oli  alolalia, alloilaalia llia
my voice complies to echo
distant emblems of a theory of all fate,
destined  with a syntax  of a mainly nonsense  pedantry
..paling.. beside a string of random words--
whether nature's bare effect,
or some intentional array--
ailololalieae, aellolalia la aolilolalia, allollia allali lllla, alloalia alllaia, allolalia*
--bearing ologies of whim and isms without ambit,
a farce within a sham in a sham in a sham
waiting there atop an abstract, ancient hill
gloriously stale, and always having been to be
what only poor Laplace could see.
the comely resignation siren sings,
her hair of timely strands agleam
and waving as she wails before a wall of necessary moans
aelloliaolia llali, alilaolaloiaa. Lllaa oali, aallolalia, lli ll ol, llolalia lllalia, aallaoloaloia
in dagger tongues of old and new, even divination ends--
anti-grammar soothsaid by the stars,
pointless thanks for all respite
and fortunes womb to womb
in tones of equal portions,
loving and malicious lies
invested blindly in a causalistic chain
compelling freely all to learn
another hyle verse refraining on,
"sweet sweet sweet sweet sweet tea."
allolalia.        
allolalia of the soul, for certain.
of what is romanticized as soul. the Incy would know,                         
chosen in fantastic leaps a chorus strips
to vocal altivolant cries
rebounding buttress heights
with savored dionysian sin
the gods descended to revise--
listen, in abandon, an amatorculist's ictus speaks:
allolalia a allaia. Alloolalia allolalia alaloolaleioa
resounding deep beneath the waters, ecstatic envelope of tides
in which the stars reflect the spiral of my inner gaze
chiaster noemes tipping pleasure over domes,
verdant crotches rooted by ephemera of lights
and hazes floated over eyelash swoons
from piercings into satisfaction's desert end,
where sternums drip with scoured lusts
and wide-eyed recollections of the moment's selfhood sight
betray the freedom in the heart, and sacral pride.
***** imagined ease of future tropes
conjoined with inner plights to balance
what the furrowed brow concerns,
and widened visions offer further depths
to penetrate the interweavement of all times--
alone i'm here again, recognizant of wills
familiar as the flaming star i contour shadows from
to reminisce on mentor's sayings,
"exact description of inner and outer reality"
Alelaoolaliai alololialiia, aallolaleia
experiment of worlds, archer of the proper noun
allolalia... beloved allolalia...















.

December 25 - 28, 2010


Stuck in Miami, Florida, because of bad weather in NYC.
Composed after reading the poetry of Campbell McGrath, who lives in Miami.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
­
electric pinpricks of
unfamiliar red and green lights,
bedroom traffic guidance
courtesy of a stranger's
tv and cable box,
an emblematic totem tonight,
of my physical dislocation,
reminders that I'm enslaved
by weather machinations.

I lay, resting uneasy,
in a strange bed,
one night too many,
snow storming in my head
snow storming up north aplenty,
a blizzard of ruminations are
my white coverlet,
while stuck in Miami.

faraway drifts have
force fed and freed
an imprisoned restlessness,
a multipurposed, slashing.

Miami midnight incision has
let out the bad humors,
let in an unfamiliar odor -
lechón asado,
which texts my Pharisee nostrils
in Cubano,
words muy ironico,
a single waking thought,
"who ya kidding?"

Everglades rain
imported from California,
recycles on rooftops,
thrumming a heart beating,
syncopated, watery refrain,
a regifted heavenly present.

the sound waves mark
as a barely undulating wave,
inside this super soaked brain,
that transforms wine into water
and scan lines into these letters,
"who ya kidding?"

all this exponential signage
of this NYC boy grousing, are his
defrocked muses annoying,
with a serenading blizzard
of one trick pony repetitions,
coronets trumpet his unmasking,
this essay, a revelation,
a product of their
harmonious discordancy.

a single note crowns his head
as he weeps whole food
organic, non-recyclable tears,
products of his new inquistional,
a self-inflicted interogatorial,
"who ya kidding?"

compiler of an
occasional talented catch phrase,
strung'em together like
cheap pearls,
pretensions of literary acumen
once populated his Id,
articles of spilled word *****,
but Florida rain has cleansed
his Northern haughty pretensions,
with an injection of truth serum,
a pharmaceutical wonder of
a local poison labeled,
"who ya kidding?"

A day laborer, nothing more,
rise up at five, brown bagged,
a client of Mammon's *****,
soul sagged, life hagged,
a sum of cultural cliches,
a cell phoned baby boomer,
a would be millennial,
constructed of paper mache,
who on occasion,
has been known to say,
"Let's play poetry today."

the poseur chokes
on this new poison,
delivered by unhappy stance
by the arrows of his
current misfortune
for he now suffers from
the deadly disease of
"compare and contrast."

a slim book of poems
of Campbell McGrath's
(his phraseology,
a veritable theology)
shoos the blues traveler,
over to a funhouse
where an honest magic mirror
cuts him down to size.

his poetic aspirations,
a residue of self-infatuation,
are summarily dismissed by
the truly gritty, quick justice
of a master poet's
"who ya kidding?"

so watch how a would-be
poet disappears,
in a barrage of bullets marked,
nevermore,
his dignity, more than hobbled,
his cheek, gone, gobbled,
his juice, a currency unaccepted,
his holiday present,
a ceasefire of conjugation,
a cornucopia of declinations

dare I ever write again?
who indeed, am I kidding,
other than myself?
I am an addict, not a poet.