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Brad Lambert Mar 2012
How do you feel about the word: Insatiable. That is my mind, forever devoid of what I can’t seem to pin. It is dull, throbbing hunger for more-more than a distant attraction claiming to be mine. Picture sent and picture received, but my body receives nothing more-more than desperate experiments. Countless hours of sexing in the darkness of a toxic Hummer. Toxic money burning a hole in my pocket, inches from the burning of his slick on my ****. I hope his *** bleeds.

Let's light another cigarette, and watch the cherry bloom. A single rose, shimmering and flaring like a nuclear waste, and the light is out. So let's smoke some more-more mirrors. I often peer alone through those sheets of glass. “Substance, ketamine, satiate me,” I plead as I see me and I hate men. My faith in God is never mutual. These prayers are useless. His want for me is beyond repulsing. His money is useless. My body is rotten from the mind, out. I am the king of self loathing. I am useless.

Yet I go back for more-more pain. More quarrels. More lies. More-more. He only takes more. And I take him, too. Wait for it...wait for it...wait for him to; Come! O gentle souls. See how my confidence sways in thine wake. You are purity. You’re innocence. You're what I crave. To be free. To be whole. To be done. So do me like the ****** you know I am. I hope mine bleeds, too.

My veins are coursing, pulsing, shattering at the edges with blue. I am blue in both my complexion and my complex feelings and thoughts and pains. My veins are blue, and I am cold. Taste the metallic crush of my slang. It is intolerable, and I must not tolerate. The ripe stench of escape burdens my mind. My mind is escaping. I know there’s more. Toss the rug over the barbed wire and run. Run. **** that ***** and make her beg. Make her plead. Make her run. Sanguine with ketamine. Run, ******, run.
If Daedalus built us a labyrinth

Of chambers with beds, and smells of mint,

I’d never try to leave or escape,

I’d stay with you, it be our fate.

-

Your enticing scented perfume,

Catches my nostrils as I gaze at you,

You glance back, seductive and robed,

Your shoulders revealed, the rest unknown,

Until a slight twitch adorns the floor,

With the garb you wore before,

Your lingerie lingers there now,

Across your backside and ***** endowed,

Your back is still there turned to me,

Morals become my enemy.

-

I walk slowly, creep behind,

I take your hips and you take mine,

I feel your nails dig in my sides,

Pain is not to be belied,

Turned around now, look at me,

In my eyes, what do you see?

Feel my hand gently stroke

That precious cheek of yours to stoke,

The fire that internally burns,

Inside ourselves, the passion churns,

My hand softly grasps your throat,

Your pupils widen, you are smote,

A short gasp, an inhale of breath,

I adore seeing your heaving chest,

Surprised, aroused, you grab my hair,

We break something beside us,

I don’t care, we don’t care.

-

Your *** in my hands, your legs wrapped around,

I put you on a table, throw you down,

You smile and bite your lip and look up,

Joyous repetitions of “****, oh ****”,

You bite my collar bone and shoulder,

I think “Oh, how I love to explore her”,

Pandora’s Box knows nothing of this,

I feel, as I hold down your hands with clenched fists.

-

To the chamber that promises silken sheets,

You and I alone, who needs “discreet”?

Sensual moans from my Aphrodite,

You call me Ares, and quiver slightly,

We've now become quite volatile,

You feel no need to hide your guile,

You bury my face a midst your chest,

Smiling lightly, pointing to your crest,

I serve you well,

As far as listening can tell,

You happily return the favor,

This moment in my mind, I’ll savor,

A fallen angel is angel nonetheless,

You look up and I must confess,

The sight of it, so great to behold,

That I stand you up, and around, and fold

You across the bedside chair,

Alas, the pleasure doth find you there.

I am yours and you are mine,

Behind our door records no time.

-

When I bend to receive a kiss,

Ah, the touch of your perfect lips,

Your taste, it’s addictive to say the least,

I cannot stop, your tongue can’t cease,

Then you recoil and I silently beg,

You then submit, and tighten your legs,

I kiss your neck, hear a deep breath in my ear,

You have the power of my mind to steer,

Your hands and nails find my back,

And then, in ecstasy, you attack.

What must be hours go by and then,

I feel from inside, your body tightens,

We are both together this moment,

There is a small flood after the levee’s exploded,

You lean back, dragging nails, and scream,

Heavy exhales as if we were breathing steam,

You lay atop, beautiful and breathless,

After all, we are quite reckless,

Feeding on our insatiability,

We lay here kissing awaiting re-ability,

We are lost in each other’s flesh,

And mind, and heart, and we both have fetched

A longing lust that took command,

Without daring reprimand.

-

This is Adam and Eve’s paradise,

Without The Apple, it will suffice,

This night feels as if it will never end,

We take each other again and again.
bobby burns May 2015
n. A homesickness for somewhere you cannot return to, the nostalgia and grief for the lost places of your past, places that never were.

insatiability makes its burrow
in my gall bladder,

wringing bile from the *****,
craving toxins to purge.


i thirst for sweet lexical gaps,
holes in patterns,

dots that don't make shapes
but still gladly connect


komorebi
n. The sunlight that filters through the leaves of the trees

loveliest in the distinction
it is only komorebi

once filtered, green soul
bleeding through
Mitch Nihilist Sep 2015
the tangibility of fallibility
is met between the coincidence
and insatiability of adversity,
the blissfulness of satisfaction
is met between the constant refraction
and abstraction of our instability,
distancing perceptions bound by
our misinterpreted misconceptions ,
take the contradictions of our minds
and use them as receipted expectations,
blinded by darkness for illumination
idyllically thriving on the absence of starvation
but the the realism of disdained relation put us
in a position of contempt fixation,
placement of a pedestal beneath my feet
misdirected direction towards a forked defeat,
a way to pain and a way to pleasure,
the destination of each concluded at cloudy weather,
atmospheric conditions leave injunctions towards
the ****** functions to deviate and meditate
the conflicted constant of mind and heart
and diverge from its obliged obligation from the start,
a denouncement expected right from inception
brought afloat a constant instance of introspection,
intrinsic emotions distorted at a love’s devotion
sparks a metaphysical claim towards a complex notion
of companionship and intensified intimacy;
an expectant of reciprocated sympathy
but when in reality, the thought of apathy
lies not within the partner,
but within me
This is an older piece and a lot of my writing has an aspect of simplicity to it, so i felt that I could alter consistencies with using a little bit complexity! Something different never hurts.
A J Ward  Nov 2010
Sugar
A J Ward Nov 2010
Sickly, sticky-sweet syrup
oozes into our minds,
unbeknownst to us, so vulnerable.
We are painted the perfect picture,
sneak peaks of Utopia;
and are kept locked away by a camera lens.
Agonised and deliberated over,
by those who seek a fairy tale to repair a torn away heart.

Take a Lollipop with a wink,
Break up those four letters
and attack them with a recipe preached by idols,
two spoonfuls of lust,
a pinch of promiscuity,
and, (if you're really ravenous,)
finish with a sprinkle with insatiability.
Greedily we gluttonous Gannets
eat and eat and eat,
until the idea of right and wrong flies off the end of the scales.

Discover me using your own map;
And pick me,
and make me your favourite chocolate,
Throw away the box.
I'll be your smooth praline,
your sweet Turkish delight,
your bitter liqueur
all in one bite.

Love me: Dust me in a gentle coating of sugar.
Don't drown me in treacle.
Enjoy me: Dip me in dark chocolate.
No need to top me with whipped cream.
"I don't want to make it awkward or anything,
but I had a *** dream about us last night.

Don't get me wrong:
there was more to it than that-
we were having a long and involved conversation
about many potential meanings of Life
and the joys of pursuing One's own creative spirit
as well as some discussion
as to the seemingly cyclic nature of Time
and the absolute relativity
of Consciousness and Reality.

See, it was after that
(and perhaps some red wine)
that we yoked ourselves
in the heat of unspoken passion
and accidentally set the room aglow
with sparks of fervid insatiability
until the Moon took a cue from our dance and song
and slowly went down on the Earth
and the Sun rose over the crest
warming what icy shells
we'd so briefly and blissfully forgotten.

But alas,
for it was but a dream
and then I woke unto yet another;
but I thought
perhaps you may like to know.

I hope you slept well too."
To no one in particular.
Consider it historical fiction.
With ever-bounding enthusiasm, an enthralled, elated group of people embarked,
Not to visit a vast, vibrant land, but to colonize a capacious continent,
Imperial insatiability was inferred upon imagining an inventive future,
Latent with lustful leering upon the land, we, yes we, left for liberty.

With eyes of fire, souls of greed, arms of thunder,
We filched their land, stole their food, killed their eagle,
We shattered their culture, scorned their ways, and dared to call them savages,
We drenched our freedom-land, with the blood of natives.

We are the land of the brave in a prose penned by a poet,
Being brave we brutally butchered, under the guise of our liberty,
Barbarous is our embellished bravery; reckless is the loss of life,
A lost liberty echoes with the laughter of the ghosts of irony.

In a ****** battlefield lies dead our liberty, once free, once brave,
Imprisoned in a stunning story of sorrow, liberty shall we never know?
Freedom foregone is never forgotten, simply a freed freedom,
The bravery lost was passed to the savage souls we seized in the name of liberty.
Something old of mine (few years), and very different from how I write now, it has too much structure!

— The End —