My heart aches, and a drowsy numbness pains
    My sense, as though of hemlock I had drunk,
Or emptied some dull ****** to the drains
    One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
    But being too happy in thine happiness,--
        That thou, light-winged Dryad of the trees
            In some melodious plot
    Of beechen green, and shadows numberless,
        Singest of summer in full-throated ease.

O, for a draught of vintage! that hath been
    Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,
    Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
    Full of the true, the blushful Hippocrene,
        With beaded bubbles winking at the brim,
            And purple-stained mouth;
    That I might drink, and leave the world unseen,
        And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
    What thou among the leaves hast never known,
The weariness, the fever, and the fret
    Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
    Where youth grows pale, and spectre-thin, and dies;
        Where but to think is to be full of sorrow
            And leaden-eyed despairs,
    Where Beauty cannot keep her lustrous eyes,
        Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
    Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
    Though the dull brain perplexes and retards:
Already with thee! tender is the night,
    And haply the Queen-Moon is on her throne,
        Cluster'd around by all her starry Fays;
            But here there is no light,
    Save what from heaven is with the breezes blown
        Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
    Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
    Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
    White hawthorn, and the pastoral eglantine;
        Fast fading violets cover'd up in leaves;
            And mid-May's eldest child,
    The coming musk-rose, full of dewy wine,
        The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
    I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
    To take into the air my quiet breath;
        Now more than ever seems it rich to die,
    To cease upon the midnight with no pain,
        While thou art pouring forth thy soul abroad
            In such an ecstasy!
    Still wouldst thou sing, and I have ears in vain--
          To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
    No hungry generations tread thee down;
The voice I hear this passing night was heard
    In ancient days by emperor and clown:
Perhaps the self-same song that found a path
    Through the sad heart of Ruth, when, sick for home,
        She stood in tears amid the alien corn;
            The same that oft-times hath
    Charm'd magic casements, opening on the foam
        Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
    To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
    As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
    Past the near meadows, over the still stream,
        Up the hill-side; and now 'tis buried deep
            In the next valley-glades:
    Was it a vision, or a waking dream?
        Fled is that music:--Do I wake or sleep?

If I was a mountain

That soared towards the sky,

With craggy snow caps

And stormy grey eyes-



Then you'd be the clouds

That swaddled my peak,

That silenced my thunder

When I tried to speak.



If I was the earth

The desert, in fact:

With arid dry soil

And mud, baked and cracked-



You'd be the rain

The downpour that soothed;

The balm to my bruises,

Relief to my wounds.



If I was the Moon

In the indigo night,

With stars as my blanket

And silver; my light-



Well you'd be the Sun

Just always behind

That lent me your glow

And caused me to shine.

The promise
of tonight
stirs within

Let it
soon
begin

TWO loves had I. Now both are dead,
And both are marked by tombstones white.
The one stands in the churchyard near,
The other hid from mortal sight.

The name on one all men may read,        
And learn who lies beneath the stone;
The other name is written where
No eyes can read it but my own.

On one I plant a living flower,
And cherish it with loving hands;      
I shun the single withered leaf
That tells me where the other stands.

To that white tombstone on the hill
In summer days I often go;
From this white stone that nearer lies
I turn me with unuttered woe.

O God, I pray, if love must die,
And make no more of life a part,
Let witness be where all can see,
And not within a living heart.

There's a reason there's a path outside your door
that leads to a road
that leads to an interstate,
that leads to an airport.

And there's a reason that planes fly from that airport
to one near here.

Same reason that airport has a road
that leads to a highway
a highway that they are repairing as we speak
that leads to my town
to a path that leads to my door

And its not just coincidence.

Any more than its coincidence that you are reading this.

Maybe it was weird that I didn’t move my hand

When it rested against yours

Or that I didn’t move my leg when our knees touched

Or that when we slept facing opposite directions

So we could share the same pillow

I pretended to be asleep when my lips touched your forehead

Just so we could be close a minute longer

I know I cry in my sleep

But you don’t have the same dreams I do

And you don’t have that awkward belief

That all people fit like puzzles if you press hard enough

What the hell do you think hugs are?

Or holding hands is?

I know I can’t accidentally fall into you

And sure

maybe it’s weird that I rub my socks into the carpet

With the sole purpose of shocking you

But how else do you make sparks fly?

I know that my life’s story is an open book I tell so well

My pages are shameless

And my words are honest

And yeah

I know I stare at your mouth when you speak

It’s just that

Eye contact freaks me out

And I’m sorry I spaced out while you were talking

It’s just that I was staring at your lips

And I suddenly wanted to kiss you

I know I have no filter

And am practiced in the art of bad timing

And poor explanations

But we’re only human

We only want simple things

Like to be needed by other humans

Go ahead

Need me like a parasite

I’ve already got so much excess baggage

The weight of your monkey on my back

Might as well be an anchor

Keeping me next to you

There should be dents in your memory foam by now

Pretty lady

There are dents in my cheeks from all the smiling you cause me

And I’m pretty sure you could light a match

From the heat in my face

So I am sorry if I can get a little creepy

It just means I like you

Pooping makes me sad sometimes
Sometimes it hurts
Sometimes it takes a while
Sometimes though
When it’s over
It makes me smile

People make me sad sometimes
Sometimes they hurt
Sometimes they take a while
Sometimes though
For no good reason
They make me smile

Words make me sad sometimes
Sometimes they hurt
Sometimes they stutter for a while
Sometimes though
Their timing is perfect
And they make me smile

You make me sad sometimes
Sometimes you hurt
Sometimes your love takes a while
Sometimes though
Mostly when you’re not making me sad
You’re making me smile

If there was another way to say it;
An easy way for you to understand...
I would not be pouring out these words
In an attempt to paint a picture.
I wouldn't be desperate to bottle
My emotions and thoughts
Into these stained glass letters,
With the tin syntax lid.
Poking holes through the top
Of my head,
So you could see.
Firefly ideas.

I am a photographer of hearts and minds.
The blood red room holds
My negatives.
How can I make them easier for you to see?
The composition so sweet,
The lighting so contrasted with
The shadows hiding the everyday.

What I really want you to do is stop reading.
Go look into the eyes of a lover.
Go hold a child's hand while they sing.
Listen to the wind change.
Feel the pulse of a city.
Cry with old wrinkled skin
For youth and life, and hope.

That is what my poem means.
It is a pulsing picture
Held captive in rhetoric.