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"aureliano" poems
Señor Garcia Marquez Whatever did you mean When you wrote of life And of death by family I'm in love with Prudencio Aguilar's ghost Roaming about the Buendía household Hole in his throat Washing out the wound But what did you mean?! I'm in love with Do it yourself chastity belts And Ursula's fear of *** But why is this even a theory Your concept behind biracial inbreeding And Señor do not get me started On Melquíades and José Arcadio Buendía Because that friendship was Fated to be doomed I mean no disrespect in all this I just want to know Why use Macondo as an allegory For the Angel Gabriel You're genius, really But your run on paragraphs Infuriate every ounce of my writing soul You're a Columbian Tolstoy I mean that as no insult Your works are tremendous and outstanding But what am I doing You're now just an old dead man "Under the ground" So now I belong to figure out Why Pilar needs to fill a void Opened by a ****** And why Colonel Aureliano Buendía Thinks of his fond memory of ice Just before being killed I've paid my respects to your work Please pay respects to my search
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Jul 25, 2016
Jul 25, 2016 at 3:57 PM UTC
Gabriel Garcia Márquez
One hundred years of solitude and Marquez still couldn't shut you up, your words tear down the walls of Macondo, heckling the Buendías, poking fun at Aureliano and his golden fishes. The circular history spins to a halt, and I fold down the corner of a page, as if closing the book could save the city built on paper, on the Formica tabletop of an old café with a broken clock A few chapters back, you were chastising time, saying one day you'd crack your watch open, rearrange the gears, twirl the dials and steal back from the ticking hands that steal so much from you. On page 178, you committed abominations, spooning sugar into espresso, and declared your love for Dali because the man melted time, didn't care for anything not molded to the back of a horse. Cranberry scone finished, you ruffle the newspaper, bemoaning the stockbrokers who grow fat and complacent on the crumbs of seconds, chewing chronological cud, you called it, but you said nothing could ever pin you down, much less some cheap Timex on a nylon strap. Cast out of the fourth dimension, Marquez scribbles graves for the Buendías, in death, they've forgotten the original sin and the Colonel forges fish from the gold fastenings on his casket ad infinitum.
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Jan 15, 2014
Jan 15, 2014 at 1:11 PM UTC
Arcadio
S.Mamede O fogo acesso não te queimava, Aprendeste que Deus a todos amava. Viveste com romanos e plebeus, Nasceste pelo amor de Deus. Amaste a Deus de um modo sereno, Estive com o imperador Aureliano. Nosso Santo S. Mamede, Perdão a Deus por nós Ele pede. Deus falou-te ao coração, E te veneramos desde então. Viveste com os pobres e teus queridos animais, Nem tiveste o carinho de teus verdadeiros pais. Santo de qualquer aldeia, S.Mamede de Cesareia, Santo bendito e excelso, Rosmaninho e feto.
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Nov 15, 2012
Nov 15, 2012 at 1:53 PM UTC
S.Mamede
On the highway They’re sitting down and rolling joints Contemplating If it was freedom When she pierced the muscles Struggling beneath her frail bones. They all draw wings on the wall behind the road and Some say about her rings, That in a corner in Thamel Scientific instruments in a white room replicate force (And it doesn’t hurt so much anymore) On the highway The times before rolling joints She rubbed elbows. ***** in the mud like a pig. But the tourists still took pictures of her snout, and called it “Cute.” When that mother came into her room She was sleeping with a pout on her face. Until the highway men drawing wings on the high wall “Woke” her up. (The first day, she thought she was still rubbing elbows) Until the marks came on hers and bled But not on the other side as well. Almost simultaneously with the gypsy’s work Aureliano had been reading On wires metamorphosis-ed into the air (Brought the world to her feet, or the other way round) And she knew it must have been a high because The ground was cold. And all above she saw the skies cheat Right before they pressed in on your lungs Leaking smoke (When you thought you were made of blood) Yet before, in your head you’ve smashed the universe And eaten its brains for lunch – they are green. Before it gulped her down In a go. So you know How drawing wings on the wall Has gotten no one nowhere except Talking about that girl Who pierced the skin under her bones In Thamel. Storm 5.14.014
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May 14, 2014
May 14, 2014 at 4:01 AM UTC
Highwaymen
On the highway They’re sitting down and rolling joints Contemplating If it was freedom When she pierced the muscles Struggling beneath her frail bones. They all draw wings on the wall behind the road and Some say about her rings, That in a corner in Thamel Scientific instruments in a white room replicate force (And it doesn’t hurt so much anymore) On the highway The times before rolling joints She rubbed elbows. ***** in the mud like a pig. But the tourists still took pictures of her snout, and called it “Cute.” When that mother came into her room She was sleeping with a pout on her face. Until the highway men drawing wings on the high wall “Woke” her up. (The first day, she thought she was still rubbing elbows) Until the marks came on hers and bled But not on the other side as well. Almost simultaneously with the gypsy’s work Aureliano had been reading On wires metamorphosis-ed into the air (Brought the world to her feet, or the other way round) And she knew it must have been a high because The ground was cold. And all above she saw the skies cheat Right before they pressed in on your lungs Leaking smoke (When you thought you were made of blood) Yet before, in your head you’ve smashed the universe And eaten its brains for lunch – they are green. Before it gulped her down In a go. So you know How drawing wings on the wall Has gotten no one nowhere except Talking about that girl Who pierced the skin under her bones In Thamel. Storm 5.14.014
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