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Verde que te quiero verde.
Verde viento. Verdes ramas.
El barco sobre la mar
y el caballo en la montaña.
Con la sombra en la cintura
ella sueña en su baranda,
verde carne, pelo verde,
con ojos de fría plata.
Verde que te quiero verde.
Bajo la luna gitana,
las cosas le están mirando
y ella no puede mirarlas.
Verde que te quiero verde.
Grandes estrellas de escarcha,
vienen con el pez de sombra
que abre el camino del alba.
La higuera frota su viento
con la lija de sus ramas,
y el monte, gato garduño,
eriza sus pitas agrias.
¿Pero quién vendrá? ¿Y por dónde...?
Ella sigue en su baranda,
verde carne, pelo verde,
soñando en la mar amarga.Compadre, quiero cambiar
mi caballo por su casa,
mi montura por su espejo,
mi cuchillo por su manta.
Compadre, vengo sangrando,
desde los montes de Cabra.
Si yo pudiera, mocito,
ese trato se cerraba.
Pero yo ya no soy yo,
ni mi casa es ya mi casa.
Compadre, quiero morir
decentemente en mi cama.
De acero, si puede ser,
con las sábanas de holanda.
¿No ves la herida que tengo
desde el pecho a la garganta?
Trescientas rosas morenas
lleva tu pechera blanca.
Tu sangre rezuma y huele
alrededor de tu faja.
Pero yo ya no soy yo,
ni mi casa es ya mi casa.
Dejadme subir al menos
hasta las altas barandas,
dejadme subir, dejadme,
hasta las verdes barandas.
Barandales de la luna
por donde retumba el agua.Ya suben los dos compadres
hacia las altas barandas.
Dejando un rastro de sangre.
Dejando un rastro de lágrimas.
Temblaban en los tejados
farolillos de hojalata.
Mil panderos de cristal,
herían la madrugada.Verde que te quiero verde,
verde viento, verdes ramas.
Los dos compadres subieron.
El largo viento, dejaba
en la boca un raro gusto
de hiel, de menta y de albahaca.
¡Compadre! ¿Dónde está, dime?
¿Dónde está mi niña amarga?
¡Cuántas veces te esperó!
¡Cuántas veces te esperara,
cara fresca, ***** pelo,
en esta verde baranda!Sobre el rostro del aljibe
se mecía la gitana.
Verde carne, pelo verde,
con ojos de fría plata.
Un carámbano de luna
la sostiene sobre el agua.
La noche su puso íntima
como una pequeña plaza.
Guardias civiles borrachos,
en la puerta golpeaban.
Verde que te quiero verde.
Verde viento. Verdes ramas.
El barco sobre la mar.
Y el caballo en la montaña.
The labyrinths
that time creates
vanish.

(Only the desert
remains.)

The heart,
fountain of desire,
vanishes.

(Only the desert
remains.)

The illusion of dawn
and kisses
vanish.

Only the desert
remains.
A rolling
desert.
Cordova, far and lonely.

Black pony, full moon,
And olives in my pocket:
Although I know the roads,
I'll never reach Cordova.

For the plain, for the wind,
Black pony, red moon,
And death is watching for me
Beside Cordova's towers.

Alas! the long, long highway,
Alas! my valient pony,
Alas, that death is waiting
Before I reach Cordova.

Cordova, far and lonely.
The weeping
of the guitar begins.
Wineglasses shatter
in the dead of night.
The weeping
of the guitar begins.
It's useless
to hush it.
It's impossible
to hush it.
It weeps on monotonously
the way water weeps,
the way wind weeps
over the snowdrifts.
It's impossible
to hush it.
It weeps for things
far, far away.
For the sand of the hot South
that begs for white camellias.
Weeps for arrows without targets,
an afternoon without a morning,
and for the first dead bird
upon the branch.
Oh, guitar!
Heart gravely wounded
by five swords.
Ay, the pain it costs me
to love you as I love you!

For love of you, the air, it hurts,
and my heart,
and my hat, they hurt me.

Who would buy it from me,
this ribbon I am holding,
and this sadness of cotton,
white, for making hankerchiefs with?

Ay, the pain it costs me
to love you as I love you!
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no, it is an ever-fixèd mark
That looks on tempests and is never shaken;
It is the star to every wand’ring bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
    If this be error and upon me proved,
    I never writ, nor no man ever loved.
My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her ******* are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks,
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know,
That music hath a far more pleasing sound.
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
    And yet, by heaven, I think my love as rare
    As any she belied with false compare.
 Apr 2017 Traci Sims
Lord Byron
River, that rollest by the ancient walls,
Where dwells the lady of my love, when she
Walks by thy brink, and there perchance recalls
A faint and fleeting memory of me;

What if thy deep and ample stream should be
A mirror of my heart, where she may read
The thousand thoughts I now betray to thee,
Wild as thy wave, and headlong as thy speed!

What do I say—a mirror of my heart?
Are not thy waters sweeping, dark, and strong?
Such as my feelings were and are, thou art;
And such as thou art were my passions long.

Time may have somewhat tamed them,—not for ever;
Thou overflow’st thy banks, and not for aye
The ***** overboils, congenial river!
Thy floods subside, and mine have sunk away.


But left long wrecks behind, and now again,
Born in our old unchanged career, we move;
Thou tendest wildly onwards to the main,
And I—to loving one I should not love.

The current I behold will sweep beneath
Her native walls and murmur at her feet;
Her eyes will look on thee, when she shall breathe
The twilight air, unharmed by summer’s heat.

She will look on thee,—I have looked on thee,
Full of that thought; and, from that moment, ne’er
Thy waters could I dream of, name, or see,
Without the inseparable sigh for her!

Her bright eyes will be imaged in thy stream,—
Yes! they will meet the wave I gaze on now:
Mine cannot witness, even in a dream,
That happy wave repass me in its flow!

The wave that bears my tears returns no more:
Will she return by whom that wave shall sweep?
Both tread thy banks, both wander on thy shore,
I by thy source, she by the dark-blue deep.

But that which keepeth us apart is not
Distance, nor depth of wave, nor space of earth,
But the distraction of a various lot,
As various as the climates of our birth.

A stranger loves the lady of the land,
Born far beyond the mountains, but his blood
Is all meridian, as if never fanned
By the black wind that chills the polar flood.

My blood is all meridian; were it not,
I had not left my clime, nor should I be,
In spite of tortures, ne’er to be forgot,
A slave again of love,—at least of thee.

’Tis vain to struggle—let me perish young—
Live as I lived, and love as I have loved;
To dust if I return, from dust I sprung,
And then, at least, my heart can ne’er be moved.
 Apr 2017 Traci Sims
Lord Byron
Start not—nor deem my spirit fled:
  In me behold the only skull,
From which, unlike a living head,
  Whatever flows is never dull.

I lived, I loved, I quaff’d, like thee:
  I died: let earth my bones resign;
Fill up—thou canst not injure me;
  The worm hath fouler lips than thine.

Better to hold the sparkling grape,
  Than nurse the earth-worm’s slimy brood;
And circle in the goblet’s shape
  The drink of Gods, than reptile’s food.
Where once my wit, perchance, hath shone,
  In aid of others’ let me shine;
And when, alas! our brains are gone,
  What nobler substitute than wine?

Quaff while thou canst: another race,
  When thou and thine, like me, are sped,
May rescue thee from earth’s embrace,
  And rhyme and revel with the dead.

Why not? since through life’s little day
  Our heads such sad effects produce;
Redeem’d from worms and wasting clay,
  This chance is theirs, to be of use.
At night, by the fire,
The colors of the bushes
And of the fallen leaves,
Repeating themselves,
Turned in the room,
Like the leaves themselves
Turning in the wind.
Yes: but the color of the heavy hemlocks
Came striding.
And I remembered the cry of the peacocks.

The colors of their tails
Were like the leaves themselves
Turning in the wind,
In the twilight wind.
They swept over the room,
Just as they flew from the boughs of the hemlocks
Down to the ground.
I heard them cry--the peacocks.
Was it a cry against the twilight
Or against the leaves themselves
Turning in the wind,
Turning as the flames
Turned in the fire,
Turning as the tails of the peacocks
Turned in the loud fire,
Loud as the hemlocks
Full of the cry of the peacocks?
Or was it a cry against the hemlocks?

Out of the window,
I saw how the planets gathered
Like the leaves themselves
Turning in the wind.
I saw how the night came,
Came striding like the color of the heavy hemlocks
I felt afraid.
And I remembered the cry of the peacocks.
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