May 2014
'Dutch Bakery' in purpled-neon, lights of the cross-street behind slink outward vis reflection projected unto Liquor Plus, Empire Theatre. Kind and married-typical common law couple with a fellow looking feel-low sits with pack atop his lap, tapping bottom, fidgeting leg. His partner whispers 'shall we go for coffee?' and he seems a little fizzled to respond with 'yes, ha ha, yes!'
They all look tired on the bus and I'm wired on the bus, a psychoactive passion for coffee in all forms the general complicit in my make-up brazier. The fuzzy-muffled image in the dark beyond the moving windows are like ground-level star-scapes hopping from eye-to-eye. No one here can see they're part of the greatest story ever told. Part Ten I etch unto a sketch upon a smartphone, I won't forget this moment and neither will the world. All of them I love, they love me back in some corrupted way. Won't admit the night is bright with kisses and arms up past the hemisphere.
Noting every quick fix is a way of ******. Brooklyn ******, 'MOI-da,' counting ways to be defunct. It's a long day every day, some days are handfuls and others vast oceans wherever. Spliced and shared between the masses, each mass correct of parts who think the masses are a giant individual with a fluctuating waistline depending on the era.
You can't help but come and ask yourself, 'whatever became of me? whatever began in hoping? whoever saw land in site?' before the histories rot in landfills, nothin more than sun-drenched wood-sheets, sketched-out symbols on a saw. and this, and this, and this
and this, my friends, is how the story told itself again
again
again
again
again.
They all look tired on the bus and I'm wired on the bus, a psychoactive passion for coffee in all forms the general complicit in my make-up brazier. The fuzzy-muffled image in the dark beyond the moving windows are like ground-level star-scapes hopping from eye-to-eye. No one here can see they're part of the greatest story ever told. Part Ten I etch unto a sketch upon a smartphone, I won't forget this moment and neither will the world. All of them I love, they love me back in some corrupted way. Won't admit the night is bright with kisses and arms up past the hemisphere.
Noting every quick fix is a way of ******. Brooklyn ******, 'MOI-da,' counting ways to be defunct. It's a long day every day, some days are handfuls and others vast oceans wherever. Spliced and shared between the masses, each mass correct of parts who think the masses are a giant individual with a fluctuating waistline depending on the era.
You can't help but come and ask yourself, 'whatever became of me? whatever began in hoping? whoever saw land in site?' before the histories rot in landfills, nothin more than sun-drenched wood-sheets, sketched-out symbols on a saw. and this, and this, and this
and this, my friends, is how the story told itself again
again
again
again
again.
