Bernie frames the TV
between his feet--
left hand remote,
beer bottle balanced
by his right—
clicks through half-time shows,
clicks like shooting a gun, a Fazer,
a death-ray secret weapon,
clicks just to do it, an idiot’s
smile faint on his face.
he sees only noise
Emma tends her stamps,
perched on the plain board chair
she upholstered herself—
its arms worn, warm,
warmly welcoming—
her back to her husband,
her life as wife and mother
coming to a languid close.
she tastes some regret--
yet spicy with passion--
where life has had its way with her.
The rug’s bright stew of colors
can’t hide everything
children spilled
when they were young--
juices, milk, soup, sauce, tears;
little dreams,
tiny heartbreaks,
minor crises
ground into the weave;
all the gooey pastries, cookie crumbs,
blood and sweat and nightmares congealed
into solemn patina--
I see protects it from time.
These solid objects—
stout, no-nonsense chair
wearing gouges, marks,
discolorations of use
and years like badges;
fat, chunky, cigarette-burned
BarcaLounger, drunk
from drink spilled
on every surface,
handle supple
as a young girl’s wrist,
swirling a territorial aura
around its microscopic
sphere of the universe;
and the rug…
unassuming, proletarian,
handmade and honest,
each scrap of fabric
chosen by the weaver’s hand,
now useful again,
reveling in redemption—
these solid objects
invade,
infuse,
invigorate
otherwise empty space,
squeeze meaning from the world
around them,
same as the hand of the artist
sculpts love from her heart
to give them life.
The children have moved away
Old friends are dying every day
Stamps no longer can be licked
There is no way to interdict
The Jets are losing again