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 Nov 2012 Tallulah
Muggle Ginger
I never understood “made in God’s image” until I saw her.
Anyone who’s seen her has higher expectations for what heaven looks like.

We’re both sensitive enough to know what love feels like,
and reasonable enough to know that it can be broken.

The first time you use a new toothbrush is nothing like the first time you kiss a girl,
But I still love them both.

Her laugh is a paradox; an outsider would think she either just said the cleverest thing ever or she wishes she could retract it faster than it was said.
Only I know it’s simply because it’s beautiful. It’s easily my favorite language.

I have considered wearing a wiretap so I could go back and listen to all of our conversations again. And I hope that it picked up her heartbeat. She told me, it’s beating exactly like life should sound like.

She offers to iron any wrinkled clothes. I don’t have any. But I have a wrinkled heart.
I thought it was made into origami but it’s just a wadded ball that missed the wastebasket.

The way she dances to hip-hop shows her versatility,
yet you can tell she doesn’t do this every day; but she still dances.

I’m almost too nervous to hug her - knowing it will have to end.
Whenever I let go, I feel like I made a mistake.

Her voice trails off into silence,
like an hourglass that’s trying to hold itself together.

I like that “click-clack” of her boots.
It lets me know I’m next to someone really going places.

She goes to the mini mart with me even when she doesn't want to get anything,
besides more time together.
This has always been about her.
Lately
I **L
ong
for the Love
that I once Left
when I chose the Lonely
path of discovery and difficult Learning.

My
steps Melt
into the Miles
I tread when Meandering
round town each cloudy Morning
'til each crisp and tender Midnight

Softly
I Sing
the tender Songs
not meant for Solitude
and gently drop a Sigh
waiting patiently for another ripe Summer
11/08/12
who you been, if you ain't been high ?
my nickles, your dimes. our dub chunks chucklin' in the standard pharmacy,
your loops, open. my loops-deloop.
are you positive
your Spaniard's larceny
will trickle the odd prime.
your canvas ravenous
in the sublime.
with THC ?
 Nov 2012 Tallulah
Kahlil Gibran
And a woman who held a babe against her ***** said, "Speak to us of
Children."

And he said:

Your children are not your children.

They are the sons and daughters of Life's longing for itself.

They come through you but not from you,

And though they are with you, yet they belong not to you.

You may give them your love but not your thoughts.

For they have their own thoughts.

You may house their bodies but not their souls,

For their souls dwell in the house of tomorrow, which you cannot visit,
not even in your dreams.

You may strive to be like them, but seek not to make them like you.

For life goes not backward nor tarries with yesterday.

You are the bows from which your children as living arrows are sent forth.

The archer sees the mark upon the path of the infinite, and He bends you
with His might that His arrows may go swift and far.

Let your bending in the archer's hand be for gladness;

For even as he loves the arrow that flies, so He loves also the bow that
is stable.
Oh how I dream of summer nights
When you lay that old blanket out
The dewy grass of the football field
No lights are on, but you remember
Games lost and won on that field
Sitting in the stands and cheering
Those were the days of innocence
Days when you were free and naive
The band playing, crowd roaring

But now the field is empty and blank
No cheering students and parents
Nothing except for the two
On the old blanket in the dewy grass
Looking up at the stars
Remembering

      Time lost and gained

The two of them laying
In the dewy grass of the field
Peaceful and reflecting
 Nov 2012 Tallulah
N N Johnson
I have words to say
I want to speak,
to tell you that I--.

Did you catch that?

My muted voice
is screaming through
the pattern of my footsteps and--.

Listen; a poem of gaits.

My heart moves my tongue and
my soul pushes the air
out my lungs to formulate these words: --.

The sound carries to the eyes of the listener
who hears my body move and
sees my mouth speak but not--.

I want my words touched, my movement read, my dance heard, my voice seen.

I--.
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