sometimes i wonder if god keeps a record
of all the times i have been left,
all the times i have been unable to leave.
i wonder if he thinks to himself,
"when will she learn?"
as if he feels my heartache too.
i picture god with a furrowed brow,
hunched over a typewriter,
beginning me again and again,
a mountain of crumpled paper at his feet.
but somehow -
he always ends up at the same point in the story
where i am all ****** palms
and half-hearted hallelujahs
propped up on bruised knees.
spitting up blood & teeth at his feet screaming,
"IS THAT ALL YOU'VE GOT?"
but he doesn't answer.
and i catch myself wondering if the silence
is his way of punishing me for making a deity out of you.
after all, the bible says he is a jealous god.
i could've sworn there was a verse somewhere
that said you weren't allowed to love anyone other than me.
but now that i think about it,
i probably took it out of context.
if i could add a parable to those already existing,
it would be how your chest
felt like church under my head,
and how i thought to myself,
"this is how it would be if he loved me back."
or how you fled my bedroom like a crime scene.
i am still bleeding.
i won't tell you how many times
i cracked my heart in half
trying to be what you wanted.
how my lips on your skin felt judas.
now i am waiting for god to begin me once more,
hoping he'll leave you out of the plot this time
because i don't think i could stand to lose you again.
see, rumor has it he knew you'd leave
and has been trying to make it up to me
since before we'd even met.
my song is one of repentance.
the wood finish from abandoned pews
rotting under my fingernails.
i made sacrifices you didn't ask for.
i have never known
whether my inability to abandon people
is more a strength or a weakness
but so far everyone i've ever loved
has turned into an exit wound,
and myself into a flickering no vacancy sign.

- m.f.

He perches on his black-crate bandstand,
stationed between the payphone and postbox.
The view from his seat never varies:
a restless audience of briefcases and knees.

He closes his eyes, concentrating
on breath becoming buzz becoming blare,
and he pictures his notes glossing Manhattan’s
thunder-colored walls.

Each tone fills the pavement, square by square
until the sidewalk is a harlequin filmstrip,
colored by notes coaxed from his brass mouth.

Passersby withhold their gaze, because giving a nod
obliges giving a dollar, and no one is inclined
to employ this trumpeter. But he pays no mind;
his own eyes secured until song’s end.

As long as his fingers are jumping,
he doesn’t have to be Gerard Wall–
who lost his wife to cancer and mind to the War;
he can be Louis, Miles, or Pinetop Smith.

When he looks up once again,
sun and spirit have faded,
and he watches the evening embers
drift out of his horn.

when you're on your last drink:
   find a crowded bar
   with a dark corner
   on the upper level
          and seep into the wood
          like the spirits
          you swear are consoling you