From the back of the line—
Well, second to the back—
I see her there;
She is beautiful:
Piercing blue eyes,
Wavy brunette,
Sharp, cute nose,
Striking chin;
She is beautiful
Like the other two she is with—
Yet with the melancholy in her jewel-eyes,
More so.

She is much prettier
Than your average third-wheel;
And yet there she stands,
Waving a dismissive hand
At the offer of her two friends—
A couple, hands all over each other;
It is difficult to tell
Whose hands are whose—
To pay for her coffee;
She pays for her own.

So I’m in the room, surrounded by vivid individuals,
with all their vibrant lives, with all the things they have to say,
and I’m in the room, but half removed, a blue-bland thing,
a flat, one-dimensional thing with fuzzy unholding edges.
And I think to myself, I’m going to end up so alone
because I am such a no-person, such a flat, empty space
of a person, such a flimsy, hollowed out sort of thing.
And in this room, if one person was to simply disappear
and not disturb the balance, then surely it would be me,
the non-person who lacks all substance, who is simply not integral
enough to leave behind some long-lasting, uncloseable void.
So I go into the other room and try to make myself whole
by becoming useful but still I’m that bland, hollow thing,
still am I that name-checked no-person with nothing to say.
And so I go outside to escape myself and the long, sad, empty inevitable
and I look at the lightless sky and think to myself in the cold:
I could unpick the thread of myself from existence
and all that would be left are two small indents
to be smoothed away with the sweep of a hand.
It hurts, so I look up to the sky and dream of the island
until I’m full of tears and then I mangle my no-person face
into a smile and go back to the room, and really,
I’m living okay. I’m living okay, I’m reminded,
because there’s nothing to be sad about today,
nothing you could possibly be worried about today,
you sad, empty-headed little no-person.