laugh
To watch me worry.
As I await.

The muscles dance
To tunes unknown
Lightning strikes
The weary bone.
As I await.

Memory fails
Words escape
The mind still fights
As I await.
As I await.

Heart palpitates
Stress enhances
Emotions calm
To steer advances.
As I await.

It fights to win
But all in vain
Corrupt the body
My soul remains.
As I await.

Love still lingers
Intentions pure
No anger lives
No pity here.
As I await.

Disease roars strong
Yet, I prevail
Love supersedes
This crumbling shell.
As I await.

Symptoms linger
Rise and fall
No sense to madness
Inside this wall.
As I await.

Stare in question
Distance fear
This child of God
Protected here.
As I await.

My blessings soar
Above the trial
Diagnosis looms
But still I smile.
*As I await.
LoriJean Vance Copyright 01/22/2011
Written to express the experience of waiting for a diagnosis of possible multiple sclerosis.
Hannah Jade Dec 2014
For a thousand years I await you,
And your deep seeing eyes.
They watch me and seek out,
My terrible little lies.
For ten thousand years I await you,
And your soft gentle voice.
It's kinder and sweeter,
Than the quietest noise.
For a hundred thousand years I await you,
And your candy smooth lips.
They are tender and pleasant,
With every living kiss.
For a million years I await you,
And your ever-beating heart.
It was promised as mine,
Right from the start.
For ten million years I await you,
And I await you now.
Have you forgotten?
Maybe yes, but how?
For a hundred million years I await you,
With tears in my eyes.
I am giving up hope,
And starting to cry.
For a billion years I await you,
It started when we both feel ill.
I was gone first and went to heaven,
And here I await you still.
BarelyABard Dec 2015
"I await a guardian."
Shrouded forms who wrench and weave the hidden things I can't percieve,
into twisted thoughts of rage and woe
which drag me through the flames below.
"I await a guardian."
Bony fingers who clench.
Macabre lips who **** to kiss.
Weapons of hunger, instruments of fear...
"I await a guardian."
Joy becomes a distant memory,
replaced with bells that clang and roar.
The light has passed the spectrum,
fading to a shade of emptiness.
Kneeling in the dirt with
hands across my face; demons mistlike in their flight embrace my sorrow,
their sweet delight.
"I await a guardian."
All I need, is hopelessly gone.
All I need is hope... gone.
All I need is hope.
All I need... hope.
I need hope.
...hope.
HOPE.
What brightness in brilliance through such confines of the black. Shadows cannot hide when you shine like the sun.
The brazen bells have silenced and the mist is all but clear, scattered in the lucent are abandoned tools of fear.
"I await a guardian?"**
I have become the guardian.
For those of you who care to look...
There may be mlre to this poem than you think.

I ask you.
What does "I await a guardian" say when translated to latin?
The class of my death
Strolling in each day
Day after day
To know things I already know
To experience things I have already experienced
To await the internal fade away that is my life
To await my life

Every day the same
School, repeat
Nothing more
Nothing less
Nothing experienced
Nothing gained
Nothing matters
But now we just wait, hoping one day something might change
That something might been different
That something might make better
To start a new
But no
We just await.
Just await our deaths

Every day looking around, the same person
Wanting nothing more
Nothing less
But it will never happen
It could never happen
Nothing at all
But I just sit here and wait
To await his death

Day after day,
School, people, repeat
Nothing more
Nothing less
To just await
Our death
written by: Trev
Gary L Oct 2015
optimist - acrostic

Open up the book
Page one, neutralize your thoughts
Turn the page
Induct elation
Make your temperament positive
Idealism
See the prism of sanguinity
Turn the page

============================================

aqua - acrostic

Arid soul washed away
Quietly sinking down
Underneath the waves to stay
Awakening as i drown

========================================

flaw - acrostic

Forget about the way we see
Looking past the shallow grey
Awaken to a deeper degree
We are all beautiful in our own way

=========================================

harm - acrostic

Hurt me, the pain will go away
All anguish is fleeting
Remnants of your words might stay
My heart will go on beating

====================================

wolf pack - acrostic

Wild and free, nature's breed
Out of bounds of any containment
Living off of only what they need
Flourishing in sustainment

Prowling the forests and grass
Attacking only what they eat
Canids from our distant past
Killing only to replete

(i know i didn't use the word sustainment correctly here, but it rhymes)
==================================

jugs - acrostic poem

Jiggle and bounce for me
Underneath a cotton top
Gives me such satisfaction
Seeing them flip and flop

=================================

sympathy and attention - pity party poetry page

with an affinity for sympathy and attention
pity without empathy ends up as an affliction
sitting all alone having fits not fit to mention
depicting his own addiction to his self infliction

distemper words, written with intention
listless visions are a picture of his fiction
his existence isn't gifted within this dimension
it's a senseless decision to befit a contradiction

==================================================­====

discretion

if deception is a threat, i guess it begs the question
does perception get better with less discretion?
can a gesture of conception be answered best with ingestion
by letting down our guards will we fester in suppression?

changing our direction away from our debts of reception
pressed by our expression of protested progression
best bets are guessed and when we collect we learn a lesson
back to the question, is perception better with less discretion?

====================================

rhyme without reason

what is a rhyme without a reason?
it's no feat to beat the drum of no cohesion
it's like planting seeds that aren't in season
or a disease that leaves a bleeding lesion

a decent poet is adept at seeing adhesion
leaving the meaning amounts to being treason
completely missing pieces for completion
not even worth reading, only worth deletion

========================================

everlasting (4 versions)

though i have ran with the rats of cancer
as i craft the ladder to the final chapter
i never planned for crass disaster
abashed by the lasting factor

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master

---------------------------------------------------------­-

abashed by the lasting factor
i never planned for crass disaster
as i craft the ladder to the final chapter
though i have ran with the rats of cancer

i clasp the hand of the everlasting master
are my chances granted to live hereafter
i ask the lord and await his answer
where the past is passing faster

---------------------------------------------------------­---

abashed by the lasting factor
i never planned for crass disaster
as i craft the ladder to the final chapter
though i have ran with the rats of cancer

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master

---------------------------------------------------------­-------

(you can also do one of these)

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master
i clasp the hand of the everlasting master
are my chances granted to live hereafter
i ask the lord and await his answer
where the past is passing faster
you can make different versions of everlasting, with different shapes, and different flows by changing the lines around...some of the shapes look cool if the poems are centered also...i had a blast doing this!
Styles Jun 2016
I want to dip my tongue,
inside your flavor.
With no waver,
I savor your taste.
With a desires pace,
your liquids turned to paste,
a love potion laced with our grace.
Delicious lips glistening with ours juices.
A cocktail  saturated with your nectar.
Our fountain we await,
satisfaction at a hieghted state.
I greet you with my pleasures
at an amazing pace, our lips embrace
lacerated by my tongue --
I trespass your pearly gates,
where your pleasure awaits,
I await - at the mercy of our warm embrace.
Beside me, in this unforgiving November’s winter, is she…
My queen beside me, amidst this rotting debris gifted to me.
Daphne, the comforter sent from the highest skies of Elysia
And Daphne, my love, you put a stopper… on my withering
Never did the sounding of a name, here, blossom a magnolia
Daphne, yours made my hell, the eternal orchards of Elysia.

We were betrothed to each other in here, in this wasteland
I await; you at our wedding, in your wedding gown, oh…
‘Tis her, the beau sky wrapped around your gentle frame
In your adornments, gifted from the agents of light, oh…
They are sapphire stars plucked from that midnight blue
On the edge of the Aegean sea, we await, in this wasteland

I await; you at our wedding, in your veil and crown, oh…
‘Tis her, the clouds and her raindrops, adorning your face  
I await our wedding waltz, in our deserted fields, oh…
Without our kin, persecuted and orphaned by the world
Alone we shall dance, on the edge of Ymos, our dwelling
Alone we shall be in our vows when our eyes rain in joy

I await your grand advent, beaming gleefully, towards me
Bringing me, serenity; being my succour, with your smile
I await your silhouette, irradiating the wide evening blue
Bringing me, release; being my soother, now I live anew
Daphne, your midnight blue eyes, your voice of mead…
My pen fervently gallops for words, as I just gaze in awe  

Let the sands of time tick away in joy, ticking, grain by grain
The heavens merry till the penultimate hours of our union
Now, in these salty Aegean waters, I taste honey and wine
I await our pristine union; as your hand knots with mine.
Beside me, in this unforgiving November’s winter, is you…
Daphne…
This one is for a person yet to be or yet for me to see. I hope you enjoy this.
Gary Perreault Jul 2014
You know sometimes when I get up in the morning,
I don't know if I can face another day
because ****'s been so ******* hard for so ******* long
and it don't seem like ***** ever going to change.
Sometimes it seems like **** ain't doing nothing but getting worse.
Sometimes when I look in the mirror,
I look despised at what I see cause pride
strength, all of love and life they don't seem to have alot to do with me.
Feels like something went wrong with me a long time ago,
something inside me way deep down died
and I can't remember when,
I just don't know where the **** I went wrong...
What's life but a river of tears anyway, huh?

Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For away to make my way through this world full of ****
Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****
I've got nothing left
I await for the angel of death
I've lost too many times too many times to count the pain is so great

Let me tell you something, rock bottom is a sweet ******* dream,
a myth made up by a liar who's dispear is a void you can slip into forever.
I've been as low as you can go
and I guess here at the bottom the only place you can go is up,
but everytime I start to get ahead everytime I start to get somewhere
it's seems like someone or something knocks me the **** back down.
One step forward, two steps back.
I read somewhere that "without hope, man is but an animal"
...I think I've lost hope

I've got nothing left
I await for the angel of death
I've lost to many times to many times to count the pain is so great

I'm so ******* tired of being ****** up all the time
but I can't seem to do it any other way,
maybe I'm not as strong as you
but sometimes my ****** up life it brings me down
when I look around.
My life it didn't make me hard
it just hardened something deep down inside of me.
I think it was my humanity.
I want it back, I want to feel normal again, I wanna feel like a human.
I don't wanna be like this no more,
I'm just looking for some shelter of salvation
or something to believe in or just maybe someone who cared.

I've got nothing left
I await for the angel of death
I've lost to many times to many times to count the pain is so great
I never asked for life
I wish that at birth I had died
I tried to drown this hate
Death will be the cure for all this pain
Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****
Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****
I've got nothing left
I await for the angel of death
I've lost to many times to many times to count the pain is so great
I never asked for life
I wish that at birth I had died
I tried to drown this hate
Death will be the cure for all this pain
Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****
Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****
I've got nothing left
I await for the angel of death
I've lost to many times to many times to count the pain is so great
I never asked for life
I wish that at birth I had died
I tried to drown this hate
Death will be the cure for all this pain
Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****
Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****

There's no where to turn, everyone betrays you.
I can't trust anyone and I'm so ******* paranoid.
I'm always waiting for the fall, for the let down.
Trust nobody for sure.
I can't remember when a day's gone by
that I haven't thought about taking myself out.
I know I ain't **** but I know I'll never be ****.
I've got no future but I think I can deal with it, I think I can live,
if I can just look at one person
and see them smile at me and know that they meant it.

Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****
Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****
Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****
Every Day
Each ******* day I pray
I pray to a god that I know does not exist
For a way
Some ******* way
Some day
For a way to make my way through this world full of ****



Read more: Blood For Blood - Redemption Denied Lyrics | MetroLyrics
Kam Jul 2018
Clothes have outgrown me many times over,
but this sadness never does.
One size.
fits all.
There should have been an obituary for cancer,  not you.
Wishing these slits within my skin could have been
replaced by a reality check from you, “You chose to exist.”

My name causes a sigh to escape from lips,
that do not feel like they belong to me,
the girl,
whose words always had to be special.

The schematics of hospitals like a birthmark in my brain,
born into sadness, a gut feeling as a child.
Never trusting time
due to what it delivers.

Death, being the only thing I desired.
But you, 
who I love,
endlessly-
robbed by it.
Whose ebb for life glowed so feverishly.
Stopped comparing depression to lace,
restricted the belief that suicide is poetic,
seeing things as they were.
More often than not, applauded for feeling emotions deeply.
Every second that dies, the shift of my heart quakes.

This world is not tender.

II. Sad.
I have known the flowers I wanted at my own premature funeral,
knowing how many bouquets honored you that day.

split open my veins like a dimension
reminiscent of days where I anticipated deathbeds.


My family wondered,
can we make it through another day?
Death scares me for what it has taken,
yet, I’m not afraid to die-
it’s all I deserve.
So I await the day pain erupts
from my throat,
acknowledging the days a soul
lived inside of my body-
footprints that walked,
belonging to me.

But I learned so well.
How to suffer with a smile,
dreading the beating of my heart
how unfair—
I don’t want to take these deep breaths
You deserved,while I masquerade as a member of the undead
Never outgrowing the desire to rot with the phantoms residing under my bed.


III. Jokes played by the universe.
punchlines delivered,
how could anyone to stand to be in the same room as myself?
How could anyone look over skyscrapers and sunsets,
and not be infatuated with concrete consuming them?
How I shared a sigh of relief during the thought-
of knowing people would thrive without me,
or the power of a belly laugh,
resembling a laugh track audience
drowning out 3 AM suicidal thoughts.
I wrote this in pink gel pen, maybe, that’s another joke.
ryn Dec 2018
I await such time,
my toes would dig.
And spear deep into the earth;
take root and keep me planted.

I await such time,
when my trunk -
my core would regain its strength.
So that I wouldn’t sway
too easily in the wind.

I await such time,
my bark would thicken -
like carapace upon the flesh.
So I may be protected
from scathing lashes
of ravenous tongues.

I await such time,
my branches would reach up
with unwavering conviction.
Knowing the clouds in the sky
would be the cushion and salve
to my gnarled digits.

And I await such time,
my leaves would finally sprout
and green.
Then they could rustle
and whisper the tales and hopes
of my past, present and future.
Kiara McNeil Jul 2011
I await the return.

I’ll leave no rock overturned.

I await the phone call from you

and yes I will demand the truth.

I await the day your eyes meet mine

and watch the pain surface like ancient times.

I await the closure.

I await the pain.

I await the exposure

to your love again.

They say if you let it go

and it comes back to you

then it truly is yours.

So why am I still awaiting your return?
Nat Lipstadt Aug 2018
<>
The Instigation:
Edmund  Black, commenting on “weary weighted,”

I agree with Kim; This is poetry at its best :)“

<•>

both of you shush!

there is no “better” in poetry

mine yours theirs, alive or not,

just gasps tears and blood
whimsical smiles and isles
cuts and burns of pained revelations,
hidden in fog,
that words try to delete away,
through the shrouded mists of
human tissues,
unconstrained by the
bounded shape
of the human cell,
our first, our own
self-imposed jail

tissue, too,
baby soft, or,
purple beating majestic bruised blotches
by those weaklings whose
kindness never
fully developed;  
or old man mine whose
skin cells erodes, so poems and light
weary weighted, lightly flake off
for your “betterment”
mostly tho for worse

good humans all await,
in patientce lightly hidden,
residents of dark sunspots
in the glaring existence exposer
of the unlit lighthouse whose time will come

they get it

how we get there unimportant

get there

GET THERE

get there
that is the poetic
mission critical

no path best or style preferred-
no compare just, but,
any path that
lifts and elevates,
to the commonplace


the common place

where all costarred, universal,
where common is the temple mount
of highest praise, holy smoke rising,

a place that
that discloses and closes,
is scribed/described honestly as
a connective,
which is the simplest
successive

call my poems,
blessedly common!

that an honorable,
so gladly accepted
and
so much more meaning-full
than merely best or better



for that,
I’d gladly weep,
for no praise
ever been
bettered





8/2/18 406pm
on the jitney to my isle
the instigation: Edmund black › “weary weighted, I agree with Kim .... This is poetry at its best :)“
On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful
Amanda Stoddard Apr 2015
I await at the bridge of your nose
for you to kiss me.
I await at the nape of your neck
to feel the chills down your spine.
I have become accustomed to lonely,
even by your side.
I await the days to burn away
so loosely and never-ending.
I await for the bruises upon my mind
from trying to run away from my mistakes
to become temporary.
I burn and burn and burn away like those days
and I begin to feel the heat from where I lay.
Loose against the grain-
I am like the gravel amongst your feet
clinging to the soles of your shoes wherever you go
etched into your scraped knee as a child
bleeding and broken skin-
I am like the gravel always fleeting-
always in need of reparation
being made of stone and not just one particular kind
I am forever changing in size and faulting
when the lines become etched with tire tracks
I am the space in-between your fingers
lingering for the air to stop flowing through them.
I am your morning coffee-
even though you know how bad you should let go of me
you remember how it feels without me when you wake up
so you have to get another cup.
I am the window pain of your childhood summer camp-
caked with dead flies and the smell of pine
and the memory of the kid you once were.
I am pieces and faults and scars and addiction-
you tell yourself to stay away
even though in the morning you know you won't listen.
The air fades from between those fingers-
and the nape of your neck meets to have dinner
with the chill running down your spine
like it's late for a final exam.
You are anxiety-ridden and all determined
and I am the stone pebbles at your feet
patiently awaiting the return of your shoes
so I can be carried home.
idk what this even is but it felt really good.
Peter J Jul 2018
On flat bank’s where
grass runt reeds grow
waiting for rising tide,
A lone Heron stealths silently
while Gulls cry warning, and dive effortlessly in to a cold sea air.
Pheonix  Peanut and Pandora
stranded on wet mud bank,
wait for their chance to escape
but it’s bonds that need to be severed in their quest for freedom.
Estuary lights dim and flicker in the distance while closer to shore Mermaids sing on the breath of a storm.
Beckoning sailors "come ride the waves"
Siren songs of lost souls and shadows
“Come with us” on this bursting sea.
And they sing with a drowning charm
as fishermen launch vessels under a shawl covered wife's watchful eye.
And yesterdays widows weep, face rained bright from navigational lights.
Ships bell ring in time with a rollicking sea,
Pheonix  Peanut and Pandora
still await their escape but not this night.
While the Heron has long fled this great swell.
No cries now from gulls nor mothers hurrying their little ones to the safety of their coal fired warm homes.
Just the rage of wave riding mermaids that will have their bounty
the heart and souls from a fisherman life.
#Something I dotted down while sat under the brown Laugharne castle gazing  out to sea.
Umi Feb 2018
The nightsky is alike a mighty mansion of the stars which then
twinkle in elegance, beauty and transience until the dawn outshines them in a graceful manner.
As the night turns away from the sun and from her light, danger
in our imagination could await, from the corners of our very mind.
Yet the stars make up a soft blanket, a cover of the calmest of light,
which could bring peace to a soul which is performing a rampage.
All the constilations, all the names and forms which reveal themselves, are but a heavenly spectra for those who are nocturnal.
Or for those, whom have meet the cruel fate to be allergic to the natural, straight forward, warming and blissful sunlight.
There is no soul with no protector, in the nightsky such would be
a bright,piercing star, standing proud,manifest its location is over you
Holding many wonders, the beauty of the night comes with shooting stars, which at times shortly sweep over the heaven before fading.
Wishes are made upon, hope fills their hearts, for a better future
or a fulfilment of their desires, tangled up within the depth of mind.
Night becomes bright once the moon shines, in its fullest posture.
Becomes dark once the rainclouds drive near, calling in thunder.
But most importantly, it is a time of rest, from all this earth beholds


~ Umi
Liz Aug 2014
You are my wind
You are my sun
The blood in my veins
The bones to make me stand

I've been drowning
And i thought you were my life raft
I thought you were my island
My safe place to escape

But turning away from the water
Won't make it go away
Running from the sea
Won't make it less deep

I've grown so used to finding my boat
So used to hiding from the tide
I panicked when it wasn't there
Has my boat sailed away?
The panic gave me a cramp
Tied weights to me
And I began to sink faster

How could my boat do this?
How could it sail away?
But the more I missed my boat
The more I needed it to stay

But not as safety
Not as refuge
But a love to share
And laugh and grow

I still need my boat
But not like I did before
No more hiding
No more dry land
I need to swim

Because boats are fun
And great for days
But the sea is a beast
That no boat can match

No she doesn't care that I'm a mermaid
Who fell in love with a fisherman
She doesn't care I've spent too much time on dry land
I forgot how to use my fins

A mermaid that can't swim
What a pathetic life it is
But she's cruel
She wont keep the boats around

So don't forget how to swim
Don't forget how to use your fins
We are strong us mermaids
Making deals with sea witches
Seducing men to their death
All fine folk tales
But you have to believe the myth
Always been strong

Because regardless of what Disney said
I can't grow legs
I'll always be a mermaid
But what use is it if I can't swim

When I learn how to swim again
I hope my fisherman will come back
I hope he hasn't sailed too far away

When I'm on deck of our boat again
We will dance and sing
Maybe have dogs
And flowers to remind us of land
A piano in the dining room
And guitars lining the walls
Music will echo
They can hear us from land
The happy fisher and his happy mermaid
Living together again

But storms always come
Because that's how nature works
It rains
It snows
It storms
Than the sun returns

This time when the storm comes
And makes waves that could touch the moon
And I get thrown overboard
I won't forget how to swim

I'll play with the fish
Make friends with sharks
And await the return of my beautiful fisherman

But you will always be my wind
My sun
The air in my lungs

But soon I will have gills
So I can breath when the water comes
You can't be my fins anymore
You can't be my dry land
You can't save me from drowning
Because mermaids are free
But if you want
You can be free with me

So please return my beautiful sailor
And we can live on our happy boat
And I'll be one with the sea
Because this sea is a part of me
So this is super long and I'm actually gonna write a full explanation of it because yeah I feel like that's needed. So I have depression, and I used my boyfriend to hide from it. But that all crashed when my depression took over and I couldn't hide anymore, and I was mad. I was mad at him, at myself, at the world. So I flipped, and it pushed him away. Hopefully not forever but I feel like ****. But I needed it, I need this. Because I realized that hiding won't make the depression go away, it'll always find you. And when it does it comes on full force. And this time no matter how much he loves you, he won't be able to save you because depression is a beast. It's a monster beyond any comprehension and it will tear you apart. Now that it returned and stronger than ever, I couldn't be saved. And I was mad, why had he made it go away before but this time he can't? I was mad, didn't he love me? Than why can't he save me? Well guess what, it doesn't matter. Love is beautiful and love is strong, but nothing can cure you from a mental illness. I forgot that. And I had grown so used to being able to hide from it I forgot how to live with it. I forgot how to be my own warrior and to fight for myself. I'm not a ******* damsel in distress, I'm not a poor soul that needs saving. I'm a warrior, I've lived with it this far and forgetting how to fight will only get me killed. Depression is the sea, and I'm a mermaid that fell in love with a fisherman. I live in the sea, the sea is a part of me, like depression. And I can't run from it because it won't go away. This isn't a Disney movie where I can sell my voice for legs and run away from the sea. I can't, I have fins, it's the way I am. I have scars, that's who I am. I'm not a normal person, I can't **** it up and be fine, I'm sick. I can't grow legs and run away, I can't live on a boat. And there will always be storms, nature will never be sunny forever. Depression will come back fighting. And when you get thrown overboard and start to drown because you forgot how to swim, don't be mad at you fisherman. His boat got thrown by the storm too. I forgot how to balance my mind, how to find harmony with my mind, and live with my depression. So I flipped. And it's not his fault, he can't fight depression either, it's so much bigger than all of us. But I forgot that. And now I'm drowning in this storm of depression without my fisherman because I got mad. But now I know that I have to learn how to fight for myself, because storms will always come. And if I drown every time I'm gonna lose my fisherman. So swimming is the only option. He isn't a prince, or an angel, or a savior. He's just a fisherman, and I ******* love him. Our boat (our relationship) has sailed away for now, but I'm praying it'll return. When I see my fisherman again, I will remember how to swim. So when depression knocks me back into the ocean, I won't drown. I go with the waves until it calms, than I hop back our boat. But anyway, there's a lesson for ya. Don't rely on other people to save you from depression, because it's impossible. And don't get mad when you forget that. Anyone who read this far (props to you if you did) and suffers from depression as well, DONT FORGET HOW TO SWIM. We're not regular people, but not in a bad way! We have fins and live in the sea, we fight all her terrible waves and storms and keep swimming. Because mermaids are ******* strong as **** hell yeahhhhhhh. And if you're reading this and you're someone's fisherman (or fisher lady) meaning you're significant other suffers from depression, remember we're on this boat together and smooth sailing is not always a garuntee. So don't get mad at your mermaid when they lose it, the sea is just gettin a little crazy. Just remember, when they drown, you can't save them. Because depression (the sea) is stronger than anything, so don't feel bad. Don't feel like a bad boyfriend or girlfriend, don't feel like you're not good enough, all you have to do is wait for the storm to pass. Because you're only human and depression is a force much stronger than that. But human isn't bad, it's beautiful and perfect, hell yeah you a great fisherman. But fisherman cannot control the weather. So just wait out the storm. And Jesse, you're the best fisherman there is (I'm sorry that's so lame) and sometimes mermaids are stupid. But don't dock your boat because I'm learning how to swim again, and I won't forget when I get knocked overboard again. I love you always, and come around again, I'll be swimming just fine and ready to get back on our boat. I love you
BarelyABard Dec 2015
"I await a guardian."
Shrouded forms who wrench and weave the hidden things I can't percieve,
into twisted thoughts of rage and woe
which drag me through the flames below.
"I await a guardian."
Bony fingers who clench.
Macabre lips who **** to kiss.
Weapons of hunger, instruments of fear...
"I await a guardian."
Joy becomes a distant memory,
replaced with bells that clang and roar.
The light has passed the spectrum,
fading to a shade of emptiness.
Kneeling in the dirt with
hands across my face; demons mistlike in their flight embrace my sorrow,
their sweet delight.
"I await a guardian."
All I need, is hopelessly gone.
All I need is hope... gone.
All I need is hope.
All I need... hope.
I need hope.
...hope.
HOPE.
What brightness in brilliance through such confines of the black. Shadows cannot hide when you shine like the sun.
The brazen bells have silenced and the mist is all but clear, scattered in the lucent are abandoned tools of fear.
"I await a guardian?"
I have become the guardian.
Poetoftheway Jul 2018
Ilion gray
poet extraordinary
is away
learning the codes hidden in raindrops

no reason for surprise;

for the mountains of Brooklyn, the Manhattan caverns of Sunhenge^, corridors of narrow focus for trapping the declining sun rays,

neither high enough, narrow blinding,
to keep a good man from doing good things that life provides as opportunities
to do the right thing

he muses that it took five years for the other poets to understand our
poem-dreams;
avant-garde he says,
but I laugh,
never felt more misunderstood
and reply take care, be
en garde!

no matter for he is learning a new language,
the codes hidden in raindrops in a land of wheat
once called Indian Territory and eager
await his return so we may
walk along the Brooklyn shoreline,
beginning from under the Brooklyn Bridge
where Washington’s men escaped a British trap

and he can decode for me the whispery thunderous noises of
NY
showers that come up so sudden,  so roughened, but right now,
the seductive sun blinks in Manhattan windowed towers reflecting back on to our East River as golden blinks of nature

We will walk lost in the absorption of our
different commonalities, holding the hands of
his young son, and my Wendy,
both of them equal in possession of round saucer eyes
that give us poems

He calls me me friend,
I call him brother, teacher, master, better than the best,
well recalling a late night message that bred
a five year conversation ongoing

not everything need be coded
what you read here
it is not coded,
for the raindrops come clear and clean
and the poems land on our tongues
bounce on the foreheads and eyes of the babes, all stored and saved for the future blessings spoken in a single tongue

7/18/18



^https://en.m.wikipedia.org/wiki/Manhattanhenge
#Ilion codes brooklyn by NY
Once, monster feet were all you wore,
pounding its claws upon wood floors.
Well now the beast is walking in your skin,
that you have lived, and fought them in.
How much can a human body take,
When horns pierce your skull, to keep you awake?
People say faking's profitless,
while I'm choking demons back in my esophagus.
An intervention for dented hearts,
that were beats, you wrote apart?
Do they await indented bumps,
a heart, bitter, selfishness pumps.
Alert the shadows as I bow to them,
poetic, inadequate, I lost to them.
What worthy life have I built to live,
if pain is all I know to give?
------------------------------------
All feedback is welcome and appreciated
Tammy M Darby Nov 2013
Come to me
Burning hearts desire
As stars dance across the night sky
I await you

Though only a shade you may be
You are that which I live and breathe
A love I shall never physically posses
For no life beats in this alien chest

Only during the night while I sleep
My mind saturated with thoughts
Darkness  seeds
Childish mistakes
Present choices
The paranoia of a vivid imagination
Insanity's voices


When slumbers silver carriage arrives
I open the door and prepare for the ride
Hands outstretched  
I plead with no shame
While all the world sleeps
Come to me in my dreams
I await you


This poem is copyrighted and stored in author base. All material subject to Copyright Infringement laws
Section 512(c)(3) of the U.S. Copyright
Act, 17 U.S.C. S512(c)(3), Tammy M. Darby
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
SerZatarra May 2014
Goodnight green eyes,
Your dreams await you in Silver-Lined skies,
Dreams of dragons, and fairies, and me,
and hopefully just a touch of mystery.
The sliding colors slipping silently through silky seas,
gliding gracefully over gallant gull wings,
whisking you away with a gentle breeze.
You see dragons and pirates,
fairies and gypsies,
tricksy little gnomes,
and flamboyant pixies,
you see them all tucking away,
hiding in there homes as their thoughts start to stray.
and as you glide gracefully over the sea,
your thoughts start to wonder what tomorrow will be,
will there be adventures or heart ache and loss,
or maybe even a romp through the moss,
you might not know now,
but theres something you do,
that someone you love,
is waiting for you.
mvvenkataraman Feb 2015
Don't lose your confidence
Never distrust Providence
Remove your ignorance
Accumulate tolerance

Patience is a must
Your mind, you dust
Body mustn't rust
Always be honest

Hopefully you live
In God, ever believe
The best, you give
Better to forgive

Choose the right path
To toil, take an oath
God and hope, trust both
Don't die like a brittle moth

God-faith helps thrive
As He makes us survive
Our belief, He does revive
He helps peace to be alive

Take efforts and await
After showing your might
Being happy is right
As joy, you can sight

True efforts never die
They appeal to the Sky
God keeps His eye
Upon those who try

Good luck my dear
Pursue without fear
If hard-work is here
No place for tear

mvvenkataraman
We must hope and live, The best to all, we must give, When we live with joy and mirth, We make Heaven out of this Earth.
1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen-
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,-and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,-
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.

It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!-
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea . . .
And a sun far off in a shell of silence
Dapples my walls for me . . .

It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.

Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.

It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.

There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains . . .

It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor . . .

. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know . . .

Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.

3

I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?

These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.

Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?

Does he remember, suddenly, with amazement,
The yesterday he left in sleep,-his name,-
Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?

I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.

The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.

4

That woman-did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.

But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.

. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vague god who blows like clouds
Above these dripping lands . . .

But . . . is it sure she tried to attract my attention?
She leaned her elbow in a peculiar way
There in the crowded room . . . she touched my hand . . .
She must have known, and yet,-she let it stay.
Music of flesh! Music of root and sod!
Leaf touching leaf in the rain!
Impalpable clouds of red ascend,
Red clouds blow over my brain.

Did she await from me some sign of acceptance?
I smoothed my hair with a faltering hand.
I started a feeble smile, but the smile was frozen:
Perhaps, I thought, I misunderstood.
Is it to be conceived that I could attract her-
This dull and futile flesh attract such fire?
I,-with a trowel's dullness in hand and brain!-
Take on some godlike aspect, rouse desire?
Incredible! . . . delicious! . . . I will wear
A brighter color of tie, arranged with care,
I will delight in god as I comb my hair.

And the conquests of my bolder past return
Like strains of music, some lost tune
Recalled from youth and a happier time.
I take my sweetheart's arm in the dusk once more;
One more we climb

Up the forbidden stairway,
Under the flickering light, along the railing:
I catch her hand in the dark, we laugh once more,
I hear the rustle of silk, and follow swiftly,
And softly at last we close the door.

Yes, it is true that woman tried to attract me:
It is true she came out of time for me,
Came from the swirling and savage forest of earth,
The cruel eternity of the sea.
She parted the leaves of waves and rose from silence
Shining with secrets she did not know.
Music of dust! Music of web and web!
And I, bewildered, let her go.

I light my pipe. The flame is yellow,
Edged underneath with blue.
These thoughts are truer of god, perhaps,
Than thoughts of god are true.

5

It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.

Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.

The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory's knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,-
It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music;
And I, in horror of sunlight, stand alone.

Do not recall my weakness, savage music!
Let the knives rest!
Impersonal, harsh, the music revolves and glitters,
And the notes like poniards pierce my breast.
And I remember the shadows of webs on stones,
And the sound or rain on withered grass,
And a sorrowful face that looked without illusions
At its image in the glass.

Do not recall my childhood, pitiless music!
The green blades flicker and gleam,
The red bee bends the clover, deeply humming;
In the blue sea above me lazily stream
Cloud upon thin-brown cloud, revolving, scattering;
The mulberry tree rakes heaven and drops its fruit;
Amazing sunlight sings in the opened vault
On dust and bones, and I am mute.

It is noon; the bells let fall soft flowers of sound.
They turn on the air, they shrink in the flare of noon.
It is night; and I lie alone, and watch through the window
The terrible ice-white emptiness of the moon.
Small bells, far off, spill jewels of sound like rain,
A long wind hurries them whirled and far,
A cloud creeps over the moon, my bed is darkened,
I hold my breath and watch a star.

Do not disturb my memories, heartless music!
I stand once more by a vine-dark moonlit wall,
The sound of my footsteps dies in a void of moonlight,
And I watch white jasmine fall.
Is it my heart that falls? Does earth itself
Drift, a white petal, down the sky?
One bell-note goes to the stars in the blue-white silence,
Solitary and mournful, a somnolent cry.

6

Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.

Death himself in the grass, death himself,
Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.

Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
Dancing, dancing,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.

It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!

Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!

7

It is noontime, Senlin says. The sky is brilliant
Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.

It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.

Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.

Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still-
What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?

It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.

8

The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.

My work is uncompleted; and yet I hurry,-
Hearing the whispered pulsing of those drums,-
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!

I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,-
Will I find it tonight once more when I climb the stair?
The drums of the street beat swift and soft:
In the blue evening of my heart
I hear the throb of the bridal star.
It weaves deliciously in my brain
A tyrannous melody of her:
Hands in sunlight, threads of rain
Against a weeping face that fades,
Snow on a blackened window-pane;
Fire, in a dusk of hair entangled;
Flesh, more delicate than fruit;
And a voice that searches quivering nerves
For a string to mute.

My life is uncompleted: and yet I hurry
Among the tinkling forests and walls of evening
To a certain fragrant room.
Who is it that dances there, to a beating of drums,
While stars on a grey sea bud and bloom?
She stands at the top of the stair,
With the lamplight on her hair.
I will walk through the snarling of streams of space
And climb the long steps carved from wind
And rise once more towards her face.
Listen! the drums of the drowsy trees
Beating our nuptial ecstasies!

Music spins from the heart of silence
And twirls me softly upon the air:
It takes my hand and whispers to me:
It draws the web of the moonlight down.
There are hands, it says, as cool as snow,
The hands of the Venus of the sea;
There are waves of sound in a mermaid-cave;-
Come-then-come with me!
The flesh of the sea-rose new and cool,
The wavering image of her who comes
At dusk by a blue sea-pool.

Whispers upon the haunted air-
Whisper of foam-white arm and thigh;
And a shower of delicate lights blown down
Fro the laughing sky! . . .
Music spins from a far-off room.
Do you remember,-it seems to say,-
The mouth that smiled, beneath your mouth,
And kissed you . . . yesterday?
It is your own flesh waits for you.
Come! you are incomplete! . . .
The drums of the universe once more
Morosely beat.
It is the harlot of the world
Who clashes the leaves like ghostly drums
And disturbs the solitude of my heart
As evening comes!

I leave my work once more and walk
Along a street that sways in the wind.
I leave these st
David Lessard Feb 2016
I await tomorrow's world,
the promises and hope;
that come to all believers,
as with today, we cope.

I await the sunshine,
that never fades away;
that dissipates the clouds,
that obscures our way.

The day when troubles end,
when all's replaced with joy;
that I knew in innocence,
when I was but a boy.

I await tomorrow's world,
when the morning star will come;
and our restless adversary,
will completely be undone.

I await with prayers and song,
to usher in that day;
when the world will be at peace,
when they will know the Way.
Sheldon Dsouza Feb 2015
She is sent from heaven above,
Sent with a mission, sent with love,
With a mystic smile on her face,
She soothes souls with eyes of grace.

Like a fairy from a beautiful fairytale,
She is sort by many, come winter or come hail,
Like first rays of the rising sun,
She makes hearts race she makes em run!

I see her day in and out,
Laughing cheerfully and playing about,
I see her right there busy making someone smile,
Waiting on my chance again to spend with her a while.

I lay in my bed and think about her,
My past memories of her ever so blur,
So far away yet always so near,
She's the reason I am still here.

I await the times when we can talk,
I await the times we can finally hold hands and walk,
To feel her for real... so close to me,
In her arms oh so much I long to be.

Her eyes shine like a million suns,
Shines more brightly than anyone,
Her smile so sweet can help but make me smile,
It stops the world in its feet for a while.

When I have no one to turn to,
And no where I really want to go,
And I am feeling kind of low,
When there is no one here to talk to.

I search deep within myself for her care,
That lets me know she's still there,
It is this that keeps the hope inside my heart,
Even though we may be a few miles apart.

A smile then appears upon my face,
No evident sign of sorrow to trace,
When I heard her voice, so soft and sweet,
It was like the sweetest treat.

Happiness you shall be mine again,
Gone are the days of rain,
Far from me I thought you were,
Until I opened my eyes to see you were always near...
Legiondary Oct 2014
I made a promise to myself long before,
That never again would I write no more,
Because I only felt Darkness...
I sit at a crossroads and no matter which way I look,
Nor would it matter which direction I took,
Because I only saw Darkness...
I await a door to be opened but all remain locked,
From any such light my sight seems to be blocked,
I can feel the Darkness...
Being the good samaritan will get you nowhere in this life,
Nice guys finish last in my back hangs out a knife,
I only see Darkness...
As much as I pray to the Light,
There is absolutely no light in my sight,
I only see Darkness...
Is the Light truly your friend,
Because every day just feels like the end,
I feel only Darkness...
Faith, Hope and Love,
I could use some help from above,
I see only Darkness...
When I search my body for my soul,
But think long ago the Darkness has stole,
I must have lost it to the Darkness...
I pray but I see no light at the end,
I guess that Darkness is my friend,
I can feel the Darkness...
In a world of black and white,
When that road is the only one that feels right,
Time to embrace the Darkness......

   © P.I. 2014
Styles Jun 2015
My skin illuminates your body with my touch,
your body quaking from the rush.
My aching ***** -- eager with lust,
paying dutiful attention to your pearly gates.
With zeal they await,
to invade your presence with my grace.
filling split with my space.
in one fulfilling embrace.
Your tender folds aroused,
enclose my arousal.
swollen with desire,
swallow me whole like a mouthful.
legs spread -- wide open and exposed.
your plush lips,
blush with lust.
as your body erupts.
ryn Oct 2014
She comes to me every night...
When all is asleep with stars lit yonder.
Comes to me with subtle might
Peeking fiendishly from darkness's cover

Await such time she'd choose to show
Await the chance to finally take.
Ready to pounce like a well tensioned bow
Arrow-like talons, ever honed to stake.

Awake or asleep, she would come without fail.
Creep is her gait; this shadow clad figure.
Always a ***** in my impervious mail.
Claiming her wants with ferocious fervour.

Deemed to be strong, easier to succumb.
Don't fight...don't struggle... Don't call for aid...
Just wait and will yourself numb
She'd come regardless of prayers that's said.

She was here with me last night
In bed, I stared at a being that's faceless...
And my heart wrenched tight.
Gripping and feeding me senseless...

Soon as she came, she left but not before
Siphoning the good and replacing with dread...
Stole was what she did; left me wanting more...
Once deed is done, into the dark she fled.

I know her all too well,
Nocturnal guest that I unknowingly invite
Her intentions to incite, not quell
Send me spiralling through emotional blight.

Day will recede, making room for dark
She'll come; swift and without sound.
She'll arrive majestic; inflicting her mark
I'll wait for her, ready and unbound.

Looking forward to her return
This silent foe whom I find familiar.
With every touch I cringe and burn
Oh secret friend whom I'm beginning to savour...

She is synonymous with various names
Each would bear the likeness of semblance
Let fly her cloak of not dissimilar aims
Endearingly I call her...,

Despondence...
I put on my Sunday best
Wait by the door have my bible rest  at my side
With my skinned up knees and little party dress
Today is my birthday I feel extra nice
My mother polished my shoes and bought me fancy ruffled socks
I await with anticipation to head to my church
A place to feel protected this I’m sure
It is such a warm day I feel the sun kiss my youthful skin
Can’t believe I’m twelve today
Thoughts race through my head
I wonder if they will remember and do something special?
Will I get a new bible for mine is tattered and the cover is torn
I wonder? It does serve the purpose so maybe not
I watch the cars go on by  one by one
Feeling a bit antsy maybe they forgot to get me today
But within a few minutes I’m on my way
With a happy birthday from some fellow church members
I feel so proud twelve years old time flies by  
We head into the house of God
I could hear the bell charming oh so loud
My favorite sound on Sunday morning
My stomach starts to growl it distracts me
Punch and cookies await for me
Church hymns begin to waken my ears
I fiddle with the lace  on my new pretty dress
Clicking my heals and accidentally hit the wooden bench
I’m in the house of god
Mommy always taught me to not entertain myself with other thoughts
So I focus on that white and black collar
He is so large standing like a king
One bead at a time let my fingers dance across
I think of sunflowers and rainbow colors
We stand up and sit down and repeat this again
Its time for fellowship to begin
I need to get myself a drink its stifling hot in here  
I tell the family that brought me here that I would be back in a bit
I skip to get a drink that water is so cold
Why do I like drinking out of a fountain? Is it  because it tickles my nose?
After cookies and punch I’m told I have an extra surprise
For today I can get a ride home
I see the black and white collar its looks so scratchy
But this is Gods house and he does what’s best
As  people say goodbyes and I sit and wait for my surprise
Maybe because momma can’t afford much I will get something nice
Its peaceful as the church hymns are gone

I have never been in here when it is silent
He tells me to sit down and gives me a drink
It taste familiar maybe that wine that only those who had communion can taste
I drink it down so fast it makes me a little dizzy
Perhaps it’s the heat in this building
The fans seemed to be broken on the hottest of Southern days
Father tells me my dress is pretty
I smile politely waiting for a surprise
He ask if my socks are new and I reply with a very loud excited “Yes “
What have I done to get the attention like this?
My best friend had a birthday two Sundays ago
What did she get?
I hear mommas voice run in my head don’t entertain yourself in the house of the Lord
So I close my eyes for a moment or two
So I hear today is your birthday , that makes you a special girl
I nod my head still feeling a little loopy
May I take your picture for the church paper?
You look so pretty but first take your hair down
I release my braids one at a time
My hair is wavy and long and so baby fine
I show off my socks so proud of them
He smiles at me with his  bright smile
Can I see you twirl around in your Sunday best ?
I giggle and spin in a circle or two
Smile he tells me so I do
Come sit here I sit upon a desk
I must be special to be up here
Father asks to see what’s under my dress
I ask why but know father knows best
For a quick moment I lift my dress
Feeling my face become flushed
Its alright you’re the birthday girl
I ask if I get a bible he says after were done with pictures and such
I sit quietly listening to his voice its deep but soothing
My feet don’t want to hold still
I try and be polite and use my manners just like momma likes
He has his fingers stroke my face they are soft but large and feel nice
May I give you a birthday kiss? I have seen my elders  kissing and practiced on my doll
This wont be wrong we are where god lives
His lips graze mine slowly at first
Then it becomes harder and he is full of thirst
These hot Southern days
His face feels like sand paper like grandpa has to make his Christmas gifts
It warms me suddenly then cools me down
I feel a burning between my legs it aches
He reaches for me my wavy hair resting in his hands
I feel so special but keep wondering what my gift will be
He gives me another drink of that pretty red stuff
Giving me sips slowly as he grips the cup
It spills down my lips a little at a time
But we don’t waste any he drinks it from my chin
I feel as though I suddenly forgot how to breathe
There is something under my slip of my dress
It makes me at ease
At night when I go to sleep and put my head on the pillow
I feel that kind of rest
There is an sensation in my chest
He reaches up and pinches these small pink eraser like dots
A noise is able to escape it’s a noise I have heard before
Through closed doors but never from me
He takes off my dress slowly and meticulously
I don’t want to rip my new dress or the slip that grandma made
His mouth finds my little mounds of pink and nibbles away
He makes no sound I finally breathe
As colors start to run down his neck and onto the once white crisp shirt
He removes it . I want to touch it feel it around my neck
Its just paper with cloth but he allows me this
So I stand with my *****  pink erasers and this collar
I wonder am I a man of God now?
He asks if I would like to see why he is a man
I apply yes use my manners so nice
He takes my hand and puts it on a warm hard lump that is escaping his pants
I’m not scared I feel safe
He takes out the thing that makes him a man and he wants it against my face
My birthday present at last
Father is careful placing it  on my lips
So I try and kiss it like its one of my dolls
I feel kind of silly so I ask him how
Like a ice-cream take your time
Go in circles over this spot
So I do and it grows I try and put it in my mouth
My lips are sore and I need a drink
He laughs at me and gives me more red drink
I want you to lay down he says to me
So I do and feel like I have been on a merry go around
He removes my flowered printed *******
My stomach starts to feel woozy  
But I still feel good
I’m twelve today he is so impressed
I lay down with butterflies in my chest
At first it hurt his finger exploring me
But then it was like a warm day and a cool breeze washed over me
It kind of tickled when he put his tongue there
I giggled and moved my hips
But something happened that felt like my favorite candy
My body wouldn’t quit moving beneath his face
I shivered and wondered am I getting sick
Then just like that it was over
He flipped me around and put his fingers in another place
I was kind of worried that I done something wrong
He reassured me that I was doing fine
Something felt warm on my behind
He told me its going to hurt but it will be alright
I felt a pain that heard a sound  
His rough deep voice maybe this is where he belongs
For a moment I didn’t breathe
I held back the tears because I’m twelve a big girl
He turns me over once again takes my tears and put them in his mouth
He was looking for salvation he drank every last one
So as I lay thinking of rainbows and the evening sky
He has some fluid that I drink like the wine
It tasted like nothing but was thick and made me feel shy
But as we finish he hands me a new bible I tear a page and wipe myself dry
Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp
Chiibe-The-Rebel Oct 2015
I lay in my bed and think about you
I love you so much I don't know what to do
I feel your warmth at my side
The pain in my heart moves to my eyes
So far away yet always so near
You are the reason I am still here.

I await the times when we can talk
I await the times we can finally hold hands and walk
To feel you for real... so close to me
The happiest person in the world is what you would make me.

Your eyes shine like a million suns
You shine more brightly than anyone
Your smile so sweet can't help but make me smile
It stops my world even for a little while
I await the time when my hand is in yours
To hear you say those 3 little words.

There are still no words I can say to describe
My heart it aches and my eyes they cry
But when we talk my heart flies
you always wipe away the tears I cry.

Even though you aren't here
And I miss you so much my dear
I'll love you forever and ever
I'll always love you my far away lover.
My Long distance boyfriend wrote this for me... Love him! <3
Ivan Brooks Sr Aug 2018
We are all here today
Courtesy of yesterday.
So fear not tomorrow,
It's a gift from God to borrow.

Take a look at everything,
Do you miss anything?
Everything, everyone here today,
Began their journies yesterday.
  
Fear not what tomorrow brings,
It could be some good or bad things.
Things allowed by yesterday
Just to manifest themselves today.

Yesterday is the same as today,
It's just a day that has passed away.
Though it takes a part of us with it,
Tomorrow is what we all await.

©IvanBrooksPoetry
21/8/2018
Fear not yesterday, its a broken arrow.
ryn Oct 2014
On this carousel
You and I
Ringing bells
Time passes by

Scorching bulbs
Ornate bobbing horsies
Enchanting music
Tell of magical stories

I am here
On this side
You are there
Same ****** ride

Opposite ends
Placed we two
We can't see
But each other we knew

Friendly peeks
Directed to you
All I could afford
Keep you in view

Still rotating
Ride goes on
Chasing each other
No closer we've drawn

Enjoy the ride
Soak in the sights
Hold at bay
Reality that bites

Thought about
Getting off
Don't know how to
Come to a solve

Can't hold still
It's eating me alive
Can't just stay
Have to strive

Hand still holding on
One foot dangling
Second thoughts play
But bent on releasing

Take the first step
Don't overthink
Take the leap
Step off the brink

Close my eyes
Time is now
Just let go
Fate I must allow

Ready now
Time came to a freeze
one...two...
three...release


Now off the carousel
Cloying uncertainty
Never been here
Unknown territory

In the music
Found familiarity
Unsure if here
Is where I want to be

What do I do?
Wait a little more?
Hop back on?
Or await what's in store?

Glad I waited
Glad patience I found
There you are...
Coming back round
Madness plays in loops...
A sick little spin on the carousel.
renniedreams Aug 2018
Galaxy gardener sailing a ship,
through endless horizons it makes a trip.
She/he looks into the inky canvas blend,
then scatters some seeds in the spacial rend.
What does await this brave lovely soul,
when we see the universe's gears roll.

Ionizing radiation penetrates through,
while watering can always holds true.
Space turf gingerly shovelled over seeds,
her/his forehead adorned with water beads.
Nitrogenous nutrients now nuzzled into,
the serene slumbering seedlings to be.

Galaxy gardener greets growing greens,
lively lushscious leaves forward leans.
Wormhole worn star systems she/he fixes up,
as does she/he proudly prune her/his wondrous crop.
Many a plant has grown under her/his care,
yet she/he never feasts on the fruits they bear.
Teacher's Day 2018, dedicated to all the teachers who've guided me thus far.
Christian Reid Oct 2014
What wondrous wilds await us
Oh, we, the children of the vine
Our naked toes dance through freshly picked berries
Ushering fountains of wine

Bathing in bubbling sunsets
That blend the heavens and sea
Painting the face of the moon with the stardust
That makes up you and me

Players and waterfall drinkers
We swim with the stars in the sky
We sing that the fruitful serve the many
Even when they die

What wondrous wilds await us
Oh, we, the dewdrops of the morn
When sunrise beckons us back to the heavens
From whence we once were born
Ferns Jul 2018
The pile of books
The array of papers
They long-await
that ink will pour
on their vacuous
void of emptiness
For the deadline
draws near
Yet I'm still here
Sitting on my windowsill
Lackadaisically waiting
Certainly expecting
For water to descend
From the firmament
surrounded by dullness
where a mass of clouds
are there to be seen
mar Jun 2016
It's not fair that you only have to spend the morning without me
for I'm trapped in the night
darkness deafening me as I tell myself over and over that this is real
that midnight is only an hour
that I'll be home soon
and I never feel like I'm where I'm supposed to be
transporting myself place to place
continent hopping like a heart murmur
my soul is five hours behind
and when you sleep my whole being longs for your voice
glasses half empty stacked beside me
I remember a time when my hair danced at my hips
when the moon would be full and heat lightning blinded me
constantly praying to a god I didn't believe in that I could fall asleep
but dreams didn't come
and that summer lasted but eight days
when I can feel your heartbeat you are fire
but now that I'm so far away your voice is tired
your laugh is like a wind chime on a day when the air doesn't speak
milk moons have a habit of forcing me to reread your words
making me realize I now posess curses I never thought I'd have to endure
like how when I touch you I am not the girl my father raised
like how when you push me into the wall I hope your mother doesn't weep

We all have promises we wish we never made
I wish I didn't tie myself to you with silk
knotting each of my heartstrings around your fingers
I'm like your puppet
and it's wrenching because I had always been so brimmed with pride
conceived by my parents notion that I'd be doomed to wander alone
or blessed
if you choose to look at my freedom like it's that of a gift
but I don't want it anymore
I refuse to chain myself to my past
my frosted veins melting in your palms
I am not who I thought I was
I am not the lady my matriarch once bore that hot morning
a head full of curls and irises that told two different tales

I'm so lucky that the trees bend north tonight
I contribute secrets as clouds to the noir
unkept stands of chestnut trying to escape
but I don't blame them
and ink is all around me as I further my vices
counting down to paradise as I move a little too quickly from my bed
the other part of me wonders if I go visit him at this time
and I grin at that notion she thinks that's what I want from this hour
there are moments I forget to miss you
guild soaked as I remember love
I wouldn't call this bliss
it doesn't even scrape at happiness
it's emptiness
but not the way I've experienced before
I don't have words for this new feeling
not yet at least
I'll let anything in as an attempt to starve out this self doubt
but no whisper is as warm as your breath
because with you you don't even need to comfort me with diction
instead I swallow your glances like honey
I hope you know this mindset will never evolve
and if it does it is only to grow stronger

Some hearts change with the seasons
mine used to change at every chime of a clock
I'm stagnant now
laying calmly in the eye of the storm
the light hitting my skin the only thing changing each hour

Soon this will be over
No longer damning every firefly and its nerve to glow without purpose
Soon I'll be at your mercy again
Purple thighed and alive
Because right now without you I've never felt so alone
Eyelids like blankets
Terrified of what dreams could await my unconscious soul
But in the deepest hollows of my chest I hear your voice calming me
Saying what you always say when you hear my heart rate jump
"Let me sing you that song about the stars I know you love"

— The End —