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 Jul 2014 Sarah
Joe Cole
Yes the horses died
Those big eyes full of love
Hearts so big to fulfill mans desire
And so the horses died
Not their choice to be mud enmired
Not their choice to face shot and shell
But the horses went forward
And those beautiful animals fell
No good, I cant write any more about such a sacrifice
 May 2014 Sarah
Tom Leveille
i have racked my mind
trying to figure this whole thing out
the staying, the going
the threads we claim hold us here
& the people who've stopped to play a tune on them
i sometimes relate it
to waking up in waist deep snow
in our former selves
the us we wish we could give one another
the children we've sat on the shelves
trapped, like the looks
we leave behind in snow globes
i sometimes imagine ships
dragging the bottom to the sea of "me"
for sleep & pieces of my old self
to sell to the new one
like history doesn't repeat itself
it gets me wondering
if you too want an apology from the rain
or if you dream of burning family photo albums
and wearing the ashes like perfume
if you're anything like me
how i hope god chokes
on memories of me blowing out candles as a child
i know i shouldn't reference my reader  
but don't you know, the only difference
between alone & lonely is you?
that if my hands could talk
the only thing they'd be able to say
is "dear god we've missed you"
and how can you tell me it isn't love
when even the rain refuses to fall
in places where i've kissed you
i remember the day
you found my smile at a yard sale
it reminds me of how you'll leave
i wonder if when you go
you'll tell yourself
the person in the rear view mirror
is closer than they appear
 May 2014 Sarah
Ernest Hemingway
All armies are the same
Publicity is fame
Artillery makes the same old noise
Valor is an attribute of boys
Old soldiers all have tired eyes
All soldiers hear the same old lies
Dead bodies always have drawn flies
 May 2014 Sarah
Tom Leveille
i can feel you
distancing yourself from me
i can feel continental drift
i wonder, do the shoes
you wear to run from me
have holes in them?
or do you go barefoot
careful not to make a sound
in your retreat. "cover your tracks & don't look back" i imagine
your demons whisper daily
as you are growing fond of me
i wonder if your heart puts up a fight when you want to see me
or if it's a massacre
& the demons dance
on dreams you have
of us holding hands
do you wander to your car
only to find yourself back in bed?
do you put your makeup on
just to take if off again?  
is your imagination of me
a graveyard, or a pair of open arms
that are inches away
but just out of reach?
you see, what i've been so afraid
to tell you for so long,
why i feign sometimes
before speaking
careful not to tell you
all my unspoken promises,
it has to do with the night you had your head on my chest and confessed you never thought my heart
could beat like hummingbird wings:
i apologize for my silence
what i've been trying to say
is that my heart hasn't slowed down
since the day we drank coffee together
continents apart
 May 2014 Sarah
Tom Leveille
you are inches
measured by miles away
bulldozing oriental food
you don't intend on eating
around your plate
and i am imagining
the translation of asking
for a broom in a foreign language
for when you shatter over small talk
or the first sentence to start with "so"
breaks you into shaking
that i can feel from across the table
and i am thinking now
about tectonics and how you must be daydreaming of being submerged in a book
back home or gripping tightly
to bedsheets begging for familiar warmth
i can tell by the way you are looking at me
that you are feigning our salutation embrace
seconds drowned in ankle deep water and i wonder if you see my hands
as jackhammers and if the reason
why you hug so hard
but only for a moment
is to be as sharp as possible
so that i do not smell your perfume
or notice that you aren't wearing any and why
there are few suprises
in the safe you claim is a mouth
where shades of plush pink
hide a sickly pallor
and i continue to look over
brick & mortar borders
and think how maybe
she is thinking of kissing
but certainly not me
not these apologies nailed to my face
i give myself a moment
of benefitted doubt that you sometimes
picture your frame under mine
and if your clavicles would crack
if i were to touch them
i am sorry that i am a victim of imagination
but i swear i chalk it up
as the forgotten feeling
for when you look up
and the person you are looking
at is gazing directly at you
you have painted yourself
as a mosaic in my mind
as a mess of dust & incoherent words
that all sound like please in my ears
but that doesn't explain why
my hands are the ones that are shaking
when i imagine you
imagining me
in the spaces of yourself
where you've forgotten
you could put someone
 May 2014 Sarah
Tom Leveille
whenever i hear a wind chime i think of your voice. i wonder what it's like to be your bedsheets. what it would really be like to understand the jargon in your head. i ******* want to kiss you sometimes and then others i really do want concrete between your hands & my skin. i can't think straight all the time so i wonder if it benefits me at all to explain what it means that i don't want or expect anything from you but if we accidentally liked eachother in that middle school "sort of way" then i wouldn't say no. i want to really understand what you mean when you say "stay" to me in our texts. i wonder if your sleeping pills do to you what they do to me. i'm thinking again about "stay" and maybe i'm choked up on you leaving for school up north but i'll never tell you because get the **** out of here and don't look back especially not for me. stay. your smile, genuine or not tears me in two. i wish every face on the planet had your smile and i am ******* afraid of you wearing lipstick. i'm terrified of your bare skin and goodbyes. i hate farewells and see you laters. i knew the first time i saw you interact on your phone while drinking coffee the way you text people and how i now do the same thing. i get around read receipts. i sometimes want to hear you say you want.. not so much me, maybe me, but my company. theres a park near my house where i've imagined us paddle boating. i got written up at work once for daydreaming about it. what the **** is in a friendship anyway, decency in a human isn't biological. i get hung up on knee jerks and gut reactions. i want to know what the ******* are thinking about when i look up and you are looking right at me. but then again, i don't. as long as i'm wondering. as long as the door might swing open or closed. stay. go. run. **** your collarbones. **** your chest and skin and lips and everything i hate but crave and might like about you without say so. stay. sit down and explain to me why it is that i care anyway. i am afraid that if i say i want to *******, you'll think i mean *******, and not "*******". i wanna know if any of this sounds familiar and i here i am back to wondering what the **** is going on and why you're looking at me. the hair on my neck stands on end when you do and another thing... **** poetry. i cloud my feelings for you & anything else with the abstract so you'll never really know if i ******* hit rock bottom or not over the fact that i know we will never kiss. somebody just said "**** buddy" on tv and i think sometimes symmetry between irony & circumstance. i have harbored some of these thoughts since the night you said hello to me. i'm sorry i had to get over the fact that once upon a time i wanted to save somebody, and you weren't going to let it be you. i do sometimes think my hands might break you, that you spend your day painting a picket fence in your head that you can't get on one side or the other on. i felt like you didn't want to get up from dinner and i rushed it out the door because i am afraid to start a sentence with so. so stay. i am sorry my words often wear brass knuckles. your smile shoots to **** and if i ever die while you still remember my name i want you to read this or read something at my funeral. i don't know if these butterflies are waiting for me to jump or sit down but they speak up when my phone lights up & it's you.
 May 2014 Sarah
Red Bergan
Thy heart stings,
With a longing.
To be loved.
 May 2014 Sarah
Khaled O
سأنسى بأنّي أهواها
انسى كم كنت محظوظاً و فرحاً و قوياَ و جميلاً في دنياها
سأنسى جميع أشعاري لها و هذي كلماتي الأخيرة لها
سأنسى امرأة اسمها... الليلة
انسى انفعالاتنا في نقطة الإلتقاء كما ماء البحر و الرياح
و لحظاتنا التي علّمت ثغري نوعين من الضحك:ضحك قوس القزح و ضحك العاصفة...
قلت سأنسى دمعي الذي قبّل وسادتي بعدما ضربتي قلبي بسكّين حبّك
هو الذي قد ضرب قفصي الصدري و امرني بأن أقول "إنّي أحبّك"
و هو الذي قد طرق على بابه الموت بين أشجار الأرز الخالدة
يا ليت عصا موسى بحوزتي!لأضرب ايّاه ضربةً تجعله قسمين،فخُذي قسماً و عذّبيه كما ِشأتِ
أمّا القسم الآخر فقد تعب من الهوى،و لذلك سأبقيه معي...
يا أيّتها اللبنانية،الإسبانية،الفضائية!كيف سافرتِ بي الكون بما يحوي من اسرار جميلة بتسعة أيّام فقط؟!
قد كان أوّلها شروق شمسك على بستاني الواسع،و اوسطها لون الغروب و لكنّه كان مظلماً أكثر و آخرها الأسوء...
كان لآخرها ليلاً داكناً،مظلماً،مخيفاً،مرعباً و ما قد جعله الأسود هو غياب القمر المنير عن سمائي
هي ملكة كما الجمال في اسمها...
و لكنّي سأنساها الليلة هذه،لأنّ دفاتري تصرخ من الألم بسبب احتكاك نار حبر القلم بصفحاتها
و اعلم انّ النسيان هو ابسط الأشياء لأنّي قد حاولت ان انساها آلاف المرّات و اوعدها بأنّ هذه هي المحاولة الأخيرة
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