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The Wicca Man Apr 2015
What a strange place this is, hovering between the perpetual dark and the grey light of dawn. It was nowhere you would find on any map. It was said to exist only in the psyche, in that moment between sleep and wakefulness. But  I found it and, should these words ever be read, you will know that I am there still …

Tall ramparts of the dullest stone rise up skyward. Sightless windows stare out across a strange landscape: it is not possible to make out any landmark for the mists twine in psychotic patterns making the tangible invisible to the eye.

I came to this place … I don’t how I got to be here. As I write down these words, I try to recall my journey but my memories are as fogged as the barren mist-infused heath below me. It is as though I have been here for a lifetime, maybe more. I seem to have a sense of having been somewhere other than this place but it is impossible to draw a coherent recollection from my mind.

It is cold here in my room high in the turret of this place. The cold stone arch that is my only eye to this outside world is presently covered with a ragged curtain. There are faded colours discernible on it; age has dulled them. It ***** forlornly in the insignificant breeze that blows through the window. It is dark outside the window. I know it must be as the tears in the drape are showing no light coming through.

On my writing table is a candle that is burning with a yellow flame. It sputters as the breeze catches it unawares. My candle casts a little light; enough to write with. I look down at the yellowed paper and my words you have just been reading. In my hand is my pen. How old-fashioned; a feathered quill. At the top of the table is a small *** and the trail of ink suggest this is my ink-***. Strange. It seems perfectly natural and familiar to be writing these words in this archaic fashion yet oddly out of place also as though a thread of a memory is tugging somewhere in my brain telling me it cannot be real. My hand reaches out to rub the surface of the table. It is rough, hewn not by a skilled artisan but functional. A shiver courses through me and I draw my rough cloak closer about me …

I don’t know if I had slept but becoming aware of my surroundings, I can see a little greyness coming through the drape over my window. It is not daylight in the sense you would know it; it is never daylight here. The candle is no more than a stub now and it’s flame is gasping it’s last breath. My surroundings are eerily visible now in this dull light. I can see the door across to my right. It is old and heavy with a large handle and studded panels. I expect to see a bed but craning my neck all I can see is a rough straw pallet in the opposite corner. That part of the room is still hidden in shadow so I am surmising that the rumpled pallet and rough blanket heaped against the wall is where I sleep. But I do not remember sleeping.

My pen is laid down next to the sheaves of manuscript I had clearly been working on. All this time, whether sleeping or writing, I had not considered whether I was alone here in my room. There was nothing in that moment I considered it to suggest I was here in anything but solitary isolation. Yet something made me look again at the rumpled bed in that dark corner. I realised then with a start that what I had assumed to be just my bedding had a clear form. Straining my eyes against the grey shadow, I saw an imperceptible movement. I held my breath, unsure if my eyes were deceiving me in this half light. I pushed against the table to lift myself as quietly as I could from my chair and padded over to the bed in the corner.

Crouched against the wall was the form of a woman. Her breathing almost imperceptible, coming in short, tremulous whispers. Clearly she was sleeping but something told me it was not a comfortable sleep but rather a sleep brought on by sheer exhaustion. Her pose was unnatural; half lying, half crouching. Her hands were clasped against her chest and rose and fell with each breath. I staggered backward my heart pounding in my ears, drowning out the sound of her breathing.

Turning to the table, my trembling hand reached for the candle and, cupping my hand to protect the dying light, I crept back to her. In the faint yellow cast of the flame I could see her more clearly. A once silvery gown now grey and tattered covered her small frame. There was a rough blanket draped carelessly across her shoulders. Her elfin face was as pale and dull as the grey light and threads of golden hair hung across her face. I found myself reaching out to her only to brush a strand from across her eyes. In that moment her eyes flew open and stared wild and frightened. Immediately she cowered back against the wall whimpering like a cornered animal. The shock of her awakening startled me and I fell back from my crouched position. Her hands flew up to protect her perfect face and to my horror, I saw they were bound at the wrist. Who was she? Why in all the gods’ names was she here, my apparent prisoner?

I recovered my senses and as gently as I could I approached her again. The blanket had fallen from her shoulders and in the still guttering candle flame I saw what I could only guess were silver feathers seemingly growing from her shoulders. This was impossible. The light was playing with my senses surely?

Reaching out to her I ever so gently touched her clasped hands now held against her face as though in prayer. She let my take them in mine – so delicate, so perfect, so cold to the touch – and my fingers slid down to her bound wrists. The binding was a dull silver, so flimsy yet seemingly strong enough to hold her hands together. There were welts where the bindings had dug into the flesh. And now she stared unblinkingly at me, sheer terror in her eyes.

I let her hands go with more force than I intended and recoiled from this scene, my whole frame trembling, my skin crawling with cold dread. Had I done this? I cannot remember. If I had, why? I closed my eyes willing it to be no more than a nightdread. Opening them seconds later I realised what I knew; that this was real, as real as anything could be in this strange world I found myself in.

I knew then what I must do and turning to my table I looked frantically amongst the sheaves and found the blade I had been using to pare my quills. Grasping it I returned to the pallet and approached her, blade in one hand, sputtering flame in the other. She gasped in horror as I drew close to her. How stupid of me. The poor creature was terrified of me, terrified by the cruelties I must have inflicted upon her.

“Hush, I mean you no harm.” My words seemed to belong to someone else. I placed the candle on the floor and reached out for her hands again. Pulling them toward me, I told her I was going to remove her bonds. She seemed to understand and, though still staring wildly like a frightened child, she let me insert the blade under her bindings. I could only imagine she had trusted me once and was now prepared to do so again. With a deft flick, the bindings parted to the blade and slithered to the floor. She turned her eyes from me for the first time to inspect her wrists massaging them lightly. She looked up at me once more and though she spoke no words, her eyes framed the question, “Why now? Why now after so long?”

I stood up and backed away from her and gestured toward the door: “It is time, that’s all, time for you to go.”

Rising uncertainly from her rude bed, this angel, for that is surely what she was, stood before me trembling. I removed the cloak from my shoulders and placed it about hers, my fingers lightly brushing the feathers on her shoulder blades. I gestured toward the door once again saying as I did so: “Walk toward it; I shan’t stop you. There is no lock; it will freely let you pass. I will not follow.”

The poor creature turned from me and walked to the door. Grasping the handle, it opened with a groan. She passed through and was gone …

In a stupor, I went toward the window and pulled the drape to one side. The sky was still grey but now a silver moon hung in my vision. I sensed a movement to my left and saw my angel soar across the face of the moon and into the gloom.

I walked back to my table and sat heavily down. Grasping my quill and dipping it into the inkpot, I reached for another sheet of parchment and continued to write in the hope that you will find these words and tell my story …
This is an extension of the idea in Freedom & Loss, also posted here
The Wicca Man Apr 2015
“You may go now.
Come, let me loose your bonds.
Yes, caress the scars: there, soothing, isn’t it?
Why, you’re trembling …
Are you cold?
Not afraid, surely?
You’re free now.
Here, let me brush your golden hair from your eye, wipe the tear from your cheek.
Your face is cold; take my cloak.
I can see the question in your eyes: why now? Why now after so long?
It is time, that’s all, time for you to go.

There’s the door;
stand and walk toward it;
I shan’t stop you.
There is no lock; it will freely let you pass.
See, it opens willingly.
Now pass through, I will not follow.”

I turn to face the moon framed in the cold stone arch
and watch you soar across Her face into the darkness …
A parallel piece to ‘Angel’s Keep‘, also posted here.
The Wicca Man Jul 2013
I could answer your questions with a simple, off-the-cuff explanation but have ended up writing this essay: the more I thought about what you’d asked, the more the I felt it warranted a fuller explanation so I will try to explain why I call myself a Wiccan and how I come to be following the Wicca Path. And apologies in advance for the length of this!

As well as my love of Literature, I love History with a similar passion. My degree was in English and History and although I specialised in Shakespearian and post-Shakespearian literature and Modern History, I have a long held fascination with Celtic and pre-Celtic history, beliefs and spirituality. It is the mysticism of the Old Religion that seemed to attract me most and I found myself drawn particularly to the Celtic and Welsh mythology and have read extensively about it: Cornwall and Wales (mid Wales in particular) are my two favourite places in the world. I have read a lot about Celtic and pre-Celtic history, beliefs and religion over the years, both fiction and non-fiction.

Although Jewish by birth, I was brought up by my father who was a confirmed atheist so I lost out on any formal religious influence as I was growing up. Perhaps because of his views, I developed a distrust of formal, mainstream religion. That’s not to say I felt I had no spiritual beliefs at all, it’s just they were untapped and unidentified; I felt I was reaching out for something but it never took on any tangible form, rather like in a dream when you cannot see clearly the faces or forms of the inhabitants of your dreams.

By the time I got into my forties, I realised there was something seriously lacking in the spiritual side of my life. These beliefs were compounded by three events:

    * reading James Lovelock's Gaia theory [which inspired me to write one of my favourite stories, Gaia's Last, published here];
    * my discovery of Jean Auel's Earth's Children series of books , Clan of the Cave Bear, etc. which go into extraordinary detail of Cro-Magnon peoples' belief in nature spirits, worship of The Mother and Shamanism;
    * a sudden change in my circumstances that forced me to re-evaluate every aspect of my life and my existence.

It was at this time I began to research the Old Religion: paganism, nature-worship, whatever you want to call it, and this led me to discover Wicca.

The more I read about it, the more I realised it fitted in with my current state of mind and outlook on life. Maybe there is a sense of escapism inasmuch as the roots of Wicca look backward to a simpler time and as I was having difficulty coping with the complexities of the changed circumstances in my life at the time. Wicca seemed to offer exactly the spiritual needs I was lacking.

That is not to say that Wicca is old-fashioned and out of date. Rather the contrary in fact. Whilst its roots acknowledge the Old Religion, Wicca is relatively modern having been developed by a guy called Gerald Gardner who published a book called Witchcraft Today in the 1940s I believe which re-established in the public eye the old pagan beliefs that have been around since the dawn of man. These beliefs never really disappeared even through the worst of the atrocities perpetrated against followers of the Old Religion [The Burning Times ]. (And just to make an important point about the title of the book and Wicca in general, Witchcraft in the pagan and Wicca context is NOT Black Magic or Satanism as the tabloid press or mainstream religion would have you believe; it could not be further from them. It is simply an acknowledgement of the existence of natural forces that can be used or channelled by those who choose to learn these ancient skills).

I have seen Wicca [and other forms of Paganism] referred to as Green Magic and that seems the perfect definition; it is immensely comforting to work so closely with the natural world and to feel such a part of it.

So for me, Wicca is an ideal spiritual antidote for the impossibly fast-paced, self-serving lifestyles we all seem to be caught up in these days, often through no choice of our own. It is as valid a belief system as any other practised throughout the world and is nothing like the forms of Wicca popularised in the media with TV shows like Charmed and its ilk!

Wicca is it is not something to be taken on lightly - Wicca practices should be treated with the same reverence as those in any other belief system. It requires study, practice and dedication.’

I have to confess to have been lacking in all three since I originally wrote this so have vowed to myself to rectify these shortcomings. I feel excited about my rekindled sense of spirituality and more at peace with myself for making this decision.

Go in Love & Light!
I hope people don't object to my posting this; I am a passionate believer in freedom of speech and of expression. I hope people here are open to these views, which are mine and in no way do I want to foist my views on anyone or indeed, cause offence.
The Wicca Man Jul 2013
I need to write; I have ideas swirling around my mind most of the time. But if I haven’t got somewhere or something to note these ideas down, they drift off, lost.

I’d like to think I’m a good writer, but I know I’m not. Or maybe I’m too self-deprecating. It’s a cultural thing with me, which I’m not going to talk about here at this time. Some other time will feel right for that.

Having said that, words come easily to me. I can create wordscapes with my writing. I’ll write about many things, about love, loss, death, desire, hope and defeat. The images I see when I pen something are real, the patterns the words create are tangible to me.

But I’m also a lazy writer. I love the fact I can find on-line a multitude of sites offering advice for writers, rules to follow to help make you a good writer. I spend a lot of time reading these. What I need to be doing is writing, not reading about writing! You will be amused how many novels I have started to write. Some have evolved into short stories, others into free verse poems. One day I may actually write the novel that’s in me; I’m certainly not short of ideas, when I remember them! And I have folders full of novels I’ve started. Some of them end up as short stories. Lazy, see …

What is hard for me is to focus that inner discipline to write. But when I do tame the procrastinating voices, words spill out in a rush of creativity.

Is that approach wrong? I feel guilty if I haven’t written in a while but I’m good at riding the guilt. Yet if an idea comes to me and then disappears, as is often the case, it annoys me. It’s like a dream you wake from and, for a moment, can remember it vividly, then it’s gone. You grasp at those wisps of recollection but they’re always just out of reach and it frustrates me when that happens.

Then there’s those times when creativity does burst out of me. Perhaps it’s the build-up of guilt that erupts creating a pyroclastic flow of ideas hurtling towards blank page. Liken it to an artist who splatters paint randomly on a canvas; unplanned and random, the words tumbling onto the page, vying for position, for supremacy.

I have to accept that this is the way it is, that’s the way I write. Perhaps after my death, people will say, “He was quite a good writer, shame he didn’t write that novel …
The Wicca Man May 2013
You've hurt me beyond belief
and it is beyond all comprehension
why you have done this.
What perverse pleasure do you get
from making me feel this way?
I want to exact my revenge on you
tenfold ...

Simplify

You've hurt me so badly
and I don't understand why.
Do you enjoy making me feel like this?
I want to take my revenge
tenfold ...

Simplify

You've hurt me a lot
but why?
Do you enjoy it?
I want to get back at you
tenfold ...

Simplify

You hurt me.
Why?
Enjoy it?
I will get back at you
tenfold ...

Simplify

I'm hurt.
You did it.
Liked it?
My turn
tenfold ...

Simplify

I hurt.
Now you
tenfold ...

Simplify ...
The Wicca Man May 2013
(1)

In a moment
the adrenalin rush
courses through my veins;
a torrent of frustration.

Rational expression gives way to loss of all reason
as vitriol spurts forth from my lips;
a stream of abuse:

I want to goad you
I want to hurt you
I want to abuse you

The foul profanities are carefully aimed
sent hurtling from my mouth
in a barrage of spittle, all semblance of sanity gone,
and the air reeks with rankness from my verbal barrage.

A vein pulses at my temple
and the crescendo of my heartbeat
is a rhythmic chant that drives me on
to ever greater extremes.

And as this onslaught congeals and festers in an instant
inside my head, it forms into a clenched fist
that assumes control of its own existence
to strike out and feel the satisfaction as it makes contact
with your soft flesh and delicate bone.

My froth and spittle is flecked with your blood
but I am removed from the person flailing you,
punishing you,
and I have no control over him.

My eyes, if I could see them reflected in your fearful eyes,
are wide and wild,
my lips are curled back over my teeth,
my mouth opens widely as my screams of rage
are vomited at you,
my gasping breath rasps between rants,
my chest pistoning,
as you lie at my feet bloodied and subdued.

Now as I stand over you panting: an animal subjugating my ****,
your eyes look furtively and fearfully into mine,
wide and frightened.

(2)

In a moment my wild triumph flees and such regret washes over me as I kneel, cradling your head in my hands, brushing away the sweat-bonded strands from your face.

I plant a soft kiss on your lips and our tears mingle saltily:

I lick my lips and taste that salt
But it only serves to heighten my guilt.

‘I’m sorry,’ I whisper, and pull you close, letting your tremulous heartbeat calm me.
The Wicca Man May 2013
I stare mesmerized at the dancing flames
cavorting like cheap ******
now red, now blue,
twisting and turning lasciviously,
each striving for my attention.

Occasional sparks flash and fizz
as each flame tries to o'er leap the next
until, exhausted, they are ****** back
into the charcoal darkness,
turning deep crimson,
hissing and spitting
like a cornered cat and
sinking still further into the blackened remains

Until all that is left
are the dying embers.
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