'Dutch Bakery' in purpled-neon, lights of the cross-street behind slink outward vis reflection projected unto Liquor Plus, Empire Theatre. Kind and married-typical common law couple with a fellow looking feel-low sits with pack atop his lap, tapping bottom, fidgeting leg. His partner whispers 'shall we go for coffee?' and he seems a little fizzled to respond with 'yes, ha ha, yes!'

They all look tired on the bus and I'm wired on the bus, a psychoactive passion for coffee in all forms the general complicit in my make-up brazier. The fuzzy-muffled image in the dark beyond the moving windows are like ground-level star-scapes hopping from eye-to-eye. No one here can see they're part of the greatest story ever told. Part Ten I etch unto a sketch upon a smartphone, I won't forget this moment and neither will the world. All of them I love, they love me back in some corrupted way. Won't admit the night is bright with kisses and arms up past the hemisphere.

Noting every quick fix is a way of ******. Brooklyn ******, 'MOI-da,' counting ways to be defunct. It's a long day every day, some days are handfuls and others vast oceans wherever. Spliced and shared between the masses, each mass correct of parts who think the masses are a giant individual with a fluctuating waistline depending on the era.

You can't help but come and ask yourself, 'whatever became of me? whatever began in hoping? whoever saw land in site?' before the histories rot in landfills, nothin more than sun-drenched wood-sheets, sketched-out symbols on a saw. and this, and this, and this

and this, my friends, is how the story told itself again

          again

                     again

again

              again.

Called in sick to work, disappoint the boss, *** of a terrible ***** hangover I framed as the flu.

'I've got the cold-body-shivers and a bucket next to my bed. I'd be no help to you, trust me.' Thankfully, one of the friendlier dishwashers agreed to work the shift in my absence. My hangover eventually plateaued into one of those fried-brain poetic calms, where you're pretty sure that terrible habit of yours shaved a few minutes or days from your life, and yet you're in some sort of involuntary (yet accepted and mostly secretly-desired) state of meditation and trance with the world. People walking past speak of strange, complex lives, with their own problems, their own triumphs, romances, fears, and aspirations.

Two young college-boys, dashing, laugh with each other at Habit Coffee. My debit card stopped working for some strange reason, with the machine reading 'insufficient funds' as the cause, and yet I managed to check my balance via online application, and I still have a solid $15.86 available so something is clearly wrong. I explain this to the baristas at Habit, and the girl understands my first-world plight, gives me a free cappuccino as a result, and I sit there at the clearest panoramic window overlooking the corners of Yates and Blanshard thankful for the kindness and finish Part One of Kerouac's Desolation Angels (Desolation in Solitude).

*****, echw. I spat at the brink of ***** above my ***** toilet seat, perhaps the more unhealthy fact-of-the-matter is that I somehow managed to keep it down. So it rots away my stomach and eats away at my liver. Disgusting. Although the prior stupor was quite nice.

On my way to the Public Library (where I sit now), some girl with a summer-skirt was unbeknownst of the fact that it had folded somehow at the back and as she ran for the parked 11 (Uvic via Uplands), everyone could see her thonged *** and they all looked back, forth, back, in *****-awkwardity (I included) wondering what was ruder: telling her? or just watching her spring away? I think I heard someone make a quip remark about it, and yet glanced away and forward as to seem unaroused (their partner was with them, holding hands and all, avoiding the lumpy desire and lust that always appears in short bouts during moments like that).

I need some sort of adventure, tasting the potential of existence as I called in sick to work and immediately felt better once the shadow it cast was delivered from the day. I think of Alex and Petter, with their motley crew of savages, riding highway 101 toward San Francisco. Last I heard, they had stopped over in Portland and perhaps had said hello to our friend Tad in the area. I wish I could have gone, felt the road glow in preternatural beauty and ecstatically bongo'd every breath. I haven't felt the true excitement of freedom and travel in so very, very long. Always, the thought of debt and labour. That's the niche I've crawled into for the time being, and I owe a lot to the friends who wait (without hate, without anger) for me to pay them back. I have some sort of shameful asceticism in the way I work now, as if I cannot just up and quit as I may often do, because I'm doing it for the friends who kindly (perhaps, dumbly) propped me up with coin. Even if most of it goes to an insatiably hungry MasterCard Troll living under a bridge of self-immolating sadnesses and post-modernisms, at least my fridge is full of food.

I lost my passport anyways, they would have stopped me at the Peace Arch and turned me back to Canada without exception. That's a modern border for you, there isn't much room for kindness. Just pragmatism.

*****, terrible, clean-cut pragmatism.

That house, at 989 Dunsmuir, the place I call home in the Land of the Shoaling Waters, is exceptionally lonely on days like this, even with Jen there reading her Charles Bukowski and offing a few comments about the gratuitous ******* oft-depicted in the book. I feel trapped, at times, by all those machinations I so deftly opposed as a teenage anarchist. In principle, I still oppose them. Most intensely when they trap me, although the World of Capital has successfully alienated me as a member of the proletariat work-force and somehow twisted my passion into believing that the ways of economy and rat-race are just 'laws of nature.' If this is true, which I believe for pragmatisms sake they are (*****, terrible, clean-cut pragmatism), there really is no such thing as liberty, and what we have called 'liberty' is nothing more than a giant civilised liability within which we are all guilty until proven guiltier. Yes, because I owe it to myself and to the landlord.

I realize, often, the endless love-hate relationship with existence that one calls 'life.' It seems undeniably true that everyone is in this same jam, secretly loving something, and at the same time secretly hating it. The distinction between 'love' and 'hate' quickly becoming redundant when they are found together drinking champagne at the dusty corner-table of the most indescript and ugly bar in the alley of eternal psychology.

My back hurts, my brain
clicks, it's all a little
melancholic; trapped,
finicky, yet calm,
hopeful, excited, and
real. About everything

all

at once.

How can you write like a beatnik in an age of eternal connectivity? Just keep writing messy, weighted passages, whine-and-dine frustration, and cling on to dear life as if it were better in a lottery ticket? Dream of a rucksack revolution, ask yourself how you're not brave enough to be a Dharma ***? Would you not question your motives in rebellion, keep yourself at arms-length for sake of self-hatred, and posture yourself on the sidewalk insisting it's not pretentious?

Ah, all the vagueness and all the creeps, all the I-guess-I'm-happy's and all the success stories mingling with each other on this planet-rock. Some sort of hybrid productivity asking to be heard. Writing about liberty and livers, both accepted as ok and yet all take a beating in the face of silence and revolt. There's a science to all this, no? Some sort of belief in mandalas and star-signs, opening portals to Lemuria to take a weight right off your shoulders. I am Atlantis, and I am sinking.

A cigarette doesn't care, and neither do I. Addicted to a moribund desire to live. To really live! Not just add a few more moments to longevity by swallowing a carrot twice a day. Not just brushing my teeth twice between sunrise and sunset to avoid halitosis. Not just sitting and waiting for language to speak on my behalf.

Be-half, be-whole. Be-yonder, lose yourself. Be-yonder, and travel. Be-yonder, and forgive. Be-yonder, and don't forget. Store those memories and add them to your landscape, next time you drop acid, run amok through those stairwells and fields, re-introduce yourself to your life and remember the every's forever. Become highschool you again, where you'd sit on your mothers porch June mornings on your third cup of coffee, writing a poem with the drive of existential freedom unpresented with fears of rent or labour. You want fast-food? *** the change off your poor mum, and meet your old friends down at the local A&W.; These days really don't last forever, and thankfully you were smart enough to avoid working all those years. They will remain the best years of your life for.. perhaps.. your whole life.

Some mornings, you would wake up late on a Pro-D day, sipping a fourth cup of joe and watching the Antique Road Show on CBC because it's the only half-interesting thing playing on a late Tuesday afternoon. Your mothers couch was leather at the time, placed closest to the deck window with some sort of ferny-plant right next to it making peace with the forest. You would get lonely at times, and it wasn't until you graduated that you noticed how beautiful those 4 high-lined stick-trees standing in the desolate firth as the last remaining survivors of a clear-cutting operation really were, the way they softly bent in the wind, some sort of anchor whether rain or shine. Your mother would be at work, your brother would be out, or at dads, or upstairs, and for half-hours at a time you would stare at those trees, warped slightly through the lens of your houses very old glass. To you, it seemed, the world could be meaningless, and these trees would go as a happy reminder of how calm and archaic and beautiful this meaninglessness was. Watching them always quenched a blurry hunger in the soul. Something happy this way came. Something tricky and simple.

I could never really reach myself back in those days. Not anymore, anyways. That old me no longer had a phone, had tossed it in a creek in a fit of idealistic rage. That old me was living in a tent somewhere, squatting on private property and working at a bakery north of his old town. He still worked there, last I heard. Every summer evening, he went swimming in the ocean, wafting along on his back to think and pray. He was a Buddhist if I ever met one, reading the Diamond Sutra and the Upanishads, cracking the ice of belief with Alan Watts's 'Cloud Hidden, Whereabouts Unknown,' and preaching to his friends in cyclic arguments to prove the fundamental futility of theory. He's the kinda guy to shock you off your feet and make you wonder. Really wonder. Whoever he's become is on the road to wisdom. Whoever he thinks he is has never mattered. He's just waiting on the world to change.

Fancy.

Above me, the patterned cascade of skylight-window in the library courtyard hints at sunset coming. I contemplate the warmth and company of Tom's house a moment and wonder if he'd like me over. I think again of Petter and Alex way down there in Cali-forn-ya. A holy pilgrimage to Big Sur, and I still wonder where my passport is. If hunger and destitution weren't a block to intention, I'd be everywhere at once right now. I'd watch this very sunset from the top of Mount Baker, and yet be singing along to the Rolling Stones with Petter at my side. The Irish country would be rolling by again, and I would wonder where I am. The happy patch-work of County Cork would invite me to the Ring of Kerry where I would wait and sip a cappuccino, pouring over maps of Ireland in hopes of finding my hostel, as I'm sure I booked online.

The warm-red stonework of Whitstable village in Kent comes to mind. I think of Auntie Marcia and Uncle Bob, soaking up the sunlight with their solar panels and selling it back to the grid. I think of Powell River and its wilder-middle-ness, the parade of endless trees stretching east out unto Calgary. I think of every public washroom I have ever defecated in, and wonder how noisy or silent they might be right now. I think of Sooke, and its sticks. I think of Salt Spring Island and my first collapse into adulthood. I think of work, and how I haven't missed a dime I've spent.

I think of wine in an Irish bar, that night I was in the homely town of Bantry, with its rainbow homes and ancient churches, reading my 'Pocket History of Ireland' in disbelief at how far I'd made it on my own when that strange old fellow Eugene came up to me and struck up a conversation on world events. He tried to sell me vitamin supplements, toting it all as a saviour. I wrote him this poem a day later, a year ago, and think of him now:

49 years old, names Eugene.

We talk politics like a plane
doing laps over planet ours,
North Korea threatens bursts
of lightening and Irish businessman
defaults on debts to UlsterBank in
the mighty Americas. He tells
me to guess his age and to be
nice I take a medium sum of
35 (white lies). He tells me
why he looks so young at
49 and tries to sell me a healthy
soul as if he were an angel of loves-
yerself or a devil
of capitalism pecking at
exposed heels. Tells me
he used to be drawl, pizza-
faced, suicidal before
production loved a spiritual
lung. Tell me what! Tell me
WHAT!
When life gives you lemons,
hug the lemon tree. Seems
the angels have sold out and
they're nice enough.


He really was a nice guy.

On xanax, I want to
save the world. See it,
save it, savour the lady
who tells me it's 'jargon,'
the newspaper. It's 'jargon,'
all those books you don't
understand and thus return
to the library. 'Jargon, jargon.
All-right, fair enough, have a
good night.' A blustering, fat
-bodied strangeman, walks in,
talks of homeless hairies who
cut in front of him at McDonald's,
rudely assert their desperation
with greasy foreign hair basing
down the nape of their neck,
beseech the poor fat ******* to
his last-straw tossed toward a
health minister who won't 'speak
for himself' but has his secretary
'speak for him.' what the hell is
that? he asserts, face in a squeeze-
pause and a left-side lazy eye bowing offward, 'ridiculous, disgusting.'
'well, I hope you have a good
night, take care,
sir.'

Each crest-wave melts forward unto a cyclic downward unto a mix-exchange at the bank of the channel, fluid between the Georgia Strait and the passive Pacific, all the way from probably-Australia. The overcast is claustrophobic, sort of-- Victoria feels like a small wet cottage in a populated happy brain-cell, so when the clouds roll in all you notice are the creases on the faces that look as they grunt and push their eyes half-closed, exhaling a nicotine cloud in pensive thought toward a day job. Dunhill cigarettes always give off the faint odour of soy sauce, and the blue rot of the Johnson Street Bridge ticks away, caught in a state of eternal construction. In the aisle of an apartment somewhere else inside the city, one can smell the delicate remains of Indian food, curried and waiting for years ago to come again. The narrative has never been more than sheer observation, not to watch what comes and goes, but what flows across the fractal void of every-angle. There are dots on the rocks, and legs on the waves.. butts in the moss, and hours in the days. If 'forgotten' is the outcome of my every effective attempt, it will change nothing up those sleeves of mine. And nothing left exempt.