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Again the pencilled greys
permeate the valley view
the evergreens veiled

a breeze that comes and goes
waves the willows wands

one bird hangs on
rides into the day
its feathers all one way

the sky is not
it left with light
though paled

the only stars  
are those of houses
where ****** of colour
create their own terrestrial Milky Way

Margaret Ann Waddicor 2nd April 2016
Its leaves like autumns gathered leaf on leaf
a pile of thoughts put into words that make a whole
a series of pages full of meaning
of expressions full of art
of shaped forms called letters

once written by hand
flourished
holding a birds feather
a plume
where each word was an aesthetic creation
a characterful statement made by the author
containing nuances of inner meaning
that no printed word can contain
save in our own hopefully fertile imagination

and now a digital page
in a parallel electric brain
in fonts of different character  
anonymous and yet communicated to the world
to many eyes that see
in graffiti on walls in cities
flown by in the sky
how all has changed since Dickens lit his candle
wrote his screeds

Margaret Ann Waddicor 6th April 2016
 Apr 2016 Sia Jane
Nat Lipstadt
~~~


The Poet, God,
God, The Poet,

smiling beguiling disguising
as old man tailor,
in dusty shop,
well hid neath the arch of well trod
ancient medieval arcade

in modest, peeling letters,
of gold plate,
hawking, hawking,
suits of poems,
made to measure,
cut to the cusps,
so profound unique,
each will be a promise,
modestly guaranteed,
at a price proffered,
profoundly inexpensive,
to be merely,

"only the very, very, very, best of the best"

grasping torn yellow cloth
measuring tape,
the tailor takes your heft,
drawing broad lines,
sketching your pored cells,
measuring your 'made,'
the stuff that you claim
as only your own,

"only the very, very, very, best of the best"

this delivered,
but none of the finished,
fit to the sane, none fit the same,
all off, hanging wrong,
each different, each suit,  each poem,
fitted but still imperfect

angered and human,
de-man-d,  
an explanation,
why each poem bespoke,
speaks in a different tongue,
tongue stained with complaint,
these are missed leads, misleading,
none made to measure

The Poet, God,
God, The Poet

the the tailor
of each and every
misshapenly one-of-us,
condescends to explain
the foolishness of
human shape

my tape, with steady hands,
takes with accuracy,
the who, the way, the which,
of your momentary composition

but who can say with honesty,
what is the best of the best,
accept that flaws are your finery,
and the skin of your fabric
every changing, a peeling changeling,
excited atoms of colliding constancy

there is no 'best of the best'

there is only one standard
of each creature
that can be accurate recorded,
and this poem, I have delivered

give and gave the
'very, very, very'

e-very stitch and syllable,
is a truth, a ver-ity,
unique to the measure of
who you are

but there is no,
'best of the best,'
from this classification,
you, yourself, must
deselect

make no error of compare,
the wrongness of unfair,
crucify not on the altar
of a golden calf made of
erroneous bitter 'betters than'

every suited poem
suits you,
well and proper,
of this I certify,
all a verification
of the
ver-i-fiction
of the

'best of the best'

of who you are,
reflecting your mirrored image,
of who you wished to be
for in every exhaled instance,
in every poem,
is the
'very, very, very'
of you

is not misshapen
perfection?
what could ever be
better than the best
poetic imperfection?
March 30, 2016
5:13am
for bex,
the collector
of flora fauna friends
and dogs in need of shelter
 Apr 2016 Sia Jane
Nat Lipstadt
and you want to write,
get the insides out,
let the outsides in

you half start
half a dozen,
leave them in the fridge
next to the half finished ones,
on the shelf where the
almost spoiled fruit,
can't let yourself throw 'em
not-quite-yet,
ages on
begging to be finished, discarded

and you want to write...

cull and ****, analogize,
separate the chafe from the sweet,
write about what you want,
which will never be good enough

review the incompletions,
candidates for renewal,
they lie to the left of this
work in progress,
mocking, preening, begging arrogantly,
flaunting failure to your face

and you want to write

but you are the hanging judge,
hung up on the braking shadows
that fight you, make the wholesome sodden words sound
terrible unright trite

and long for the days of might,
torrents of passion that arrived fully formed,
but those sweet place and days are
"currently unavailable"

and you want to write,
so you write of need,
rather than deed,
leaving yourself
disappointed

that you have been culled and weeded
but no flora,
spring sprites spike through
the concretized city streets of your
inabilities

7:18am EST
April 2 2016
nyc
 Apr 2016 Sia Jane
Nat Lipstadt
no matter that plain words are
my ordinary tools,
with them,
I shall scribe the small
cherish the little,
grab the middle
simplicity my golden rule,
write they say,
about what you know best,
surely in the diurnal motions,
the arc of daily commotion,
do we not all excel?

me,
just a poet poseur extraordinaire,
street urchin, word merchant,
all my verbally,
worldly goods expropriated
by the wind,
where your scattered thoughts
lie about, carelessly, unattended

scout the competition.
weep,
for you and I will never surpass
the giants who preceeded us,
and yet,
laugh,
cause they thought
the same as well

so I spend my cold, hard time
laying down cold hard verse,
can't stop,
cause it's my daddy's dying curse*

addict and dealer, a ****** poet ******
excerpt from an old poem of mine
--------
and below a variant from 2 days ago:

Truth is like poetry. And most people f**king hate poetry.
a quote from the movie "The Big Short"

~

a screen provocation,
you laugh out loud,
mime hating yourself
that you are joiining in
tacitly acknowledges the truth
of abbreviated wisdom

you,
disguised minority of
modest disagreers,
c'mon, admission submission,
more truth in it
than deserving of argumentation

a one liner throwaway,
neatly designed,
leaves you disturbingly
probed,
thoughtfully tormented and
aroused

poetry just a vehicle,
your vice for revelation,
the critical door to open is this:

do people hate the truth?

inescapable reality
ironical probability,
truth well disguised,
in plastic shell of lying
from the Hollywood's would be poets,
an escapade from the escapists

let us not pretend
that you and I
uncaring, for by virtue of
your reading this, you are
poetry aficionado,
required to deny the lie,
and yet,
accept
the
granular view
that we are rising writing thru the wronged end of
a telescoping microscope

so I scare scar a tissue sample from my tongue
and the cells spell
this rejoinder:

all your lies are poems,
incomplete truths,
and that's why people hate poetry.
 Apr 2016 Sia Jane
Nat Lipstadt
Selah

~~~

is a word used seventy-four times in the bible.  The meaning of the word is not known, though various interpretations are given below.  It is probably an instruction on the reading of the text, something like *
"stop and listen."  The Amplified Bible translates selah as "pause, and think of that." Alternatively, selah may mean "forever," as it does in some places in the liturgy.  Another interpretation claims that selah comes from the primary Hebrew root word salah, meaning "to hang," and by implication, as in weighing, "to measure"

for Sethnicity
~~~

what trifle these
modern words,
hurled, expelled from the
no country for an old body,
without passport or
earnestness of purpose

the yeah yeah yeah filler
of day tourists who
leave~refuse,
leave their refuse,
never mark-making,
nor even  a mark of
minor distinctions

what mystery valued then in these
olden words,
of which,
there are the fewer than
precious few,
possessing
ineffable, multifarious meanings,
never wasted or with dispassion disgraced

Selah

as a young boy
parentally captive
was POW forced-marched
to synagogue daily,
then weekly,
and now,
free at last,
Oh Lord
free at last,

to go
never

now wanting immunity
for my sins
but asking only from myself
my own forgiveness,
still and well recall the
puzzlingly feeling of

Selah

"forever"
explained the perpetually tired,
older father-man,
"it means forever,"
he who was wearily forever tired from voyaging
and living in a new, stressful,
inhospitable world

carrying in a single suitcase(1)
centuries of the continental drift of
global dispersal diaspora prior,
that cannot be well remembered,
only honored in the
forever recalling

but I disdain the explanation,
as if
"forever"
would satisfy
a ne're satisfied,
irreverent, teenage curiosity

here I am
decades on,
remembering the mysterious

Selah

embracing its many personalities,
endearing now by its revealing opportunities,
and its suitability
in this,
in the the hour of
now me as the
elder father-grandfather

weary-leery,
of a man's age of aging,
the approaching visible runway,
upon which you only land
and never takeoff,
during the phasing out period

and so I reconsider

Selah

and all its variants,
seventy four times

all those elders know too well,
there was never a

forever

so you
stop and listen,
but not to your own heartbeats,
but to tue

poetic lapsing pauses,

the in betweens,
thinking on that
hope for next one Nat

taking your own measure,
the hanging up,
the weighing up
of the always imbalanced
credits and deficits,
accepting the net net
sum of
the totaling up

yet once more,
despite all,
the poet rises,
stands up,
stops to listen,
to give blessing to
you the reader

all poet's
welcomed progeny and prodigy,
hearing your crying hearts,
youngest wishes
and grinding familia of
familiar fears,
expressed so clear
in all your scripts,
pronouncing
over them,
over you


Amen ~ Selah

once again ,
one last time
telling it to God,
or anyone who'll listen,
with fervor

smiling inward
believing even more now
in the olden
specialized mysterious,
powers
of a word
that means
exactly what you meant it
to mean,
when  your say

Selah*

Oct 2, 2015
a poem written and stored away from a sense of
who will get this weary wariness... but I let it go because
it was
selah time

for Sethnicity

(1). he was a Fuller Brush Man
 Apr 2016 Sia Jane
Nat Lipstadt
this one starts where so many have
bed-begun

a weekend morn,
sun flooding the chamber,
we swap YouTube fav's,
over cups of almost
hotter coffee

I ******
with
"Roxanne" by Police;

she subtlety point counterpoints my
unsubtle advances, parrying by
sending me dreams of
the **** promised land of

"El Tango of Roxanne,"
from Moulin Rouge

I concede,
she pleased,
pleases me,
that her triumphed victory came so easy

not realizing my plan all along,
realizing, my all along man plan

ah,
Saturday, Naturday,

making natural spring water
poems
drawn from the saucy source
mother (bed-sun-music) earth

this one ends where so many have
bed-begun
avril 9 2016
7:45am
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