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What's she's feeling shows on her skin
this self harm game she'll never win.
She enjoys it when she sin's.
You could call her a sinner
or a cutter.
But it won't stop her from taking that drug or blade
for another.
Her mind she got from her mother.
But the pain is like any other
praying to her father,
she's asking,
"how do i recover?
why do i even bother?
should i scream louder?".
Or will they yell at her for crying wolf?
calling her a fool
because they couldn't understand her "help".
They never understood how she felt
they always believed someone else
like the medicine on her shelf.
So she killed herself.
She threw the ball,
The tiny creature brought it back,
She stood tall,
In her mind she fretted over how she lacked,
She threw the ball,
The tiny creature brought it back,
She couldn't stop playing with it,
No matter how much it bled,
She would still throw it,
She threw the ball,
This time she was dead.
Your childish lies have nothing of a true meaning
because you never saw what truly went on inside my mind.
The cogs were turning, but the wheels got stuck in the muck
that you had left behind when you decided that it was time to bid me adieu.
That child inside me broke
Like the Bay Lake dam that came crashing and tumbling down,
the waters swirling into the ever after.
Leaving me behind, alone, with the lonely company of the silt and the sand.
And then, I wept.
I'm clinging for the meaning of the silence around me
as it dances around the corridor of my mind in a ballroom manner,
one step forward, two steps back.

I cannot hear the heels of her feet touch the ground.

When I begin to catch the pace of her waltz
she merely speeds up, skipping one, two, one two.

My mind says to let her dance, to let her take her time
in spreading her poison throughout each of my veins
so that she will encompass me soon
and I will feel
alone.

But my heart tells me to stop her, to push her down
and force her into a corner, strip her of her mask
and unravel her mystery
all around
me.

So now I am stuck listening to her soundless music
as she carefully covers each panel of my life
growing like a cancer but dancing ever so
elegantly that one could be forced to say
my, what
b e a u t y
If the Devil asks you to dance,
You best remember to say Never,
Because a dance with the Devil,
Might last you Forever.
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly *** from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."

The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The *** bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."

Quoth the ***, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."

Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.

"We are higher than twelve and below fourteen,"
Said Maxie to the ***,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.

It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)

The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.

Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.

Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.

Now the ****** make way for the double-******
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.

See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.

And still they come, and from the ***
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."

"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"

The *** reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-******.
When the Devil and the Angel dance,
the world doesn't stand a chance.
They waltz and move, each step more graceful than the last.
There was a powerful beauty in the red and white contrast.
His hand grasped her waist,
and he watched the heavenly way her body moved--but the Devil made a mistake.
He looked up from her body and into her face.
At that moment, Heaven, Earth, and Hell collided and crashed,
the brightest lightening flashed.
He looked into her eyes--the lightest shade of brown,
and he was no longer ****** to Hell.
To the devil he once was, he said farewell.
The Angel, the way she danced just for him--so peaceful.
The Devil fell in love with the Angel,
During the dance that neither Heaven nor Hell would ever forget.
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