"--you know, I've either had a family, a job, something
has always been in the
way
but now
I've sold my house, I've found this
place, a large studio, you should see the space and
the light.
for the first time in my life I'm going to have a place and
the time to
create."
no baby, if you're going to create
you're going to create whether you work
16 hours a day in a coal mine
or
you're going to create in a small room with 3 children
while you're on
welfare,
you're going to create with part of your mind and your
body blown
away,
you're going to create blind
crippled
demented,
you're going to create with a cat crawling up your
back while
the whole city trembles in earthquakes, bombardment,
flood and fire.
baby, air and light and time and space
have nothing to do with it
and don't create anything
except maybe a longer life to find
new excuses
for.

the women of the past keep
phoning.
there was another yesterday
arrived from out of
state.
she wanted to see
me.
I told her
"no."

I don't want to see
them,
I won't see them.
it would be
awkward
gruesome and
useless.

I know some people who can
watch the same movie
more than
once.

not me.
once I know the
plot
once I know the
ending
whether it's happy or
unhappy or
just plain
dumb,
then

for me
that movie is
finished
forever
and that's why
I refuse
to let
any of my
old movies play
over and over again
for
years.

this time has finished me.
I feel like the German troops
whipped by snow and the communists
walking bent
with newspapers stuffed into
worn boots.
my plight is just as terrible.
maybe more so.
victory was so close
victory was there.
as she stood before my mirror
younger and more beautiful than
any woman I had ever known
combing yards and yards of red hair
as I watched her.
and when she came to bed
she was more beautiful than ever
and the love was very very good.
eleven months.
now she's gone
gone as they go.

this time has finished me.
it's a long road back
and back to where?
the guy ahead of me
falls.
I step over him.
did she get him too?

i want you in every way
internally
with a movment of hips
externally
strokes from fingertips
spiritually
our bodies but mere shells
enompassing souls that tap on chest cavities
i mistook it for my heart fluttering
i don't believe in love at first sight
but it was something
i fear it was
old souls reconnecting

its mornings when the cold stings my nose
and the smoke fizzling off the end of my cigarette
burns my bloodshot eyes
that i can't see a thing out of because i just took my contacts out after passing out with them in that i remember
i am ******
and the world is still
just as frigid and grey as before
but it is early
and i will shut the world out in blackeness
bury myself beneath covers
and pray for blue skies once i open my eyes
but anything will be contrast against
the view of my inner eyelids

i am god
i am the devil
i am the angel
and the demon
i am found
i am lost
i am positive
and i am unsure
i am sane
i am psychotic
i am normal
and i am insane
i am both all and none of these things
at any given moment all i can gaurentee is that
i am human

It's never quite right, he said, the way people look,
the way the music sounds, the way the words are
written.
It's never quite right, he said, all the things we are
taught, all the loves we chase, all the deaths we
die, all the lives we live,
they are never quite right,
they are hardly close to right,
these lives we live
one after the other,
piled there as history,
the waste of the species,
the crushing of the light and the way,
it's not quite right,
it's hardly right at all
he said.

don't I know it? I
answered.

I walked away from the mirror.
it was morning, it was afternoon, it was
night

nothing changed
it was locked in place.
something flashed, something broke, something
remained.

I walked down the stairway and
into it.

some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply
there won't be any more, abstract or otherwise;
there'll always be mony and ****** and drunkards
down to the last bomb,
but as God said,
crossing his legs,
I see where I have made plenty of poets
but not so very much
poetry.

it's the same as before
or the other time
or the time before that.
here's a ****
and here's a ****
and here's trouble.

only each time
you think
well now I've learned:
I'll let her do that
and I'll do this,
I no longer want it all,
just some comfort
and some ***
and only a minor
love.

now I'm waiting again
and the years run thin.
I have my radio
and the kitchen walls
are yellow.
I keep dumping bottles
and listening
for footsteps.

I hope that death contains
less than this.

good weather
is like
good women-
it doesn't always happen
and when it does
it doesn't
always last.
man is
more stable:
if he's bad
there's more chance
he'll stay that way,
or if he's good
he might hang
on,
but a woman
is changed
by
children
age
diet
conversation
***
the moon
the absence or
presence of sun
or good times.
a woman must be nursed
into subsistence
by love
where a man can become
stronger
by being hated.
I am drinking tonight in Spangler's Bar
and I remember the cows
I once painted in Art class
and they looked good
they looked better than anything
in here. I am drinking in Spangler's Bar
wondering which to love and which
to hate, but the rules are gone:
I love and hate only
myself-
they stand outside me
like an orange dropped from the table
and rolling away; it's what I've got to
decide:
**** myself or
love myself?
which is the treason?
where's the information
coming from?
books...like broken glass:
I wouldn't wipe my *** with 'em
yet, it's getting
darker, see?
(we drink here and speak to
each other and
seem knowing.)
buy the cow with the biggest
****
buy the cow with the biggest
****.
present arms.
the bartender slides me a beer
it runs down the bar
like an Olympic sprinter
and the pair of pliers that is my hand
stops it, lifts it,
golden **** of dull temptation,
I drink and
stand there
the weather bad for cows
but my brush is ready
to stroke up
the green grass straw eye
sadness takes me all over
and I drink the beer straight down
order a shot
fast
to give me the guts and the love to
go
on.
from "poems written before jumping out of an 8 story window" - 1966