Profitis Ilias
Zefian brought the Toxota and Pezhetairoi arrows; they were sovereign moldy points of the Bronze tips of the Taxota Archers and the Falangists. That in turn from the high sky formed a great pinwheel when the great dimension shone from the flat equinoctial sky, bumping the chins of Kaitelka, the dealer of the Parthenon lost, which rang the great bronze pine, and kilometers in length forming the makro koelum of Patmos; with vertices of the Pythagorean canon of Polykleitos. A large horizontal "V" was seen from Aorion's falling acrotera, projected in a bronze mega bolt coming from Betelgeuse's armpit, and forming a sidereal Vee, launched by the hunter Aorion from his constellation. This would be architectural form and Pythagorean canon-mathematical for purposes proportional to the Mandragoron. They fell from the four arrows that Zefian launched, from Crete that approached the contravening of Apollo, and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points. Thus they began with two first sagites that are placed in the arc string, each one belonging north-south trajectories and the other two that were again violated with the eastern arc, to shoot the east-west arrows with southern magnetism limits. Three bolts are deposited in the canon of Polykleitos, and in the reticulum of the Pleiades that Aurion pursued.
The first two were Taxotas:
- North: Vóreios (Zefian Boreal)
- South: Nótos (Austral de Borker)
The last two were from Pezhetairoi:
- West: Dyticá (Sunset of Leiak)
- East: Aftó (Equinoctial of Kaitelka)
A - Zefian Vóreios
In the intertestamental of these egregious Pythagorean calculations, they stood out in the Vernacentricus, or extra automatism of foundation of the points to refer geodesics for the lifting of the Ultramundis Vernacentricus. From the Vóreios the Zefian canons are inter-testamented, which uses Horcondising forces, following the northern one of the Nothofagus Obliqua, essentially in the fungi of their trunks that paraded along the paths of the iterated populations of the Ezpatkul Forest; who was a servant who had remained from the last diaspora of the horcondising transmigrant by Joshua de Piedra, patriarch of the Orthodox mountains, and from the cordons of the Ambrosiella Ceratocystidaceae fungi, with a large proportion of the Ambrosia Mercurial, and of great influence from the fungal fungi, provided from the Legacy of Vernarth in Zefian to demarcate the northern boreal or Vóreios for the purpose that this Ezpatku, with its prominent Augrun or Gold teeth turned all the borer beetles demarcating the Vee of the Vóreios throughout the Horcondising region, bilocusing it in the borers of the Encinas de Patmos, with such frenzy... !, that from there they would extract the force of the Mapuche north winds from the Meli Witran Mapu, starting with the Pikún-kürüf North wind, first two arrows of the Taxotas, and South Waiwén, of the Pezhetairoi, of the quantum of transmigration of the sub-mythology of the Horcondising – Panhellenic. Then the Puelche that drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the East vertical, to culminate with the Lafkén-kürüf.
Zefian had enough time to mediate the ratio of Polykleitos to Ezpatkul. This Kanon or Canon will be of great relevance for the topography and survey of the temple, knowing that we must emphasize the perfection of the basal measurements, and the acrotera that will be suspended in the sensorial iconography of its forms, and in the star Betelgeuse giant with red blood cells, for the morphology of their own three-dimensional bodies, towards a comparatively human paradigm of Gaugamela anatomy bled in his pectoral, from here the Templar base of Megaron or Mandragoron began. Its size will be colossal but more ergonomic; it will be to redirect visuals of the Orion Belt, from where the fourth and last Zefian arrow was already on its way, to join the other three remaining from the Cretan *****, for the entire front of the façade Principal. The chromaticity will be sulfur yellow and red blood cells, both dependent on complementation with Cinnabar, and on the raised bodies of Court V of the Helleniká Necropolis in Kímolos. Under vileness or absence of light among the darkness, or of the apocryphal light of Evil, in contrast to the robust equanimity of light, and partisan shadow of Saint John the Apostle, for the hegemonic good and the incorruptible vision of him.
The naturalness made the world apologetic, and the immune defenses of the polish textures, invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times, starting from the base of the feet as the base of the plinth or frieze, until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David will declaim the measures of the psalms, counts in degrees, and sighing dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolts as the faint glow of the canon rays struck. The stone of the mound was made of the sustentacular, and Vernarth's counterpose when the Himathion was tried, appearing disguised and in composing. In this way the movement and position of the muscles and of the figure in general of the human temple are portrayed, when pressing the third arrow of Zefian it adorned the consecutive cardinal points; in this position of the myriad, and their forces widened the line of sight of the Vernacentricus, dispersing the oblique line in forty-five degrees that would join with its right counterpart, in the middle of the radius that joined the central point destined where the fourth arrow would fall.
Zefian falling from the Belt of Aorion, destined to embed itself at the intersection of the next full moon. The volume of naturalism resembled the directive of Polykleitos, but it was far from his figurative geometric conception, being conceptualized by an intertestamental tendency of sub-mythology, and the Duoverse, which in turn was condescending of morphology by reestablishing a prehistoric figurative, which tended to be reflected in the similarity of an anachronistic contrast of the original morphism of the aesthetic universe, being retransformed into a sub-mythological Duoverso.
Vernacentricu