maybe now it begins
     the dust made a home
     on the half-halcyon years

enough easing in
     they'll be expecting you slowly
     but consistently enough

to chalk up the highlights
     that make a fulfilled life
     alone or not alone

but with an always orange glow
     flame tilts to change
     wax drips to history

you seep into my core

there’s my heartbeat
you know
as regular as blinking

the swatch of stubble
and Adam’s apple

the vanilla tinge
to your skin
as I drop a kiss
on your clavicle

there’s my heartbeat
you know
as regular as blinking

watching shadows
maypole along your cheeks

sun illuminates you
this is no illusion

the kerplunk of our pulse
inside our chests

there’s my heartbeat
you know
as regular as blinking

crimson shiver
across a herd of puddles

OPEN 24/7 ruby lights
entice

cocktails
with silly names

rusted hearts
on cubicle doors

dried blood punctures
wall of wounds

where new-born couples
spill their lust

lipstick leftovers
from a thousand calamities

raspberry dress flicker
face with no name

your kiss a delicious ampersand
on my skin

wish you could extract the words right out my throat

not the clusters of dust I often proffer

but little glittering jewels every time


I don't know how I'm supposed to run

is this body a clock

is this mind a million-piece puzzle


told to do it alone

but still submerged in a lake

chilled under a cracked translucent shell


so pop me back into my sockets

drizzle me in sentences

as if private rainfall on a summer night

You only left the office
thirty minutes ago,
the tube’s atrocious at the best
of times, the worst of times
nightmarish, you say, I have already
bought us drinks and aren’t
the prices going up all the time now,
yeah, but it’s a rarity this, I don’t even
drink that much, Christmas,
barely touched a drop, talking of which
did you have a nice one? Yeah,
not bad, I say, back in the country
with the family, socks
and Boxing Day board games,
that period between the 25th
and New Year’s so odd isn’t it,
I nod yes, ask if you made resolutions,
you nod yes, sip drink, yes, might
do a half marathon if I can rope him
into it, oh that’s nice, three years
you’ve been with him now? Almost four,
a miracle, really, but I do love him,
I’ll bring him next time, he’d be here now
but he plays squash on Thursdays,
ah never mind, there’s always next time,
next time! You say, wine-in-mouth,
we must do this more often, sure,
I reply, knowing this,
knowing nothing.

let me tell you this
the numbers increase
then restart and you change
in increments
like the yellowing of a book
or erosion of a stone
if you must talk sit comfortably
with a beverage of your choosing
and say plainly
here I am
here’s the story of it all

let me tell you about music
about how Boys Don’t Cry
how I sit and let the melancholic
twang of a guitar
and ripple of drums submerge me
like a wave on a winter night
how the syllables of erstwhile years
still hit as hard as cricket *****

let me tell you about the television
the what we don’t need and reality
warped past the point of reality
breathing out the same few sentences
at midday and rat-a-tat of gunfire
on a street of sixteens
or in a dusty ramshackle of a town
now bounding into the spotlight

let me tell you about anxiety
about the bending extending
of my fingers
the inbound heatwave
at the front of my skull
the potentials that rattle
rainmaker until I hear my voice
telling my own voice off

let me tell you about the online world
the vanity that froths across the screen
strangers trying to be strangers
the illusions blow-dried primped
glazed over in a calorific gloss
or the pitter-patter of a criticism
that will unavoidably come
because it can
because this is how you open your mouth
when you can’t be seen

let me tell you about motivation
how it trickles like sand out of me
how it is steam on a windowpane
silvery and ready for me to play
but gone before the first curl of a word
is poured into place
I find naked envelopes everywhere
what is needed concealed under the bed
at the end of a lines-are-busy call

let me tell you about intimacy
to me an outline of a ghost
or an unidentifiable shape
like a face caught in a puddle
there goes a couple
in the first swirl of not-quite love
there are two teens
photographing the evidence
that they are a serious business
thank you very much
condoms instead of pick ‘n’ mix
holding a phone instead of holding a hand

let me tell you
this is how it is
or my version
different from your version
but the roots are the same roots
the premise about the same
do you have questions
It’s not a surprise and I told you
the numbers increase
then restart and you change
in increments

they said you couldn't miss it
how it sprouts volatile
blood-built demon flora

or chain smoker’s inflamed lung
messy web of charred arteries
drips singe ground to orange

skinny hooks like sky fissures
a seeping wound that sullies
evening’s cobalt gauze

and no, you didn’t miss it
leaves well gone on winter's
vampiric apparition

And there it was.
Static streak of animal,
collecting feathers of snow.

I came across it on the walk home,
frozen bite of early evening
scrunching my bones.

Almost hit him with a foot,
my eyes adjusting to the sight
of a defunct hunk of fur.

Eyes like bullets of liquorice,
slack jaw and an ice-cream scoop
wound, a flush of sickly crimson.

That night I thought of it,
fantastic, an orange flurry
between trees.

A day later, with rock-heavy eyes,
a head swollen with cold,
I walked the way of before.

People nodded hello,
the path draped in a translucent drool
but the animal had gone,

hauled from its bed of death,
its memory a blemish of ruby
on a beach of boundless white.

As I wait for my name
to be called, it starts
to rain. Slowly,

stuttering at first
but then a downpour,
thick grey sheets

hammering onto the windows,
as though the whole building
is being peppered

with paintballs. A woman no older
than me enters, her coat slippery
with the sky's remains,

blue umbrella like
a dishevelled animal. The receptionist
says 'you poor thing.'

I wonder how many times
she'll say that today. The doctor
asks for me. He's running late.

freckle constellation
clouds like wet peach wedges

Tetris-brick walls
and mint green street signs

a woman
talks on her phone
by the dry-cleaners

a chef speaks Greek
hands coated in hair
swollen worm veins

students kiss
with their rosy mouths
serve arms for a taxi

buy a gun
stick of gum

a book on the top shelf
third edition
pencilled-in price

traffic stomach-ache
kaleidoscopic car horns

your name
like drops of honey
so good

drops of honey
your name

Look
I’m not sure
what to say here
about this picture
maybe it’s the colour
you painted your nails
or the way you are awake
but in a position ready for sleep
regardless there is something delicate and silent
about this picture and the way that you look and so
I thought that I should tell you that
even if these words don’t breathe
in the shadows of your mind
for being strangers is such
an indefinable sickness

Paris, it could be, but for all you know,
London. A hotel room, four-poster, the sheets
clotted cream but for a Fool's Gold lining.
The en-suite, your bare feet
chilled.  A shampoo bottle left open, water blobs
that tiptoe across a grubby mirror. Then the blue eyes
discover yourself, wide and quite alive
but the morning has barely grown up. Teeth brushed,
face scrubbed, mobile on. Messages from all corners,
a yellow smile, a midnight memory
like an unearthed polaroid.  A trilogy of knocks.
The man, whose name you’d like to remember
for next time, brings twenty shades of breakfast.
The phone quivers again. A tanned brioche, little
butter rectangles too fiddly to exhume. You spot
a bruise on your arm, a wonky plum beneath
the surface where there wasn’t one before,
yesterday hits you now, strobe lights, a headache
that cracked as glass across your skull. Now this.
Bad breath, black coffee to blister the tongue.
And the message. Somebody wants you,
it seems, but you won’t want them back.

begins

new jewel

almost a year

since you made it official

and now back

to the start

another year

stretching its arms

April wave

green blaze

love like the blossom

that’s what you said,
matter-of-factly
in the bar on the corner

where we’d drink
our Friday evenings away,
uncover our bodies

like the first time all over again
until the early hours,
a fingernail of light on the bed.

My bed, first. Then ours. Now mine
again. The space where you’d sleep,
spine facing me, dreamcatcher

on your back you got before we met.
I dreamed of you. I knew little else,
your words melding with mine

to form a succulent, secret language.
I took a sip of my drink,
spoke with care -

you want. to see. other people.
Not a question, a stagger,
the disintegration of something.

We parted with a pinch of tears.
That first night I became hollow,
head foggy with the feel of your skin,

your breath on my neck.
Now I think of your body
with another body,

doing the same things
you did to me.
I write your name

on the bathroom mirror
with a raisin-like finger.
It exists, like you did,

then runs, as if
your name is too harmful
to linger anymore.

dipped your locks
     in a *** of gold,

beautiful as a haiku,
                                 cryptic as a silent night.

I’m the clock with
a faulty second-hand,

my days made
          with rings of mist.

          now,

I picture your voice,
          hear your skin,

names pile up
                       like a tower of cards

                       but the hearts aren’t real,
they never have been.

     sing all the colours
     the rainbow forgot.

I dip in my pen,

          write the words

                                      you’ll never see.

You're off again
and I'm left with residues
like fingerprints on a frosty window

I see bubbles everywhere
all too temporary
awaiting their rapid deaths

you're part of the transparent clique
glistening - unavailable
another noiseless vanish

(her name washes up on the shore
my private shipwreck
except I'm not the only one
who knows
there's no blue smudge on my thumb
from where she spilt her breath

blossoms elsewhere
stop yourself before the vowels
bleed through)

and you choke on the smoke
of your past

Maybe next year I'll tell you
I love you, the platonic type,
the words light from my mouth
as though constructed from bubbles
and you could be there, set to let them
pop against your tongue, maybe reciprocate.

The other type, I've heard, resembles falling,
but does that feel like floating, your body
when dancing, suspended in air for
a cluster of seconds before caught
by your sequinned partner, all smiles,
or is it more sinking,

we did this at primary school a few times,
the chilly, barefeet-plastered hall floor,
told to close our eyes and gently melt,
pretending we're chocolate in a microwave,
every boneless portion hopeless, floppy
until our teacher revived us with her sound.

Otherwise, it could be a tumbling of sorts,
a trip-on-the-first-step-smash-every-limb-kind,
skin blotches that gasp in agony with a touch,
your mistake stains in violet tones, or,
if executed with a more Wonka flourish,
just lust in the blood. Perhaps you'd bleed pink.

Like I know the feeling anyway.
If the words in my throat are
painted with truth, I'll say it, mean it
and breathe or let embarrassment
crush me in its reptilian silver claws.
You might even say it back, platonic or not,

even if I don't know you much,
even if my bedtime is your breakfast
and you handle cutlery better
and don't mind my eczema if you ever
see it on a fuzzy screen or body to body.
Even if my lips have never known what to do.

off the plane
and the word marriage
alive on your tongue

another with
another
spilling bits and
again

you take their hand
not the other way
around

both say no
but I know yes

yes
offered silence
black water
in a bucket

drink it like whisky
scorches my

The Seine a tongue of midnight ink.
Montparnasse, a tepid August night,
star-bundles like quartz-splinters in the sky.
     The Dingo bar the place.
Jazz coming from somewhere, melody of mystery,
throng of conversation and smoke,
grey curlicues swaying above our heads.

Hemingway, feuillemort shirt, telling me I look rough.
   ‘You sleeping well?’     ‘Well enough.’
   ‘That wife of yours is pure mayhem, I tell you.’
The same old chatter. Besides, Isadora was worse,
cradling her drink as if a glass of jewels.
Then he was onto his Pamplona jaunt,
a heat that careened off from the streets,
undulations of warmth in the air
quivering like whispers.

  ‘Look here, we’re the best writers in this city
   when you’re not gallivanting over to your wife.
   Two women, one body, you know it Scott.’
I sighed, ordered another gin.
‘Transparent poison’, Ernest said again.

On the way home, faded trill de trompette in my ears,
night thriving to every pocket of Paris,
fields of unidentified liquorice flowers.
Young and in love - young with intimacy
skittering around our bodies
like delicate bees.

I put the drink to my lips,
bookcase brown,
not quite up and at them
at this mid-morning hour,
disjointed murmurs of strangers
ordering coffee,
the soft thrum of Saturday chat.

For a moment,
my eyes fixed at the map
that adorns the wall,
I feel myself shrinking back,
my head a *** of blue
nothingness, before
a flock of images

pop up like blood
from pricked fingers,
material that could be used,
a splinter of a half-told story
but no siren yowl,
more a coil of smoke,

and so it goes.
The flow stops, I thunder
back to where I was.
A child’s cry scorches the air.
I slip in and out of conversation,
picking up snippets
like the metal claw in a grab machine,

unfamiliar particles,
a peculiar curiosity,
a whirring like clockwork
of the recent expeditions,
how it felt

when you kissed her,
and the fizzy burble,
little glob of ruby
of what hasn’t been said yet,
or if it ever will.

if no answers, the sea calls.
watch how it rushes in to greet,
its translucent syntax spilling
over the toes, splashing the ankles,
leaving its transitory glisten for you.

a tepid breeze between fingers,
count each intake of breath,
every time the waves respire
and become reborn, and you sigh
along with them, coastal air

loading your lungs, the blood orange
sun on its indolent slide
to the horizon’s other side,
your language of logograms
the response, to keep going.

One day
you'll turn over
in the bed you bought together
in the bedroom you rent together
surrounded by items
that are now 'ours' and not 'mine'
as the first light
stutters across her cheek
and you'll wonder
if this is how
it will always be
the grey familiarity
infecting you
like a go-to drug
that doesn't do the job
so well anymore

it begins with a voice

          intonation
               inflection
   liquid-like cadence

          whichever word glows best
at the time

and here are some words
     sculpted into a song

     floating jewels

               melody coming up roses

is this how we fall in love

     with a voice and a tune

a stranger’s face

which face it
          you can’t forget

hours where nothing glistens
liquid seconds

the picture of your voice
could be my vicious heartbeat

just a ghost with an alarm
where the mouth should be

I’d tell you if something new
was constructed

but no colourful bubbles
are trundling off from my tongue

the silence is no special treat
it is a regularity

a present transparent being
with lips sewn shut

a stranger is waiting
I’m told

but for the fully-formed
or finely moulded

think you've read the ending before
you probably have



a light switch in a dusty room
somewhere surely a hand

morning donation
like blobs of memory

remnants of night’s mischief
sets green ablaze

with transparent poetry
transient grammar

who's crumbling?

is it me
not me

who's running?

not the man
drenched in the dark
his feet don't move well
don't work

who's moving?

maybe every person
who isn't you
doesn't have chains

who's talking?

unknown voice
they might not
have spoken before

who's answering?

ghosts perhaps

I.

snowdrop flourishes
frost-baptised in dawn’s first light
rows of white applause

-----

II.

gathered family
state of gratitude and warmth
lights twinkling on tree

-----

III.

transient language
Boxing Day trodden whispers
in sky’s yuletide gift

the rain is playing
its jingle again
between the trees

night unravels
liquorice tongue
pricked with stars

your fingers
look perfect
between my fingers

our language
an ephemeral blush
on windowpanes

Woman, name unknown,
     I think of your marigold hair, marigold hair
and bare feet in the grass.

There was a voice: do I ask?
   Do I disrupt a pleasant scene
or would I ***** like a thorn?

The dream, to speak your name,
   become accustomed to its taste,
like drinking the sun through a straw.

Alas, if only I’d thought before,
   my mind wandering, thoughts bouncing
conker-like, hard and loud.

I wished to cradle your smile,
   a great beam, lychee pink,
dismiss the crowds.

The chance, sinking, my body
   stifled by unseen vines,
your name a hush of water in my hands

but your hair, bare feet,
   like a summer breeze
in the freezing core of winter.

When I think of you

I think shampoo and strawberry ice-cream

weekend tangerine sunrises

atlas of freckles and new rain on cheeks

my hole-strewn t-shirt against your skin

so it’s like I’m there with you, almost

is this what your voice is
voice is
a teardrop in the space
where a puddle should be

television static
you know
I’ve tried
to get a picture to form

shapes and colours
and delicious sound
but still only
on the screen

moving talking
a time that isn’t now
I want you present
with your mouth

breathing out
words I can swallow
a real wrist arm elbow
real clock

real time

life
segments
through the letterbox

a horrid shriek of sludgy colours
or always cooking
in the oven

friend to stranger
words to page
quiet to quieter

We’d only seen her
a week before.
Appeared fine,
cradling her cuppa
as if a freshly-plucked apple,
a library book
chapter down
on the little wooden table.
You wouldn’t have thought it.
It was hidden,
like a forgotten photograph
slipped inside a fading album.
She laughed,
the skin wilting around
the fingers, the veins
like roots sprouting from within.
I was going to call
when the phone rang,
the shrill signal,
that ugly brick of tragedy.

After Hungary and Hong Kong
they arrive at last, and the crowd
stir from their somnolence to greet
the thirty-five behind one flag.

A splotch of blue on a ripple
of white, all ice-hockey players
in snowy coats and bobble hats
waving to the fans, to the world.

Euphoric pop as the athletes
soak it in, absorb the notion
of unity, of millions
of invisible eyes watching.

And does this mark the beginning
of an end? Perhaps          perhaps not.

I write your name
at the back of the book
because I know
you’ll flick to the end first.

Endings are the real killer, I say.
I have said before,
they are only ever coming
or artefacts of the past.

Don’t think about that, you say,
look at the clock,
its hands stammering on,
the time lost and now

lost again.
What will we become
if not whispers
in every hundredth conversation?

Here is now -
cup it in your hands,
or like so many things
it will be a forgotten echo.

say 'love'
but you both know
it's anything but

let me tell you
about the names
I keep silent

the gap that exists
and never shrinks

could've been that somebody?

now somebody
else

And it happens.

For a moment, a silence
that encloses us,
a cool, transparent blanket
for a second of a second.

Then his body, limbs, flailing,
drunken puppet,
small spheres of mud
drip off from his skin.

An ankle trembles
in its socket,
a foot spins the opposite way,
a crack nobody hears.

There’s a whistle in the ears
as his torso judders
into newfound positions,
death already in the bloodstream.

Nothing can be done,
you knew this could happen,
my voice says in my head
as blood erupts from a wound.

I know it as soon
as his body smacks the earth,
his life evaporated,
his name floating to the clouds.

so this is it
jumped ship
or whatever it's being called
these days

I feel myself
falling
Alice like
into a murkier space
than before

where the silence
gnaws at my brain
splinter of a twinkle
heavens above

quite obvious
what's happening
ignorance that flares up
like a blanket of acne

an excuse that drips
quick from the fingers

your game is peeling
from every corner
and rolling the dice

ain't as easy
as I found it
when you spoke
with an actual voice

After my round, Karen
leaves early. The revision
won’t do itself, she says,
and we know she’s an
all-night crammer, we’ve seen
the textbooks thick as a brick
so we groan but know
needs must. Our tongues, fuzzy
from lurid orange *****,
heads starting to pound
but we all, those left, agree it’s time
for vinegar-blotted batter,
salted sliver, steaming grease
in a puddle of papers. They’re open
till late, I say, the only one
yet to stagger as our one minute
walk begins, laughter lost
to the night. Tom asks why
haven’t we done this before. Beats
me, we just forget about time
don’t we, it’s like there’s not
enough of it. He half-drunkenly nods,
the blinding glow of the chippy
reeling us in, thirsty for money.

you bring the crimson
makes a system skittish
foreign electricity
in staccato arrivals

X marks the spot
seems fact over fiction
but your code unravelable
gridlock enigma

the heartbeat knows
mystery loves mischief
though years become strangers
rainless scraps of cloud

no better should know better
adulthood in lowercase
when we meet French lullabies
may I drink from your throat

on the day that marks
his fortieth year
a doctor informs him
that his arthritis is worsening,

digits more like twigs,
mashed potatoes for knees.
the news is no surprise,
more expected mail.

when the band begins,
the cymbal sizzle
like vegetables in a pan,
crow horn squawk,

he places the mouthpiece
between his chapped lips
knowing that any day
could be the last day now,

so he thinks of Coltrane
and blows, hard, all he’s ever known,
eyes of a gaggle of strangers,
ping-pong ***** in the dark.

we have travelled
to the place you go to
to get away

     this time
I have been reeled in
your thumb

   on my wrist
as we step off     the train
into a city

that isn’t home.

In the museum
the sunlight
paints your face

cobalt eyes
   catch mine
between the     echoes

of our words
and if there’s ever peace
   I believe

   it is this
among strangers
and paintings

in the place
you go to
   to get away.

they don't notice
   but in this playground of love

as you smile
   into the lens
      and I take the shot

that captures a segment of a second

this is our beginning
   and middle

the moment when we mesh together
   the way magnets clap together

or spaces between fingers
   for another person's fingers.

I am afloat in the flame
   we have made

the touch of you
   again
      
      and then again

my favourite melody

sing so the words
   are flowers in your lungs

give me your gold

   you are golden to me.

So I drink
the voice from your throat.

If diamonds
had a taste this is it,

it goes down
so well. It goes down

so well
in mouthfuls that shimmer.

On the day we move house
I am in someone’s old bedroom,
our new bedroom.

The walls need work,
panoply of circles
where picture frames once hung,
where a shelf may have slept.

I think of the books a wife
may have read, propped up in bed
in this place, her husband also reading,
the lamp-light pouring over their skins.

They had *** in this room,
people before them too,
long ago residents.
The walls have seen, have heard
it all.

A green squiggle next to the door.
A name? Or an age? Hard to tell.
The remnants of faces moved on,
our footsteps the next to grace
this sanctuary of sleep.

A duo of pots, three cylinders,
wrapped. We shall make a start soon.
The bed will go here,
wardrobe by the window.
A shout rockets up the stairs.
The wife’s making a brew.

is it happening again?
am I expelling my tears, a rare, ugly act,
my head crumpling at the thought
of stepping on, then off,
my slapdash navigation through unfamiliar streets,
the hours as red as crushed cherries.

at that age I should’ve been better.
at this age, surely, better,
or not? Soon the questions will pour in,
indigo sky thunderstorm, discovery of love
jump-scaring up as through bread in the toaster,
my conversation sieved with droll ripostes,
a flame of humour, laughter clasped in your hands.

I feel a change coming,
tastes like liquorice on the tongue.
Crumbled at eighteen, but what of twenty-six?
My flaws still surface like bottles from the ocean,
rusty reminders that I still, I say, lag behind.
Will I need your hand? Do I want it?
Tell me history has not become present again.

this evening I drink the stars with you
never has the night tasted so delectable
as when our heartbeats sit side to side
when the music slumps
into an indistinct muffle
until we hear our own breaths

flicker of a twinkle in the distance
city populated with insecurities
lungs of smoke and veins of coffee
but you in your striped socks
me with my tea-stained jumper
just enough just enough

Am I an eagle
with aluminium wings
in the electric night
or the mad man
watching mosaics
melt into stained-glass puddles?

Look into my bloodshot eyes,
speak to me in that Spanish susurro
and tell me to fly,
          tongue of lightning /violet horizon,
or I’ll be seeing colours in bubbles
dancing a marinera,
a manic stalactite-white grin
I’m not in control of wriggling
across my whiskered face.

how do you stop them,
these pipette-fed ruby furies?
it is the escape that paints itself
in a shade of night,
a chain of palms away.
thinking makes it so,
   so right.
look how they stay silent,
mouthless ghosts,
floating
     and
   never
          fully
     formed.

Water nuzzles ankles again
     sliced pomegranate sunset
footprint glyphs
   like our own Hebrew letters

legs half-bare is a rarity
   sand is orange zest
stippled against our fingers
   hair overflown champagne

down your spine
   thin ribbons of un-tanned skin
the sea like a wildfire of hushes
   each wave urging us on