The excerpt below is from an interview Philip Roth gave to Daniel Sandstrom, the cultural editor at Svenska Dagbladet, for publication in Swedish translation in that newspaper, and in its original English in the Book Review of the New York Times (March 1, 2014).
It was laid out in normal article (paragraph) form, but I chose to re-present here, line by line, sentence by sentence, for it struck me as I first read it, as a prose poem, and a source of inspiration for me. But then I realized, I could not improve upon his words, just risk diminishing them. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ “The struggle with writing is over” is a recent quote. Could you describe that struggle, and also, tell us something about your life now when you are not writing?
Everybody has a hard job. All real work is hard. My work happened also to be undoable. Morning after morning for 50 years, I faced the next page defenseless and unprepared. Writing for me was a feat of self-preservation. If I did not do it, I would die.
So I did it. Obstinacy, not talent, saved my life. It was also my good luck that happiness didn’t matter to me and I had no compassion for myself. Though why such a task should have fallen to me I have no idea. Maybe writing protected me against even worse menace.
Now? Now I am a bird sprung from a cage instead of (to reverse Kafka’s famous conundrum) a bird in search of a cage. The horror of being caged has lost its thrill. It is now truly a great relief, something close to a sublime experience, to have nothing more to worry about than death. ------------------------------------------------------------------