The wheel of the quivering meat
conception
Turns in the void expelling human beings,
Pigs, turtles, frogs, insects, nits,
Mice, lice, lizards, rats, roan
Racinghorses, poxy bucolic pigtics,
Horrible unnameable lice of vultures,
Murderous attacking dog-armies
Of Africa, Rhinos roaming in the
jungle,
Vast boars and huge gigantic bull
Elephants, rams, eagles, condors,
Pones and Porcupines and Pills-
All the endless conception of living
beings
Gnashing everywhere in Consciousness
Throughout the ten directions of space
Occupying all the quarters in & out,
From supermicroscopic no-bug
To huge Galaxy Lightyear Bowell
Illuminating the sky of one Mind-

Poor!
I wish I was free
of that slaving meat wheel
and safe in heaven dead.

Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.

Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.

But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.

Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.

In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.

I did not think of my body at needle point.
Even the cornea and the leftover ***** were gone.
Suicides have already betrayed the body.

Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.

To ****** all that life under your tongue!-
that, all by itself, becomes a passion.
Death's a sad bone; bruised, you'd say,

and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.

Balanced there, suicides sometimes meet,
raging at the fruit a pumped-up moon,
leaving the bread they mistook for a kiss,

leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love whatever it was, an infection.

I read somewhere that names
Fix things in place like pins
And that to be nameless is to be
Free.

There are some things in this world which can’t be spoken
Can’t be captured
Can’t be named.
As artists,
As human beings,
They call us
An unstoppable force
An indefinable drive
Onward-
That deep tug in the center of your chest
The gnawing need to create.
They are things we chase
Things we aspire to
Things we even worship sometimes
Writing long into the night
Carving wood and clay and bone
On our knees in the dark
Smearing paint, desperate to understand
Desperate to make something
Half as beautiful as what we
Feel.
Since we awoke as a race
We have created
In service of only that drive
Only that obsession
Half awe and half hubris
Half joy and half shame
Half triumph and half
Defeat-
The expression of something
Inexpressible
The naming of something
Too sacred for language.
We know we can never arrive
We can only
Search
And the search is the reason
For our cities and our novels and our symphonies
An aching search
A humble search
A sweet journey whose end-
No matter how much we pretend otherwise-
Is only
Death.

You are like that.

I’ve tried for hundreds of pages
To explain myself
To express my love and longing but
You
Are like a thousand of those unnameable things.
I think you might be
Made of them
Somehow.
I think they live in your skin and your bones and the timbre of your voice.
I can write all day
About the magnetic beauty I see in you
About the way you make me feel
And list the things I love about you
But it always feels
Insufficient
Always as if I am writing around something
Bigger
Something with no words to describe it-
None that even
Come close.
As if I can only write about what you do
Not what you are
Because what you are is too vast
For thought.
I write as though I have pressed my hands to glass
Trying to sing to you through it
But you are on
The other side-
Even the most beautiful art
Even the sweetest music
Even the most tender poetry
Could not pierce deeply enough
Would be a disservice and a reduction
Would fall hopelessly short
Of what you really are
And how you really move me.

I try to tell you why I love you
I try to tell you
How.
I know you wonder sometimes
I know you wonder if I only love
Things about you
Things I could find in others.
I try to explain but it’s like
My thoughts catch in my throat
And fall like shadows on the floor-
So hopelessly inadequate.

I search and search
I sit up nights
Trying to find the words
Trying to make the words
But there are none
Not because you are ordinary but because you are
Unnameable.
What I love in you is deeper than reason
Deeper than touch
Deeper than ideas or memories or the little moments when I stop and gaze at you
Transfixed.
I love you in a way that reminds me
That we are not just flesh and blood
Because if we were there would be a word for what in me
Falls to its knees at your feet
And what in you
Makes me want to build things with my hands
And never stop

And that is
Maddeningly
All I can say
Because although I think by now I may have truly tried
Them all,

There’s not.

For Margot


Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless
lust
Ablaze to annihilate Will, to crumble my being to dust,
To calcine the dust to an ash, to burn up the ash to an air,
To abolish the air with a flash of the final, the fulminant
flare.
All this I have done, and dissolved the primordial germ
of my thought;
I have rolled myself up, and revolved the wheel of my
being to Naught.
Is there even the memory left? That I was, that I am?
It is lost.
As I utter the Word, I am cleft by the last swift spear of
the frost.
Snow! I am nothing at last; I sit, and am utterly still;
They are perished, the phantoms, and past; they were
born of my weariness-will
When I craved, craved being and form, when the con-
sciousness-cloud was a mist
Precurser of stupor and storm, when I and my shadow
had kissed,
And brought into life all the shapes that confused the
clear space with their marks,
Vain spectres whose vapour escapes, a whirlwind of
ruinous sparks,
No substance have any of these; I have dreamed them in
sickness of lust,
Delirium born of disease-ah, whence was the master,
the "must"
Imposed on the All? is it true, then, that
something in me
Is subject to fate? Are there two, after all,
that can be?
I have brought all that is to an end; for myself am suffic-
ient and sole.
Do I trick myself now? Shall I rend once again this
homologous Whole?
I have stripped every garment from space; I have
strangled the secre of Time,
All being is fled from my face, with Motion's inhibited
rime.
Stiller and stiller I sit, till even Infinity fades;
'Tis an idol-'tis weakness of wit that breeds, in inanity,
shades!
Yet the fullness of Naught I become, the deepest and
steadiest Naught,
Contains in its nature the sum of the functions of being
and thought.
Still as I sit, and destroy all possible trace of the past,
All germ of the future, nor joy nor knowledge alive at the
last,
It is vain, for the Silence is dowered with a nature, the
seed of a name:
Necessity, fearfully flowered with the blossom of possible
Aim.
I am Necessity? Scry Necessity mother of Fate!
And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest
star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and
of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare
to exist-
I have made the Voyage of Thought, the Voyage of Vision,
I swam
To the heart of the Ocean of Naught from the source of
the Spring of I am:
I know myself wholly the brother alike of the All and the
One;
I know that all things are each other, that their sum and
their substance is None;
But the knowledge itself can excel, its fulness hath broken
its bond;
All's Truth, and all's falsehood as well, and-what of the
region beyond?
So, still though I sit, as for ever, I stab to the heart of my
spine;
I destroy the last seed of endeavour to seal up my soul
in the shrine
Of Silence, Eternity, Peace; I abandon the Here and the
Now;
I cease from the effort to cease; I absolve the dead I from
its Vow,
I am wholly content to be dust, whether that be a mote
or a star,
To live and to love and to lust, acknowledge what seem
for what are,
Not to care what I am, if I be, whence I came, whither go,
how I thrive,
If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough. I am part of a glorious
game.
Am I cast for madness or love? I am cast to esteem them
the same.
Am I only a dream in the sleep of some butterfly?
Phantom of fright
Conceived, who knows how, or how deep, in the measure-
less womb of the night?
I imagine impossible thought, metaphysical voids that
beget
Ideas intagible wrought to things less conceivable yet.
It may be. Little I reck -but, assume the existence of
earth.
Am I born to be hanged by the neck, a curse from the
hour of my birth?
Am I born to abolish man's guilt? His horrible heritage,
awe?
Or a seed in his wantoness spilt by a jester? I care not
a straw,
For I understand Do what thou wilt; and that is the whole
of the Law.

A song crawls out of the sludge from the bottom of the Indus River, from beneath the ruins of Harappa and Mohenjo-Daro. The burning sun tries in vain to penetrate the thick foliage of the ancient fig tree beneath which she reclines: the thousand-faced mistress of the myriad temples, the dancer, the priestess, the worshiper, the idol, the eternally pregnant singer…
She who alone knows why no human remains were ever recovered from the excavated city, Mother of a thousand abortions, she who gave birth to the beats of the rhythm—and the space between each beat, the unnameable principle of dread… the slow flow of the river at sunset obscured by smoke of human flesh from the smoldering ghats…

the first time you told me you were in love with me,
it was in a letter                                                           ­       (you
and you didn't dare even write the word.                        never were brave                                                                  ­                           enough
                                    ­                                                        to love me
                                                              ­                              openly.)
the first time you told me you were in love with me,
it was when you were leaving me for him.                      (i wasn't worth
                                                           ­                                  the price;
                                                          ­                                   you did a
                                                                ­                             cost-benefit analysis
you never left me, really.                                                   and cut your losses.)
he left and we returned to what we were before
him, as if we'd pressed pause                                                  
if i closed my eyes i could almost believe
                                                            it would be okay
                                                            we were still glowing-gold
                                                                ­                             and perfect.
but instead of the synchronicity,
some unnameable tension, the jarring sensation
that something in us was out of alignment.                     (i asked you to                                                                  ­                            wait:
                                                         ­                                    give me time,
                                                                ­                             some days more to                                                                  ­                            play pretend.)
the first time you told me you weren't in love with me
was just after you told me you would have married me
                                                           would have run away with me
                                                              ­                               (as if i weren't the
                                                                ­                             teenager, here. as if                                                                  ­                            it were my fault
                                                           ­                                  for not being selfish
the heartbreak, the loss of ignorance                                and asking you to.)
was what brought us back in sync. you wrote once
about the end, the devastation that the city of us
was victim to.                                                              ­        (we're finding                                                                  ­                            that the damage is
                                                              ­                               less like an explosion
                                                       ­                                      and more like an
                                                              ­                               earthquake:                                                                  ­                            broken glass,                                                                  ­                            aftershocks, and
the first time i told you i wasn't in love with you             cracks in the
anymore,                                                        ­                     foundation)

i didn't know why, hadn't noticed the cracks in the pavement;
                                                       ­    i had only just started to see
                                                             ­                                the shards of glass.

you kissed me ten days ago, and said you didn't know why
it didn't feel wrong, why it didn't feel like cheating.
it's starting over again, i told you. the glass is being swept up,
our pieces falling back into place.                                    (it's the natural                                                                  ­                           order for us;
                                                             ­                               this, darling, our                                                                  ­                           effortless cohesion,                                                                  ­                           will always
                                                                ­                            rebuild the city.)

Two eyes appeared from under a broadrimmed hat.
They looked around with astonishment.

In a schoolroom, far off in the distance, a boy was
Busy making a wooden bowl.
The teacher unaccustomed to such slowness
Requested a completion date.
“I am not slow thought the boy, just working
Away until I get it right.”
He met the teacher’s gaze with an expression
Of opacity and a sense of bewilderment.

On another day, at a later date, this same boy
Was found in his metalwork class applying
Cylinders of gases to his small creation, quietly,
Hoping for a connection before he was blown
To smithereans. Two blue eyes concentrated as
The jets of flames hissed into space.
Too long the gases flowed.
The master rose, the boy shook and his eyes
Widened.

In a playground, sometime earlier,
A small boy could be seen playing without a coat.
Gossiping women spoke of this unnatural act,
This exception to the fold. The boy stared back
Hearing their words with his eyes.

Decades later when his hair had turned from
Brown to grey but his eyes were still blue
And wide apart, he painted a little ***
Sitting on a pale surface, gazing into nothingness.
This painting took him a long time.
He had to get it right, the tones , the lines,
The connections.

After he finished ‘Little ***’, he sat down
And stared into the two blue blobs set wide
Apart on its surface and he thought, “this is
Me, the boy, the man, the painter, of wide
Apart, unnameable moments.”

The Beginning.

Love Mary ***

On Elephanta, we traipsed from our tottery tour boats onto venerable dust. Led single file up hardened clay trail to Hindu temples buried beyond time and grime, the temporal length of an entity's existence. Jungle encroaching, we were warned, "Do not feed the monkeys." We had no plans to, but we soon learned the monkeys had their own plans. Pronto, ******, and Scratch very quickly pinched, plundered and ransacked the box lunches we brought. Cheeky monkeys, ha! Toothy fanged gang-bangers more like it. Still, we escaped without the drawing of any blood, so we were grateful for that. Though my friend had lost her scarf in the tussle, and she kept telling me to ****** it back. "Sure," I thought, giggling with no chivalrous intention of taking on any ruffian primate.

Further on we became enthralled by the alluring architecture. Cave temples carved into basalt rock with Gods and Goddesses moved us deeply with their artistic and spiritual integrity. Natural light pouring in through vantage points illuminate sculptures at different times through the day, so the tour becomes processional. Devotion is seen as many offer prayers and flower garlands to the idols. Learning the history of Portuguese sailors using the temples as target practice is saddening and evident in the pitted carvings and reliefs.

We had been graced with a brilliant bright day to take in the sights, but this was not to last. It was monsoon season and scuttles of rain came dowsing our boat. Upon our return to the Gateway of India, we were blown off course, forcing us to land in an unfamiliar area in Mumbai where tourists were not seen regularly. We had to leap frog a dozen or more vessels all blown to port at once trying to escape the storm. There was a huge panic of tour boats and fishermen. The disgusting quagmire splashing in our faces from the harbor was mix of gas and oil spilled from boats, dead fish and likely other unnameable mammalian debris, plus general ******* of full gamut. All in all, we survived only to be encircled by knife wielding street urchins when we lost our way back to Whorli Seaface where we were staying.

"Street urchins," was the local term of endearment for the orphaned adolescent gangs known for robbing tourists. No one told us about the knives though, so we were taken a bit off guard. In any case, feeling less threatened than by the band of monkeys we just encountered on Elephanta, my chivalry kicked in. I picked one up, dangling him over the dockside. This show of brute force seemed enough to convince the others to withdrawal and I immediately freed my runty captive ****. He seemed grateful, though a language barrier was not resolved. I gave him some rupees for the newly acquired souvenir, namely the knife. He skipped off quickly with his bitty buddies. They turned and waved goodbye with bright beautiful smiles.

This story has no moral other than, when traveling without a compass, always keep a moral one.

Monday is the High Watch
and Tuesday's Name is Grace
Wednesday is Forgiveness
And Thursday, Lords Prayer Faith
Good Friday Is High Courting
For Risen Soul Called BE
RISE Light of Understanding
For Life of Beauty SEE

Dear Friend
Sweet  Holy Spirit
Your Name and I are One
When Tears of Pain
Revealed a Stain
of Hate Unknown
By Friends Now Shown
I left
Eternity
ONE  Heart Saw All
Stabbed Shock
Not Fall
There is No Race
In Time or Space
What Waste
This  Service Shown