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849 · Jul 2014
Morningside Heights
Coming down with something
     blame summer
     point a finger at the city
worn-down pizzazz
     drunk trumpets
and I hide in my coat
    
trees look better without leaves
is it just me?
   see the sun bellow
   into buildings

student affairs
   like heat rash
bounce along hallways

foreign mumbo-jumbo
   mishpelt words

they say him met her
saw six pictures last night


I haven’t met me
   books know truth
not brunettes

good poetry
better than ***
   they’re running running running away with it
between spritzers
   and sandwiches
   now snooze until Halloween
   brown back in fashion

    caught in the middle
    piedra de aguacate
I handle guitars
    they fiddle with women

now  
   let apple juice trickle
from my lips
   and a man gets out a taxi
    drops his phone
Written: July 2014.
Explanation: A poem written in my own time, another dealing with the 'city', in contrast to my ongoing beach/sea series. Quite different from my normal style of work, and expect more in the future veering towards this style. NOT based on real events, although partially inspired by them. 'Piedra de aguacate' is Spanish for 'avocado stone.' Feedback appreciated as always.
845 · Mar 2012
Back to the Familiar
She longs for home.
Stuck in this town
is taking its toll
on her.

Her flatmates
just don't give a ****
and students shout
outside her window

after a few.
She can't tell
if that boy likes her
or that guy

isn't interested.
All this hearsay
burns her ears.
Needs to get away,

relax in a more familiar
place with more familiar
people, pretend
that things aren't different.

She can remember
the good times,
outside the English room
on a warm June day

even though
she was revising for Science.
It'll be OK again soon.
Soon it will be back to normal.
Written: March 2012.
Explanation: A poem written in my own time about a friend. Not the best poem I could have written about them, so this poem will either change at some point, or a new one will come along.
842 · Jun 2012
A.M. (Parts 4-6)
IV - The Lost Trumpet. (April 2011).

A girl loses her trumpet
and she’s ever so sad.
She can’t find it
but a young boy does.
He searched high and low,
to and fro,
before spotting it
and giving it back.
The girl is delighted,
falls in love straight away.
They marry.
The boy stops a tormenter
from hurting his girl.
Ears bleed.
Then the girl says she is moving on.
The boy doesn’t like this
so tries to win her back;
he locates her and they sleep under stars.
They wake up together.
To be continued?

V - The Moment. (May 2011).

Bus.
Way back to school.
Can’t remember the day.
Talking as usual about the upcoming end.
P says how about doing a simple thing, not too big.
Something like chocolates or flowers, why go over the top?
Flowers, doesn’t everyone do that?
But it’s May, only a month to go.
Flowers it will have to be.
Red and pink.
Great.

VI - The Discussions. (21st/22nd June 2011).

So, are you ready? Here’s how it will go…
I’ll sit the exam, you turn up towards the end.
We’ll meet up in the common room and walk back to my town,
down to the florists, then somehow go back to school
without anybody seeing them all before quarter past one.
No, wait...

Later…

Change of plan, I’ll sit the exam still,
two and a half hours, I know, but anyway, you meet me
in the common room once it’s over, then we’ll go into town
because there’s actually a florists there, didn’t know that earlier,
buy them, make sure no one sees us,
head back to school, all before quarter past one right?
Wait for her to arrive, then you dash off with them,
I relax with a nice brew in class, and right at the end
when she’s getting on the bus I come up to you,
take them, run to her,
give them to her before she goes, mutter what needs to be said
and then it’s over. Maybe a hug, who knows?
This has to work. If it all goes wrong
there’s the envelope from the other month to hand over in its place.
Got that? Good.
She’s bound to ruin it though ain’t she?
Written: June 2012.
Explanation: These three parts of the poem were written in my own time over the space of several days. It is the most personal poem I have written to date.
Part Four refers to three stories I wrote.
Part Five refers to the moment the plan was decided upon.
Part Six refers to the build-up to The Event in the days prior to it.
839 · Oct 2016
Stealing
The thrill of it

nicking a Twix
from the corner shop,

a lunchbreak one day
in the mid-nineties

looking inconspicuous
between the chocolate

and packs
of smoky bacon crisps.

Sam pilfered
a Snickers, a Wispa,

we dashed outside,
ran back to school,

couldn’t believe it,
looking at our stolen goodies,

not a splash of guilt
alive in our minds.
Written: October 2016.
Explanation: To mark National Poetry Day on 6th October, I wrote 25 poems over the course of eight days, and sent one poem each to one of 25 of my Facebook friends. After some deliberation, I have posted the poems on HP. This is the final piece. 'Firework' is poem one, for those of you who wish to read the series in full, in order. None of the poems are about their recipients. 'Twix', 'Snickers' and 'Wispa' all refer to chocolate bars/snacks available in England. All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
834 · Oct 2013
Stagnant
You've done it now.
Opened your mouth,
hoping the ice starts to thaw.
Maybe you have to spell it out,
spill it out
to hit your mark.
Like a tree
I need to drop my leaves
and see if some person
catches a few,
a handful of paper-thin shapes.
Everyone moves forward.
Is that so?
The water around my ankles
has been here for years.
Written: October 2013.
Explanation: A poem written in my own time, also posted as a Facebook status update.
830 · Oct 2013
Braeburn
The red shirt is torn,
an eyelash ****,
your skin exposed
but no blood.
You were born for this.

I dig in my silver weapon,
sever your synapses.
With each new cut
comes a soggy cream sheet
and you sigh and you sigh.

It was inevitable.
Fixed smiles
flop from your spine,
see-saw on the board
and form a wrecked star.

Now just your teeth,
the brown raindrops.
I use my thumb
to tug them out,
dislocated, then gone.
Written: October 2013.
Explanation: A poem written in my own time (first draft completed at university), about cutting an apple into segments before removing the pips. May be part of my third-year dissertation.
826 · Mar 2014
Green Tea Tuesdays
Wouldn’t it be great
a decade from now
when it’s bills, insurance,
married life,
to wander into Waterstone’s
and go ‘hold on a minute,
I sat next to him!’


At the counter we could say
‘Oh, I knew the author,
uni days and all that’

as we fish around
for a ten quid note
thinking ‘hang on,
I should have a signed copy!'


We’ll call ourselves
intellectual,
scrawl sonnets in cafes,
sup pints, smoke cigars,
proclaim Seamus’s work
‘just... just… it just speaks
to me you know?’


And we’ll remember
that teapot,
those guys coming in late,
dishing out slips of paper
like a croupier with cards
and still wonder
if what we’ve written is *magic.
Written: March 2014.
Explanation: A poem written in my own time, and the FINAL poem written during my university course. The poem is a look to the future and a reflection on the past, making references to poetry classes over the years. Written in a deliberately jokey style, as was planned by my poetry group before class for the final session together.
823 · Oct 2012
Melonette
Why do you wear that thing?
Not nice to embrace
the coarse khaki coat
wrapped round
your whole body.

I don't want to touch
your untrimmed chin,
what's underneath?

When I remove
the fuzzy item I gasp -
black pin-****** all over your chest
and grass stains
like rays of light too.

You never blink,
just stare at me with wet
creamy-coloured eyes.
Written: October and December 2012.
Explanation: This piece was read out at universityin December 2012 as part of my poetry module. Written in my own time and also available on my WordPress blog. First uploaded as a Facebook status update.
822 · Apr 2013
Fitzroy Road
I think he wrote
while you baked,
made fairy cakes
or something of the sort
while the young ones
whizzed around
like balloons
released from your fingers.

I think he was
your applicant,
not a bad fit,
frothing with wit,
a kiss made you giddy
like a girl
on their first date
in the heaving city.

On a red day
I think you sighed
when hearing boots
in the hallway but beamed
on a blue day
when he strode
through the door, a tie,
another rough wool jumper.

When he rode
those capsules home
I think perhaps you
wished to nick
your thumb again,
see the crimson seep
and weep as a child
over their father.

I think you wore
the smile of accomplishment
on day forty-two,
enough had bruised you,
pinched your skin
so it hurt and burnt pink,
stung a cheek
and left a tender spot.

I think you didn't want to
but did anyway,
felt all your words
had charred and bled black
so inhaled the haze,
swam under the jar
for the last time, before it fell
and cracked on his floor.
Written: April 2013 and April 2014.
Explanation: A poem written in my own time regarding Sylvia Plath and Ted Hughes. Fitzroy Road is the name of the location she lived at at the time of her death in February of 1963. The poem contains references to some of her work - 'The Applicant', 'A Birthday Present', 'Kindness', 'Cut', 'Daddy', 'Balloons' and 'Edge', as well as her novel The Bell Jar and Hughes's poem 'Red.' This piece took much longer to write than a normal poem. Also uploaded as a Facebook status.
818 · May 2015
Dancing With Odd Socks On
It’s the one
I’ve heard a hundred times before
track number twelve
belching out the stereo.
It’s either six or five AM
anyway the horizon is orange
like a papaya
and I’m next to your window
with a glass of flat 7-Up in one hand.
No alcohol all evening
but tipsy somehow
maybe the music got some hormones
smiling inside me
or your dancing in next to nothing
gave my brain a vinegary kick.
Now you ask again
I say I have two left feet
you pull an I-couldn’t-care-less face
so it’s settled
I’m dancing but not really
and my arms are thrashing about
so much I worry I’ll belt your lampshade off
and then you jump on the bed
and Teddy goes flying
and somehow I’m quickly up there with you.
We’re teenagers at our first festival
location - your bedroom
headline act on stage
and we’re going effing nuts
at the front shrieking lyrics
hoping our sweaty faces are on BBC Three.
I’m totally knackered so I pant to you
that I’m totally knackered
and you lean in for a kiss
but bump my nose instead
and laugh just as you’ve done all night
so loud so lovely so couldn’t care about
what comes next.
We lie down now
to catch our breath
except you don’t catch your breath do you
it’s just a thing people say
and our four feet are together
naked red sock naked blue sock
you say the song listen it’s ending
so it is
fading away like every night
that comes and then goes.
Written: May 2015.
Explanation: A poem written in my own time, not based on real events. Deliberately repetitive in places, and rather un-poetic. Very partially inspired by an image on Flickr.
Please note many of my older poems will be removed from HP in the coming months.
Feedback is very much welcome and appreciated on this piece, and all pieces, as normal.
817 · Sep 2013
A Friday a Few Months On
and we’re back there again,
moved some seats around,
why change something
not broken I said.
Your eyes,
topaz ovals watch me
as I take off my hat,
a treat for a change
from that shop
on the high street.
Conversation,
a roll of sticky tape,
the novel,
your very first
with chapters, a title
and a pretty front cover
is moribund, liquid words
that don’t mean what they did
six weeks ago.
I tell you I write
but the pendulum wobbles
between A* and a C,
if nothing much happens
there’s nothing much to say.
The coffee bites my tongue,
flames zip along my bottom lip
like the strike of a match
as you talk
about these names
with no faces
in your life, bubbles
on the scene.
I know before long
they will pop and be gone
but keep quiet
for I am one of them,
floating around longer than most.
The water
still hasn’t boiled for us yet,
it probably never will,
what I have to say
stays stored in my head
sealed up as Christmas knickknacks,
DO NOT OPEN
in black marker
on the side.
You’ll read, you’ll see,
you’ll no doubt laugh,
once a pen pecks my page
what has started
must end.
You kick me back awake
under the table,
I must have half a book
already.
Written: September 2013.
Explanation: A poem written in my own time and a follow-up to older pieces 'It Was a Wednesday I Think' and 'A Thursday Some Weeks Later.' Written in the same sort of style as those poems. NOT based on real events.
815 · Jul 2019
Keep Drinking
find your hand in the mist
chasing shadows bleeding into night

strawberry juice coating the throat
kisses are like a sunrise

if this is drunk then let me keep drinking
the sight of you

the bubbles rising to the surface
like some newly-discovered champagne
Written: July 2019.
Explanation: A short, simple poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
807 · Sep 2012
Red Die
A chalky body
tainted with sticky ruby,
acne-riddled, dark spots.
Digits
spill out
over your tongue
onto the red floor.
Clatter,
now spin.
Watch through your dried blood fringe
as it revolves,
let the good times roll,
isn’t that what you say?
Now this is out of your hands,
out of your mouth,
blurred blackness,
your choice down to chance.
A low rotating sound
and it lands
next to crimson painted nails.
Your number is up.
Written: September 2012.
Explanation: A poem written in my own time and the first in a short series of short poems about pictures of women I stumble across online that I don't know, or DO know but not terribly well, similar to older poems such as 'Holly.' This piece refers to a picture I saw of a girl holding a die between her teeth and I found it to be an interesting image. May go back to this and edit it more in the future. This poem was also put as a Facebook status update and is available on my WordPress blog.
806 · Feb 2019
Over Dinner
The meal is lovely, yes,
I’m glad we came here.
The questions are arriving, not too heavily,
but drip-fed between mouthfuls.
Chew. Answer, a ladder of sentences.

Maybe I should be telling you
about the seasonal affective disorder,
or the fibromyalgia that attacks my back.
You’ll need to know this going forwards,
I'm sure.

You have already mentioned depression,
the gurgling storm in the brain.
I nod, offer empathy even though
I didn’t mean to.
The meal is lovely.

There’s a cherry birthmark blotch
on my right thigh you’ll see.
I don’t say this. It’s not appropriate.
We hide things
so we can make a game of it later.

Perhaps you play the flute,
collect comic books,
are an expert at knitting.
Weeks to trickle by treacle-like,
facts set to spring up as flowers.

Sip of drink to shut me up.
Our truths floating like shuttlecocks
across the table.
The meal? Yes, it’s lovely.
I am thinking of later, of tomorrow morning.
Written: February 2019.
Explanation: A poem written in my own time, not based on real events. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
800 · May 2013
The Amphitheatre
A night in mid-August
and you can hear them
from your house,
the drums begin
and brass sounds follow
like quietly excited children,
like the two who walk with you
over the hill.

The sun sinks
into evening’s quicksand,
your soggy clock
of adolescence
ticks faster than ever.

Scent of popcorn
excites your nostrils,
grey couples talk soft, slow,
and once your blanket
is draped upon the grass
you see an orb of hollow green
drift sleepily
up, up, over everyone’s heads
and you wish
you were that tiny balloon,
floating far away
toward something new
as each teenage summer
blurs into your brew.
Written: May 2013 and April 2014.
Explanation: Apologies to those of you who do not like Plath, but for my final year dissertation at university I will be writing poems about her (and also her husband Ted Hughes), and topics the two of them looked at. On Friday 15th August 1952, Plath and two children she looked after that summer went to a band concert in Chatham, Massachusetts. The scene is described in her collected journals. A work in progress - feedback greatly appreciated for not only this, but all future poems dealing with Plath and Hughes.
790 · Jun 2012
The Writer's Room
The guitar is out of tune
and the pillow frowns at him
on this cold February morning.
Books lined along the walls,
Spanish poetry, lonesome travellers
wait to be read on halcyon nights,
have their spines cracked by weary hands.
Solemn Jazz filters out from somewhere,
blue in a room where blond light
pours onto the floor.
Asparagus eyes struggle to stay open,
so much to do but no zest to get up,
crispy buttered toast lies half-eaten on a plate,
ochre tea still needs to be drunk.
He has plenty to say but does not know how,
his intellect cloudier than any lemonade,
track two begins and there are still no words.
Written: June 2012.
Explanation: A poem written in my own time.
789 · Aug 2014
$2.65
mornings become   afternoons
   become nights
two   jobs     I juggle
     just so I can say
   fresh   money in my   purse
     for things I do/don't need
a mahogany     umbrella stand
gorging     bottles of beer
     chest of     drawers
   from that vintage store

     guy at the window
fancies a macchiato
   any second now
   whatshisname     from the bank
   loose tie yet   again
will come in
     expect an     espresso
not in the mood
   only   thinking
     about   rent this month
     some dude     last night
clattered into me
a drunken   haze of words
    sticky kiss   on my fringe
    slapped him     so he grabbed me
   rectangular ****
migraine like     Vesuvius

     clean a table
   know he's looking at me
     turn   around
hides     behind the Times
latte latte latte
     chuck it over some   Asian’s lap
sorry   about that
   I'll get you another     one
so not with it
   all I can     see
spread out as items
     at a flea     market
snow umbrella
rent   ***
   book kiss
milk     orange
     blood   money
alone
coffee
Written: August 2014.
Explanation: A poem written in my own time, and another in the ongoing 'city' people/landscape series. This piece is nowhere near as good as I'd have liked, so edits are possible in the near future. Feedback welcome.
787 · Feb 2014
Her
Her
I searched for where you met.
Cambridge at Christmas.
Now a shoe store, a Top Man,
trees drooled with tinsel.
So I imagined that night
at Falcon Yard in '56
and the church-like windows.
Didn't expect a thunderclap
but it came, a bolt
through a blue night.
The red-hairbanned girl,
tipsy, she loved your work,
your raw debut words.
Amateur dancing,
brandy on your tongue,
a kiss bang smash on the mouth
from her hunky boy.
     'Ridiculous to call it love.'
Smitten, she bit,
gnawed on your cheek
to leave her own mountain range.
Her interest - peaked.
Your person - snaffled,
cast as the lead
in her American play.
Written: February 2014.
Explanation: A poem (work in progress) that is likely to be part of my third-year university dissertation regarding Ted Hughes and Sylvia Plath.
On Saturday 25th February 1956, Hughes and Plath met at a party celebrating the launch of Saint Botolph's Review, a literary magazine that Hughes contributed to. This meeting occurred at Falcon Yard, an inn that was located very close to Petty Cury in Cambridge, England.
Hughes is described as a 'hunky boy' in Plath's journals, where she mentions her tipsy state and describes the night as 'a large ****.' The phrase 'bang smash' is how Plath described Hughes kissing her.
There are no entries by Ted describing the event in as much detail, but in a letter dated 9th April 1956, he sent Sylvia a poem starting with the line 'Ridiculous to call it love.' He immediately lauded her writing to many of his friends, and continued to do so throughout his life.
Feedback, as is the case on all poems, is most welcome and appreciated.
786 · Mar 2012
Consumed
She’s not here.
She’s not with us.
She’s in another world
full of desperate humans

and disorderly sights.
Her eyes, wide,
stare at the screen.
She falls

deeper into a trance.
Clap your hands,
she won’t even know
you are there

because she’s on another planet,
addicted like a man on forty a day
and she can’t break the habit.
I wish I could help her

but I’ve a bus to catch.
She sits alone with her phone,
in a complete trance.
She’s not with us.
Written: February and March 2012.
Explanation: This poem (again for university) depicts a fabricated scenario, in which I witness a girl at a bus station (Northampton's bus station the one I had in mind) playing on her phone, totally unaware of anything around her. Although made up, this is actually a familiar sight.
782 · Apr 2019
Knew
think I know you
            knew you
before blue jumpers
football with tennis *****
weeping knees and benches
and reeling off hymns
            now look
at them singing the songs
of some not-quite-teen
mute squares of a life
apparently pristine
likes arriving like flies
            before
it was packed lunches
a place named Azkaban
afternoon kwik cricket
colourless pix
on Bebo
            now it's
a slurry of selfies
head-tilt lips-out
meme media excess
digital mausoleum
you've made your home
            so choose
I'll leave you to it
beeline for the Apple store
record what you can't get back
speak up **** your planet
or run
Written: April 2019.
Explanation: A poem written in my own time as part of Savannah Brown's escparil challenge. The idea is that somebody older may look at the youth of today and, although there are differences, perhaps we were the same as them when we were younger, and maybe we're similar to them even now despite the age gap. I'm not sure I can explain it all too well, but anyway... Please note that 'Bebo' refers to the former social network site, 'Azkaban' to the prison in the Harry Potter universe, 'pix' to pictures and 'kwik cricket' to a form of fast-paced cricket. A link to my Facebook writing page can be found on my HP home page.
778 · Mar 2014
Horace Draper
How many have stood,
will stand beside you
in Heptonstall,
had a photo taken
next to her spot?
Students, admirers
from any nook or cranny
with drained biros,
Ariel under an arm,
her morning song spoken
again, and again.

You're the next-door neighbours
they haven't come to see.
Only a lonely cup
of coffee-stained
hunchbacked flowers
where you lie
in loving memory,
with Emily,
husband with wife,
home to the right
of the graveyard's star.
Written: March 2014.
Explanation: A poem written in my own time (a work in progress) and the FINAL piece that may be considered for my third-year university dissertation regarding Sylvia Plath and Ted Hughes.
Sylvia Plath is buried in Heptonstall, Yorkshire, England. Located on the right is the grave of Horace Draper, who died 9th September 1963, aged 61. He is buried with his wife, Emily Draper. This poem stemmed from the fact that most people are likely to visit Hepstonstall to see Plath's grave and leave mementos - but how many visit Horace and Emily's grave right next door? The ending of the poem (while one may say is true), is meant to bring a slight pang of sadness, at how they do not receive as much attention.
767 · Dec 2016
4
4
and again
that cool delectable taste
of a moment

assembly line
of conversation
rolling out

all manner
of topics
with a candle on top

each one
tumbling as a domino
under the table

subtle twinge
of single life
pushed aside

to volcanic laughter
and the put to sleep
of another year

but we sip the syntax
let every vowel
soothe our blood
Written: December 2016.
Explanation: A poem written in my own time. All comments welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
765 · Apr 2017
Jane Doe
She was fascinated,
hooked as if a fish out of water.
Whenever death
was splurged across the television
she’d sit upright,
the sofa would creak,
her eyes gorging all
like globs of kitchen roll.
Two per second.
She thought she’d solve them,
bust the case wide open
or some other cliché.
Reams of unresolved stories,
of women splayed
at American roadsides
with a missing molar
or red rings around the wrist.
There had to be an answer, she’d say.
Everything has answers
because everyone asks questions.
A human doesn’t go missing,
someone always sees, apparently.
She’d talk about dying
as if she welcomed it,
as if it was a real person
with bones and a voice.
One day she sliced her finger
and just let it bleed,
the thin line then the bloom
of crimson that wept
into the sink.
Two per second she’d remind me.
I scrambled in the drawer
for a plaster.
Written: April 2017.
Explanation: A poem written in my own time, about a woman fascinated with unsolved murders and death in general. 'Jane Doe' is a term used primarily in the USA and Canada for a corpse whose identity is unknown. 'John Doe' is sometimes used for males. 'Two per second' refers to how every second, an estimated two individuals pass away. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
762 · Dec 2012
The Present
I. (The Bubble).

Now, I don't like it.
The coming, the going
on four wheels
to the building
where we all drift,
told what is right
and how to write,
the same stories
in disparate voices,
A B C fail.
What is obscured behind the names,
cherubic female faces,
men from various places?
Who are you again?
We talk
but know little
about each other.
It's about you,
how to waft into
the social triangle.
We are transparent bubbles
that float and collide
and pop,
an insignificant extinction.
I do not like it.

II. (The People 'Just Like Me').

It fell into your lap
like warm spilt tea.
You took it,
the first,
of course,
but me?
Not a thing,
not a person I mean
on the other side
of the decrepit fence.
Forget, forget they say,
pick someone from that place,
figure them out
like a thousand-piece jigsaw.
But they are no good,
diluted colours
visible but not stand-out.
Where are the similar shades
of green
to paint themselves to me?
There could only be one
but forgive me,
I cannot see
for the steam in my eyes.

III. (The Resolutions).

These are the silent days
between pigs in blankets
and bangs in the sky.
Wet weather,
lights on.
The resolutions,
who keeps them?
Write better,
fair enough.
Be less inept,
but I am not anyway.
Cut down on complaining,
take each day
s t e a d y .
Breathe, move forwards,
only on occasion
delving into the sack
to pull out
unwelcome shards of the past
or vibrant memories
soon to vanish.
Are you sure you want
to delete this file?
Yes/No?
Written: December 2012.
Explanation: The third in a continuing series of poems, following on from 'The Current' and 'The Recent'. Each poem is separated into three parts describing various aspects of my 'present' life. Part one describes university, part two deals with relationships and part three deals with the new year. Also available on my WordPress blog.
Drinks at the White Horse,
a round of alcohol
painting my throat red
and my words black;
I even spat some out
on the sidewalk,
watched them trickle
in a river
of nonsensical sentences
down the drain.

This pain - temporary
like the night,
bruises I invented
in a flurry of fury,
plum seahorse shapes
coil around the backs
of my legs,
join the dots,
one dollop next to another.

I’ll say I was attacked
by a motley clan of kids
who couldn’t even smoke
cigarettes correctly.
Oh these? Just a scuffle
from three Thursdays back,
I see the Giants lost again
what do you think about that?


Streets,
a swarm of phlegmy students
pouring out a hive of bars,
hacking into handkerchiefs
like broken motors.
Perry Street passes by
in a red-brick blur
and I think I stick
a few fingers up
when a cab shouts
a foreign word at me.

Some wizard
on Waverly Place
***** a girl’s face
so I snort, maybe giggle
a little at how lust
in Winter
is a myth to me.

Earlier in the cinema
I managed forty minutes
before sleep hit me,
no idea if the clichéd ending
came around
but the darkness was nice,
first hug in ages.
My MTV tells me nothing
I didn’t know before -
I live in my fridge
and the bin’s far too full.

The girl at twenty-seven’s
drawn the drapes,
doesn’t know I saw
her husband drop coffee
when the waitress
leant over to swipe clean
a table at Joe’s,
a lime-green bra
or perhaps it was blue,
it was thir- four-
fifteen hours ago?

She’s barely left college
and I’d bet my last four dollars
his son’s pushing
for Ivy League
(probably Cornell).

I fall under the arch,
groan as if I’ve received
a Christmas present
I already own,
feel a tinge of beer
fuzz on my tongue.
Strangers look at me
and know I’m not
no undergraduate guy.
A Labrador
skips past.

I salvage my phone
from the shipwreck
in my pocket,
dial her number,
let it ring
and can’t be bothered
with it all again.
Written: August 2014.
Explanation: A poem written in my own time over the course of several days. It may be too prose-like, but I am so happy with this. It is another in my ongoing little series of 'city' poems (the beach/sea series will continue over the coming months.) I believe this piece works better when read aloud.
I was watching a documentary where a man said the word 'phlegm', and ten minutes later I had three stanzas written of this poem in a rough form. I added more and more to it a few days later and have left it in this rambling sort of form and structure, similar to how a drunk man's speech and thoughts might be like.
The Welsh poet Dylan Thomas drank at the White Horse Tavern not long before he passed away and Joe's is (at least when I checked) a real cafe. These 'city' poems will all soon be linked. Feedback very welcome.
758 · Nov 2013
21:38
My clock has stopped.
It says eight forty-four
but it's nine thirty-eight.
It stopped when I wasn't looking
or was looking but didn't notice
a few days ago,
the knobbly black fingers
frozen, pointing west.

I take time off,
feel its chilled curves
dig into my palms,
another river among many.
Held up to my ear
a soft heartbeat,
my thumbs squash
numbers three and nine.

On your back.
The old red tube removed
with my nail
like flicking a splinter
out with a needle.
In snaps the new guy.
With one spin of the white wheel,
a new breath.
Written: November 2013 and March 2014.
Explanation: A poem written in my own time, starting at 21:38 and finishing at 22:08. During this time, I changed the battery in the clock on my wall while writing a poem about the process.
757 · Mar 2012
Frozen Clock
This clock of ours
                                                            ­                               is hidden under ice,
                                      its hands frozen at 2.45.

                     We can hack away at the surface
    to get to him, but he might never
                                                           ­      work again.

                                                         ­                                                        Can you remember how he got there?
                                                      Some­one must have lost track of time
                                                            ­           and dropped him down.

    We can see its large black face
                                                           blurry from where we stand on
                                                              ­                                                                 fragile sheets of aqua ice.

                                                           ­     Maybe when it melts we can save him,
                       move the hands to the right time
                                 but by the time we've done that

                                                           ­                              it'll be the wrong time again,
                                       our hands will have to keep moving
                                                          ­                                                                 ­                    the hands of time

   and the clock won't like that,
                                                           ­            we'll be taking over its job.

He'll become angry and make time
                                                            ­                            go faster until we realise
it's all gone.
Written: March 2012.
Explanation: Another poem written in my own time.
752 · May 2013
Composition
The blackcurrant words
     seemed grotesque to you
     on the vast tarnished landscape.
Letters curling as October leaves
     pricked your old silver eyes,
     slapdash lines
and glitter thoughts
     splurged upon your paintings.
     You were a poppy,
a dark, minute dot,
     but every idea burst in gaudy red
     from you.
The poems would arrive,
     would come eventually,
     leap from your fingers,
punch onto the page
     and would it be good enough?
     Your product, complete.
Written: May 2013 and April 2014.
Explanation: A poem written in my own time, another one related somewhat to Sylvia Plath.
749 · Aug 2015
Tremors
It would be easier, I think,
if my nerves were not so jittery,
wriggling under my skin
like small electric shocks

every time I nervously approach
an unknown thing,
a child handed a glossy new toy.
Is this how it is meant to be?

So young, so young,
life full with gaudy possibilities
at the arrival of another birthday,
presents losing their allure,

the rattling mystery beneath the paper,
my sweet cluster of friends
revving off into the distance
and I am left to wonder

who will fill the white, sad gaps.
I see you, I remember.
I see you, I remember you too.
A lengthy list splattered with letters,

wiry and black like a belch of string.
There is only so much
one person can do
when their hands are ravaged

by a peculiar numbness,
when their syllables and sentences
begin to stick together,
form a blood-red thick lake.
Written: August 2015.
Explanation: A poem written in my own time. All feedback welcome. Please see my home page on here for a link to my Facebook writing page.
NOTE: Many of my older pieces will be removed from HP in the coming months.
748 · May 2016
Speak Up
We spent our first night as far away from each other in his lounge.     I was on the squashy coffee-coloured chair his father always sat on; you seemed continents away, on the couch on the other side of the room.     We did that thing where we look at each other but turn away as soon as the other person notices. It wasn’t flirting with no words. The air was swollen with shyness.     The television was on. We drank whatever fizz was placed in our hands.     You were awkward and quiet and I liked that - maybe we are fascinated by people just like us. I wanted to wrap my arms around you like a blanket, but I didn’t want to close you away and vanquish the light, I wished you could have opened up.     I followed you into the kitchen, my mind whirring with the possibilities, each one more unimaginable than the last.     The list of ‘things I now know’ grew at a reckless pace; the chocolate mole beneath your left ear, the glint of a piercing, the Irish tinge to the accent that lodged in my head and played endlessly for hours. Then the inescapable silence. The inability to instigate.     I threw a lukewarm answer back at you as if a shuttlecock barely flopping over the net. You said something about you weren’t staying long. You left the kitchen, and then I did.     On the chair in the lounge we went back to snatching glimpses of each other for a handful of seconds. And I bubbled full of frustration, annoyed at my cellophane-made response, wanting to punch myself in the jaw for not being better, for not being normal in a rather normal circumstance.     My eyes were sacks of rocks. You kept twiddling a strand of your hair, and the night sank like a kid dunking a plastic ship in the bath.
Written: May 2016.
Explanation: The first prose-type poem I've ever done. Not based on real events, but hopefully people can relate to it. All feedback very much welcome on this piece. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
NOTE 2: This poem may be removed in the future if submitted to writing magazines.
Here come
pairs   of   legs
   riddled with cellulite
   accents
     stuff the air
Neuwcassul
   Burmingum
stores     reek
of cheap   tat
   bargain   last-few-quid   items
Irish music
no-one gives a     jig     about
    Mr. Whippy's
for sale every seven/six
   make that     five     cafés
women   packed
   like bubblewrap
     into denim shorts
     middle-aged men
plagued with     tattoos
   Irn Bru tans

back at the chalet
     kids thwack
   plastic     *****
with plastic racquets
   next-door neighbours
   puff on their nineteenth
*** before midday
come   night
karaoke floods towards us
   like a murky tsunami
don't stop believin'
     hold   on   to   that   feelin'

but the   girl
in the museum
   had a ponytail
   another one
dipped in gold
   like a fancy chess piece
and I walk   around
in a   Norwich   shirt
lick sea-breeze
     and know
   this isn't
home
Written: July 2014.
Explanation: A poem written in my own time regarding my short break on the east coast of England, a place I have been many times. It is not intended to offend anybody, but does sum up my opinion. Feedback, as always, welcome.
741 · Oct 2014
December
The delight of it all -
rain splattering skin
like tiny knives,
back of my hair
a throng of wet
sinewy stems
plastered to my neck.

I scoff blueberry
after blueberry,
perforate each
little indigo shell,
let the taste
swell as an ulcer
at the front of my tongue.

Snow becomes slush -
graphite clumps
sliced through by bicycles,
footprints of strangers overlap,
undulate as ECG lines
down alleyways,
into dimly-lit side-streets.

A couple kiss,
their lips
a strange pinky knot
of flesh and breath
outside a bar
bunged with get lucky
guys from across the bridge.

Find a bench,
allow the metallic cold
seep into my hands
like a morphine injection,
count every dull grey building,
tighten my scarf
a bit more, a bit more.
Written: October 2014.
Explanation: A poem written in my own time, and another that is part of my ongoing city series. This piece regards a man walking through the Tribeca area of Manhattan, New York, and ends up sitting on a bench in Hudson River Park, at the very end of Watts St. I feel this is one of my strongest pieces for the series so far. The first line is partially inspired by the first line of Sylvia Plath's poem 'Cut.' Feedback welcome.
740 · Nov 2015
Light Travels
the ink may pulse
from your fingernails
be seeping out your toes

cold and thick
azure puddles

chalk skies
banana lines

leaves outside
flutter in conversation
hush-hush

interior (red) / exterior (grey)

a thin transparency
between you and them
like squares of clotting water

what do you see
see what can be made

slosh of vehicles
in some sickly vernacular

muffled thrum
of the city
millions of windows

one of you
Written: November 2015.
Explanation: A poem written in my own time, inspired by a picture a friend of mine put on Facebook several months ago. The title stems from another image uploaded by the same person. All feedback welcome. A link to my Facebook writing page is available on my HP home page.
NOTE: Many of my older pieces will be removed at some point in the near future.
739 · Oct 2016
GCSE Science
Explain why fluorine and chlorine
are in the same group of the periodic table.

He blunders. There’s a question
on polymers soon
so he knows he’s *******.

An afternoon in June
spent regurgitating answers

rehearsed a hundred times
in overcast classrooms.

He knows there’s a matter
of days before his mates
will go their separate ways.

Names he’s spoken for years
will decay over time,
cemented over by people

he hasn’t yet met.
Two, seven, two, eight, seven.
Seven electrons in their outer shell.

He’s surprised he knows,
the answer chiming
in his head like a peal of bells.
Written: October 2016.
Explanation: To mark National Poetry Day on 6th October, I wrote 25 poems over the course of eight days, and sent one poem each to one of 25 of my Facebook friends. After some deliberation, I am now posting the poems on HP (in order of when they were written), albeit not all in one go. 'Firework' is poem one, for those of you who wish to read the series in full, in order. None of the poems are about their recipients. Note: GCSEs are exams that students take at the age of 16 in England towards the end of their secondary education. All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
738 · Jul 2015
Making Lemonade
what is this life?
what is this gelatinous mess?
what has been done
has been done
willingly or reluctantly
   - I know the moments
that have seen me
judder the gearstick the wrong way
that have seen my bones
rattle with a dreadful calcium clatter
my lungs like sandwich bags
flimsy against my heart
which throbs as some malformed peach
when a white chocolate blonde goes by
it reminds me of ice-cream
the chilly fuzz inside my skull
my nerves anesthetised
gone blue gone slow
   - names clamour over one another
until I can’t separate the letters
the worth keeping
the junk mail
a train spewing passengers outside
I am knocked all over as a conker
bruises blossoming into pools of Ribena
where is the asphyxiate button?
that would wipe this page clean right?
   - here is what I offer
passion by the bushel
and while I have not fired Cupid’s bow
or slurred my way through a Taylor song
I can make it work
I can learn to drive
and stop being a moth toward the light
flapping my epileptic wings till they burn
   - I will scrub the soil from my skin
latch onto you and be the best possible me
float within your ripples
swig the air as if it’s lemonade
just taken from the fridge
say I am not who I was before
I am new I am fresh I am sparkling clean
like a toddler as they wobble
to make their first step
Written: July 2015.
Explanation: A poem written in my own time. This piece was not planned in advance. I came up with the first two lines and the rest followed later on. The whole poem took about 35 minutes to write. Ribena is a British blackcurrant-flavoured soft drink for those who are unaware.
Feedback welcome as always. Do see my home page on here, where you can find a link to my Facebook writing page, where I sometimes make videos. The piece is not based much on real events.
NOTE: Many of my older poems will be removed from HP in the coming months.
736 · Jul 2015
The Night When
You won’t remember this
but that time we sat
on the steps of your cousin’s place
in Brooklyn, Hewes St., one October night,
where we stayed out
and talked till three A.M.,
our fingers chapped,
our noses tinged crimson.
I remember it because
you were cold and I gave you
my jacket, the black one
I’d only just bought the day before
and you said wow, look at those goosebumps
popping up along your arms,
but sorry, I’m colder, I’m wearing this now.
We’d been to see a concert
at Madison Square Garden,
and they were all there,
Billy, Dave, Hayley,
to celebrate your birthday five days early.
They knew, you knew
every single word,
hurling them at the band
like verbal snowballs,
your hair a brunette blur,
strobe lights in our eyes.
We left with headaches
bursting open as flowers,
sweat trapped in my fringe.
Dave was into you,
did I ever mention that?
He’s been to see you
and sometimes speaks
but he finds it difficult.
We all do if I’m honest.
Anyway, we took the F
and then the J.
By 11.56 we were tired
but not quite tired enough.
I was going to walk you home
but we never left those steps.
We looked up and down the street,
said what cars we liked and why.
A Honda HRV, avocado-green
stood out to you, a hulking skeleton of metal
I said looked ugly.
You were lonely then.
Any attention was guzzled up, I could tell.
I rambled on so much
it stopped sounding English
but there was giggling, smiling,
puffs of breath whirling away from us.
You told me your only friend
was your reflection in store windows.
Surely not true.
We all said that.
Hayley told you to snap out of it
but you didn’t know how to snap out.
And when you rang on Friday morning
we all should have listened,
clutching our phones
making sense of it all.
Now you won’t remember
and there’s blood on my wrist.
that came from someone else.
Written: July 2015.
Explanation: A poem written in my own time, deliberately kept quite simple. Not as good as I wanted it to be. Not based on real events - locations are used fictitiously. The names stem from Billie Joe Armstrong (lead singer of Green Day), Dave Grohl (Foo Fighters) and Hayley Williams (Paramore).
All feedback welcome. Please see my home page on HP for a link to my Facebook writing page.
NOTE: Many older poems will be removed from HP in the coming months.
735 · Oct 2016
The Tesco Incident
Jolts me
like a jump-scare
in a ******* movie

stepping out
of Tesco
and wham bam

she pushes the trolley
towards me
the burr of the wheels

a man I haven’t seen
alongside her
like a magnet

thank you mam

attracted to what
I was attracted to once
and my stomach simmers

the truth revealed
like a relic
emerging from the soil

and I swear
I hear the milk curdle
in its carrier bag.
Written: October 2016.
Explanation: To mark National Poetry Day on 6th October, I wrote 25 poems over the course of eight days, and sent one poem each to one of 25 of my Facebook friends. After some deliberation, I am now posting the poems on HP (in order of when they were written), albeit not all in one go. 'Firework' is poem one, for those of you who wish to read the series in full, in order. None of the poems are about their recipients. Note: Tesco is a British grocery and merchandise retailer, one of the largest of its kind in the world. All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
732 · Feb 2017
Darling, We're Going Again
I don’t have to make much of a sound.
I can let the sentences coalesce
in the air, a dual carriageway of words
interspersed with a laugh.
The names I store are few.
I don’t have to yank them
from the chest, swipe off clumps of dust -
they glow when they need to
like fireflies swaying in the night.
I dribble out my current affairs,
watery vowels from my mouth.
Am I boring you?
Voice like an elderly hoover,
interest tumbling down the stairs.
You’ve done more in five minutes
than I have in five weeks.
I blink, then I sink.
It’s OK.
The days of rapid chat
are six feet under,
flaws knocked out of shot,
not as blindingly bright.
I wonder where you were years ago.
We’d know more;
my gawky movements less present,
my mind not pulsing
with impossible possibilities.
Still I shudder at the distance between us.
Pauses plump as bubbles
that can’t be popped.
The flow halted
by my wodge of insecurity.
No bother.
I swallow what I can,
let the taste coat my throat.
If you sparkle
you can help me too
without being aware.
The sludge will vanish for a while.
You don’t even have to make
too much of a sound.
Written: February 2017.
Explanation: A poem written in my own time, almost stream of consciousness-like. I had the title in mind some weeks ago. All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
728 · Sep 2012
Wedding
Now you are married,
may you spend several years
happy together.
Written: September 2012.
Explanation: A haiku written while at my sister's wedding on 29th September 2012. It is included in the book in which people left good luck messages. Also uploaded as a Facebook status update but not on my WordPress blog.
723 · Nov 2018
Pick and Choose
You don’t choose to go into bookshops anymore,
you don’t read much,
you hear about calories and five-a-day but you don’t stick to it,
you say you’ll exercise but you never seem to do any,
you notice a blossoming paunch but choose to keep it,
you lose friends and rarely gain any,
you don’t make much of an effort and rarely care,
you don’t sleep as much as you should,
you don’t like the job you’re in,
you don’t know what job you should be doing,
you only work for the money,
you don’t have enough money,
you buy things you don’t need,
you don’t talk to your parents enough,
you don’t talk enough,
you spend too much time on your phone,
you care more about technology than your friends,
you don’t look where you’re walking,
you moan about the youth of today,
you aren’t as mature as you could be,
you still live at home in your thirties,
you see your friends getting married and having kids,
you watch too much *******,
you haven’t travelled as much as you’d like,
you are quick to body-shame,
you don’t understand what LGBTQ+ means,
you can’t tell the difference between Conservative and Labour,
you wear the same clothes day in day out,
you are not the best driver,
you have social media pages but aren’t sociable,
you sigh when girls you like get into relationships,
you know you never stood much of a chance,
you have too many fillings,
you don’t celebrate birthdays much,
you are getting lazier all the time,
you haven’t had a long conversation in ages,
you hate your neighbours,
you don’t know your neighbours,
you get angry playing video games,
you order takeaway food rather than cook,
you say this is my year when you know it won’t be,
you haven’t told anybody this,
you haven’t even told yourself,
you are not sure you need to.
Written: November 2018.
Explanation: A poem written in my own time... not much of one, but nevertheless, here it is. Please note that 'Conservative' and 'Labour' refer to the two major political parties in the UK. A link to my Facebook writing page can be found on my HP home page.
I am not drunk you will have
to have me like this
and I’m sorry about that
with my teeth pumped full of silver
my toes like awkward twigs

now my hand is on your shoulder-blade
where I taste honey
and I find the scar you said you had
a misty oblong splash on the back
of one arm

then I seem to lose control of my lower face
the biology out of whack
it is moving about as if
yawning but not yawning
more chewing a wodge of sickly toffee

you are on me
touching me like this happens
to anyone with a wonky pulse
a gurgle in their gut
that sounds like a faulty washing-machine

have I made this up
am I zipping seamlessly through
each lucid scene without so much
as a blink
a sour cough

does it matter
you are playing me
as your favourite guitar
twanging the strings
to make me sort of sing

I have miles just miles
of words to spill out to say
but I don’t know how
to rotate them together
just yet
Written: August 2015.
Explanation: A poem written in my own time, with no major edits. Not really based on real events, or a real person I suppose (the scar is surely fictional). Not quite as strong as I'd hoped. Feedback welcome as always - please see my home page on here for a link to my Facebook writing page.
NOTE: Many of my older poems will be removed form HP in the coming months.
720 · Jul 2014
Absent
When I woke
                      you were gone.

A bowl in the pillow
where your head   slept,

   six     hours
   pouring what passes for coffee
these days.

In a text
you told me

you burnt your hand,
     showed me

     a pomegranate splash that danced
between your fingers.
     Ouch, it still hurts you know...

Didn't hear you come in,
                            silent angel

but your perfume
   lingers like a   delicious poison
  
and I notice flowers
   are starting to crumble
as snowballs     on our window.

   No mirror
   so I cannot see

whether you've  left
     a cherry   lipstick birthmark

on my cheek
   or a note which says
didn't want to wake you!

Got this feeling,
   jet lag maybe

   but I haven't     moved,
haven't   flown     anywhere.

I flump my arm
   into the blank     space
where your   body ought to be.
Written: July 2014.
Explanation: A poem written in my own time, inspired by Simon Armitage's 'Night Shift.' Feedback always appreciated.
719 · Mar 2013
Wax
Wax
Once a little sun,
black walls drooled over
by pumpkin light,
soaking the furniture.

We knew you were ill,
every hour dissolving
to a lukewarm puddle.

You began to weep
white chocolate tears.

Couldn't be helped,
the heat gobbled you up
in segments like a boa constrictor.

We said goodbye
as you slipped down in the earth,
a trickle of smelly grey smoke left,
all you were, melted.
Written: March 2013.
Explanation: A poem written in my own time for university - as such, it is likely to change a little over the next few weeks/month.
718 · Feb 2014
Paperweights
My Mum owns a load,
twenty-or-so globes
collected over decades,
bought in musty stores
you won’t find around here.

Frozen images, colours
congealed in glass bubbles,
one housing a red flower,
an old-as-me rose
unable to inhale.

Christmas presents
stuck onto shelves,
hugged by a duster
so an eyelash of sunshine
can reflect from their heads.

Home from class,
into the living-room
and see a bunch of *****,
scoops of rainbows
in the back cabinet.
Written: February 2014.
Explanation: A poem written in my own time for my third-year university poetry class, and as such is likely to undergo slight changes within the next few weeks.
717 · Dec 2014
Kiss Me (Blue)
and your     electricity
will propel   through me
   jolt me     ALIVE
make my skin   tingle
                                    this and your fingers
twirling until midnight
   chilly   trail   along   my   back
bones  I own
     played as a     silver harp

kiss me (pink)
and I’ll   sip   your smell
   like white wine
slip it under
my sleeve
   breathe easy
if you have     stained     me
with a [quick] shock of lipstick
watermelon juice
as a burn on my     neck

kiss me (red)
and my veins will i g n i t e
     a sunrise
between-our-toes
cauldrons for mouths
   burbling bits     of us
fat   happy   glistening   bubbles
wrench me
from the river   you know how
    rinse me in lilacs

kiss me (black)
and I’ll   crackle
spl int er as glass
be swept            along in neither here
               or there
lose my   taste   to the wind
fill milk-bottles to the     brim
   with inane bOO-hOOs
those bluespinksreds in-betweens
     **** me gently
(with a smile)
Written: December 2014.
Explanation: A poem written in my own time - much more experimental than usual - partially inspired by the style of ee cummings. Inspiration is filling my brain at the moment, and the important thing is to create something which puts my thoughts onto the page/screen in a way that satisfies me, and in which the meaning is clear (at least in my own head). Feedback is very much appreciated on this poem, and of course on other works too.
716 · Jun 2015
Sail Our Laughing Pianos
the gurgle of your laugh
   is mouthwash
in the bathroom sink
charging across beach
   like zips on coats
yours is red
   breath ragged
a tyre with a puncture
but keep revving anyway
   feet crash as bells
**** as waves
   cheeks like the Japanese flag
raspberry-ripple drink
this fizzy petrol
   makes us buzz
our vehicles rumbling
   full of three-dollop ice-cream
rattle of matches
in my back pocket
   hear the scratch-ffttth
as I let one go
   lob it towards the sea
grab your hand
swirl in a circle
   so we become smoke
swarming from incense sticks
   then we go back
the way we came
over our xylophone footprints
   if they could chime they would
me and you now froth
   spilling down the side of a pint
dialogue luminous
as a blue margarita
   ankles chatter together
ladder on your tights
   and we sail in bathtubs
to where we’ve never been
wearing sunglasses shaped
   like briquette-black hearts
Written: June 2015.
Explanation: A poem written in my own time, not based on real events.
The poem was written without a great deal of thought, but deliberately contains unusual imagery.
The title is a line in the song 'Hiding Tonight' by Alex Turner, which featured on the soundtrack to the movie 'Submarine'. My poem is very partially (emphasis on 'partially') inspired by a scene in the movie in which this song plays.
714 · Jan 2017
MK
MK
Look at the ones
with beehives for mouths,
ejecting out opinions
to anyone caught in a net
of overworked words,
every opinion delivered
with a lethargic varnish,
each one a sting
as a glob of soap in the eyes.

But we use our voice
with our lips tightly shut.
Let the art inside us
buzz like a sneeze
waiting for release,
blast out in a fizz
of ink and smudged fingertips.
Hear the consonants trickle
like a tap not quite turned off,
the vowels rising and falling as waves.

Spill your thoughts if you must.
Make a point.
But don’t hurl them at us
with a sour taste ,
sharp as an already grimy blade.
Use them sparingly and well,
let them linger before
evaporating in a trail of steam,
as if a ***** of sunlight
before it slithers
beneath the horizon.
Written: December 2016.
Explanation: A poem written in my own time, partially inspired by the writings of Marina Keegan, an American student who sadly passed away several days after graduating from Yale in 2012. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
713 · Feb 2016
The Cold
The snow comes.

White apostrophes
glide to the ground.

Footprints sleep
outside homes,

along paths
glazed with cold.

Our cheeks
bloom strawberry,

our breath whispers
into the night
and kissing you

is like handling ice.
Our frosted lips

melt together.
Written: February 2016.
Explanation: A simple poem written in my own time, similar to my last piece which was also inspired by some Lorca work. All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
711 · Feb 2015
Labyrinth
Si   lent
             fig   ures
                           un   der   a   du   vet
I do not know them
                            the pic   ture is not clear e   nough
                            I simp   ly can't
i  ma   gine   the   breath
              on a   no   ther one’s skin
                             crack   le be   tween   fin   gers
and so - called sparks
                             but I would dis   cover
                             the wi   res that con   nect us
und   er   stand our net   work
              like a be   guil   ing lab   y   rinth
                             quick blink - touch   es
qui   et   ly
                            crad   le your name
                            as if it were
a snow   flake
Written: February 2015.
Explanation: A poem written in my own time.
NOTE: Many of my older poems will be deleted from HP over the next two months as I am dissatisfied with them, and I do not enjoy using HP as much.
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