kneels in gravel— paws folded under, claws hidden-- sometimes for hours. In dark, in day, in rain, in gray growing gloom same color as her coat, she genuflects to her goddess, twiddles razors with feline ennui, rules the empty deck like a furry Queen of Hearts.
Her benefactor borrows her boredom From time to time-- the lady with the cream, red hair, and quiet conversational tone.
It took a week to coax her in— the elaborate kabuki of cats-- and the lady laid out house rules in that voice.
No names necessary; friends forging a contract.
No sharp kneading in the belly, out at night no pregnancies no fights.
Agreed.
Appearances are regular now. Screen-door meow for entrance, purrs to the delicate stroke of long fingers and soothing human talk. Food dish is usually full.
The lady neglected to cover the topic of gut-piles on the welcome mat. Porch Cat is most proud of these, offers them as evidence she’s keeping her end of the bargain-- with one exception-- in the dungeon of night low dark howls rise to screeches: ancient instincts, modern setting.
Lady flops in her sleep, winces in her dream.
Lightning lash, Soft, sharp tear of flesh. Porch cat has new wounds to lick-- a task to occupy her time waiting at the door for morning to filter into the city.
11/5/10
First ever version of this was written for Jane Walsh in Houston, somewhere around March, 1978. It's been revised many times since but I think we all agree it's Jane's poem.